| 2007 |
“Brad Brown: Piece,” Larissa Goldston Gallery, New York, NY |
| 2006 |
“Brad Brown: Getting Used to Using Each Other,” Jundt Art Museum, Spokane, WA |
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“Collector,” Lemberg Gallery, Ferndale, MI 2006 |
| 2005 |
“Brad Brown: One Sixteenth for Every Quarter and Eighth,” Larissa Goldston Gallery, New York, NY |
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“The Wall and the Page,” Glass Curtain Gallery, Chicago, IL |
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“By and By,” Museum of Contemporary Art, Denver, CO |
| 2004 |
“Landscapes and Mugshots and (32 Witnesses),” Haines Gallery, San Francisco, CA |
| 2002 |
“The Look Stains,” Haines Gallery, San Francisco |
| 2001 |
“The Look Stains,” Fassbender Gallery, Chicago, IL |
| 2000 |
“Brad Brown: A Sucking System” Drawings, Susan Cummins, Mill Valley |
| 1999 |
“New Etchings and a Wall Installation,” Crown Point Press, San Francisco, CA |
| 1998 |
“Blind Fields,” SF Art Commission Gallery, San Francisco, CA |
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“Drawings,” Geof Young Gallery, Gt. Barrington, MA |
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“Headlands,” Susan Cummins Gallery, Mill Valley, CA |
| 1995 |
“The Liberty of Caged Animals,” Susan Cummins Gallery, Mill Valley, CA |
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“A Window Exhibition,” 23rd St. Gallery, San Francisco, CA |
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“The Look Stains (Fragments and Notations),” Southern Exposure at Project Artaud, San Francisco, CA |
| 1987 |
“Notations on an Ungiven Lecture,” VCU Art Space, Richmond, VA |
| 2006 |
“Unique Prints: A Collaboration between Artist and Printer,” Stewart Gallery, Boise, ID |
| 2005 |
“The Fine Art of Prints,” Stewart Gallery, Boise, ID |
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“Print, Process, Collaboration,” Savannah College of Art and Design, Savannah, GA |
| 2004 |
“Marking Time, Mapping Thought,” San Francisco Arts Commission Gallery, San Francisco, CA |
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“Fine Lines,” Santa Barbara Contemporary Arts Forum, CA |
| 2003 |
“In the Making-Contemporary Drawing from a Private Collection” |
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University Gallery, University of Massachusetts, Amherst, MA |
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“Works on Paper”, Haines Gallery, San Francisco, CA |
| 2001 |
“Current Holdings: Bay Area Drawing”, Palo Alto Center, Palo Alto, CA |
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“Brad Brown, Gay Outlaw, Laurie Reid”, Crown Point Press, San Francisco, CA |
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“Kinds of Drawing”, Herter Art Gallery, University of Massachusetts, Amherst |
| 2000 |
“The Great Novel Exhibition,” Palo Alto Cultural Center, Palo Alto, CA |
| 1998 |
“Continuing in California,” SFMOMA, San Francisco, CA |
| 1997 |
“New Work: Drawings Today,” SFMOMA, San Francisco, CA |
| 1996 |
“Interior Lines,” Palo Alto Cultural Center, Palo Alto, CA |
| 1995 |
“Obsession,” Southern Exposure at Project Artaud, San Francisco, CA |
| 1994 |
“Selections Fall,” The Drawing Center, NY, NY |
| 1993 |
“Drawing First,” Southern Exposure at Project Artaud, San Francisco, CA |
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“Object,” Intersection For the Arts, San Francisco, CA |
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“Real Wet Paint,” Victoria Room, San Francisco, CA |
| 1992 |
“Wet Paint II,” Southern Exposure at Project Artaud, San Francisco, CA |
| 1989 |
”Trans—Ego,” Minor Injury Gallery, Brooklyn, NY |
| 1987 |
“Juried Show” (Juror, Suzi Gablik), Student Art Space, Richmond, VA |
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“Six at Six,” Six Gallery, Richmond , VA |
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“Fetish Objects,” Students Art Space, Richmond, VA |
| 2000 |
Artist in Residence, ARCUS Project, Moriya, Japan |
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Richard C. Diebenkorn Teaching Fellowship Recipient, SF Art Institute, San Francisco, CA |
| 1998 |
California Arts Council Grant Recipient, Sacramento, CA |
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Member of Southern Exposure Curatorial Committee, Southern Exposure Gallery, San Francisco, CA |
| 1998 |
Guest Speaker - SFMoMA Salon, San Francisco, CA |
| 1997 |
Ruth Chenven Foundation Grant Recipient, New York, NY |
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Guest Speaker - San Francisco Art Institute, San Francisco, CA |
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Artist in Residence, Headlands Center for the Arts, Sausalito , CA |
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Curator For “Touch,” A Show Of Emerging Artists, |
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Southern Exposure, San Francisco, CA |
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Artist in Residence, Vermont Studio Center, Johnson, VT |
| 1996 |
Western States Art Federation Grant Recipient - Works on Paper, Sante Fe, NM |
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Guest Speaker - Mills College, Oakland, CA |
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Juror for S.F. Artspan “Selections” Exhibition, Academy of Art College Gallery, San Francisco, CA |
| 1993 |
Set Design For Ellie Herman and Co.’s “Winter,” Theater for the New City, NYC |
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The Umbrellas, Joint Project for Japan and U.S.A., |
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Assistant to Sculptor Christo Javacheff |
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Kenneth Baker, “Arresting Art in State of Fluxus,” San Francisco Chronicle, May 15, 2004 |
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Harper’s Magazine, April 2004 issue page 27 (Illustration) |
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Kenneth Baker, “Stains’ Lure Eye and Imagination”, San Francisco Chronicle, April 20, 2002 |
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Laura Richard Janku, “Brad Brown: The Look Stains”ArtResources.com, April 2002 |
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Damian Noll, “Singular Moments Glimpsed in Chaotic Times”, Chicago Journal April 12, 2001 |
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Maria Porges, “Brad Brown at Susan Cummins”, Art in America, March 2001 |
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Kenneth Baker, “Brad Brown” Art News, December 2000 |
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Kenneth Baker, “Piecing Together Meaning From Brown’s Fragments”, San Francisco |
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Chronicle, September 16, 2000 |
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Kenneth Baker, “Brad Brown,” Art News, May 1998 |
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Kenneth Baker, “Exciting Drawings Created by a Roll of the Dice,” San Francisco Chronicle February 5, 1998 |
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Reena Jana, “New Work: Drawings Today,” Flash Art, October 1997 |
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David Bonetti, “‘Drawings’: A Portrait of Young Artists,” San Francisco Examiner, January 29, 1997 |
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Kenneth Baker, “Brad Brown, The Unfinished Line,” Art News, March 1995 |
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Kenneth Baker, “Exciting Glimpse of Artist’s Process,” San Francisco Chronicle, January 8, 1994 |
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Betty Klausner, “Brad Brown,” Art in America, July 1994 |
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Holland Cotter, “Selections Fall “94,” N.Y. Times, September 23, 1994 |
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Jamie Brunson, “San Francisco Fax, Brad Brown,” Art Issues, March-April 1994 |
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Sylvia Ruben, “State of the Art in the Bay Area,” San Francisco Chronicle, January 13, 1994 |
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David Bonetti, “Alternative Production Looks From Floor Up,” San Francisco Examiner, January 13, 1994 |