"In a painting, you're committed to a decision. There are ways to get back out, but it always suffers or it always retains a record, a pentimento, which literally translates as repentance. In printmaking, there is no repentance. There's a kind of innocence to the result."
Gary Stephan
Prints
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1990 II, 1990 | 1990 IIII, 1990 |