DARREN ALMOND
Born in Wigan, England 1971
Winchester School of Art, Winchester, England, B.F.A. 1993
Lives and Works in London.
Solo Exhibitions
| 2010 | Darren Almond: Fullmoon@Eifel, Max Hetzler Gallery, Berlin. |
| Darren Almond: The Principle of Moments, White Cube Gallery, London. | |
| Darren Almond: Sometimes Still, Matthew Marks Gallery, New York | |
| Darren Almond, PKM Trinity Gallery, Seoul |
| 2009 | Darren Almond, Sommer Contemporary Art, Tel Aviv |
| Darren Almond, Galerie Max Hetzler, Berlin | |
| 2008 | Darren Almond: Fire Under the Snow, Parasol Unit Foundation for Contemporary Art, London |
| Moons of the Iapetus Ocean, White Cube, London | |
| Darren Almond, Galleri K, Oslo | |
| Darren Almond, SCAI The Bathhouse, Tokyo | |
| Darren Almond, David Patton Gallery, Los Angeles | |
| 2007 | Darren Almond, Galleria Alfonso Artiaco, Naples |
| Day Return, Centre for Contemporary Art, Ujazowski Castle, Warsaw | |
| Night and Fog, Galerie Max Hetzler, Berlin | |
| Darren Almond: In the Between, Musée d’Art Contemporain de Montréal, Montreal | |
| Darren Almond, Matthew Marks Gallery, New York | |
| Darren Almond, SITE Santa Fe, Santa Fe, N.Mex. | |
| 2006 | Day Return, Museum Folkwang, Essen, Germany |
| 2005 | Darren Almond, Alfonso Artiaco, Naples |
| Only Sound needs Echo and Dread its lack, Galerie Chantal Crousel, Paris | |
| Darren Almond, Matthew Marks Gallery, New York | |
| Darren Almond, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf | |
| Isolation, Kunstsammlung Nordrhein-Westfalen, Düsseldorf | |
| 2004 | Darren Almond: Live Sentence, Lentos Museum of Modern Art, Linz, Austria |
| If I Had You, Galerie Max Hetzler, Berlin | |
| 2003 | If I Had You, Fondazione Nicola Trussardi, Milan |
| Darren Almond, Galleri K, Oslo | |
| 11 miles…….from safety, White Cube, London | |
| Darren Almond: Full Moon, Sommer Contemporary Art, Tel Aviv | |
| Darren Almond, Herzliya Museum of Art, Herzliya, Israel | |
| 2002 | A Fourth Wall, commissioned by Public Art Development Trust, National Theatre, London |
| At Speed, Galerie Max Hetzler, Berlin | |
| 2001 | Darren Almond: Night as Day, Tate Britain, London |
| Coming up for air, Matthew Marks Gallery, New York | |
| Darren Almond, Galerie Max Hetzler, Berlin | |
| Darren Almond, Kunsthalle Zürich. Traveled to De Appel Centre for Contemporary Art, Amsterdam | |
| 2000 | Darren Almond, Matthew Marks Gallery, New York |
| Darren Almond, The Approach, London | |
| Darren Almond. Traction, Chisenhale Gallery, London | |
| 1999 | Darren Almond, Galerie Max Hetzler, Berlin |
| Darren Almond, The Renaissance Society, Chicago | |
| 1997 | Darren Almond (Institute of Contemporary Art/Toshiba Art & Innovation Commission),Institute of Contemporary Arts, London |
| Darren Almond, Jay Jopling/White Cube, London | |
| 1995 | KN120, Great Western Studios, London |
| 1991 | Darren Almond, Crawford Art College, Cork, Ireland |
Group Exhibitions
| 2009 | Just With Your Eyes I Will See, Fonds D’Art Moderne et Contemporain, Espace Boris Vian, Montluçon, France |
| Altermodern: Tate Triennial 2009, Tate Britain, London | |
| Los tiempos de un, Centro de Arte y Naturaleza, Fundación Beulas, Huesca, Spain | |
| 2008 | Thyssen-Bornemisza Art Contemporary. Collection as Aleph, Kunsthaus Graz, Graz, Austria |
| The Cinema Effect: Illusion, Reality, and the Moving Image-Part I: Dreams, Hirshhorn Museum and Sculpture Garden, Washington, D.C. | |
| Implant, The UBS Art Gallery, The Horticultural Society of New York | |
| War and Art – Terror and Simulacrum of Beauty II, Galerie Aube, Kyoto University of Art and Design, Kyoto | |
| Night: A Time Between, Royal West of England Academy, Bristol, England | |
| God & Goods: Spirituality and Mass Confusion, Villa Manin Centro d’Arte Contemporanea, Codroipo, Italy | |
| Climax, LOOP ‘08 video art festival, Barcelona | |
| YouPrison: Reflections on the Limitation of Freedom and Space, Fondazione Sandretto Re Rebaudengo, Turin | |
| Du Jardin au Cosmos, Espace de l’Art Concret, Mouans-Sartoux, France | |
| The Full Width of the Ice. On Crossing the Arctic and the Alps from 1860 until Today, Albertina, Vienna, | |
| Unspeakable: The Artist as Witness to the Holocaust, Imperial War Museum London | |
| a.b.c. (art berlin contemporary), Alter Postbahnhof, Berlin | |
| Moving Horizons: The UBS Art Collection 1960s to the present day, National Art Museum of China, Beijing | |
| Ego Documents: The Autobiographical in Contemporary Art, Kunstmuseum Bern, Bern, Switzerland | |
| 2007 | Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York |
| New Dimensions, John Berggruen Gallery, San Francisco | |
| Shoot the Family, Canzani Center Gallery, Columbus College of Art & Design, Columbus, Ohio | |
| Ensemble, curated by Christian Marclay, Institute of Contemporary Art, Philadelphia | |
| Her(his)tory, Museum of Cycladic Art, Athens | |
| Light, Winchester Cathedral, Winchester, England | |
| Titled/Untitled: The Rubell and Devonshire Family Collections, Lismore Castle, Lismore, Ireland | |
| 2 Moscow, Biennale of Contemporary Art, Moscow | |
| Closed Circuit: Video and New Media, The Metropolitan Museum of Art, New York | |
| 2006 | Work, Rest and Play, Laing Art Gallery, Newcastle, England |
| Between a Rock and a Hard Place, Kenny Schachter, London | |
| Full House – Faces of a Collection, Kunsthalle Mannheim, Mannheim, Germany | |
| The Impossible Landscape, The Horticultural Society of New York | |
| Time 2 Kill, Galerie Max Hetzler, Berlin | |
| Shoot the Family, Cranbrook Art Museum, Bloomfield Hills, Mich.; Traveled to the Knoxville Museum of Art, Tenn.; Western Gallery, Western Washington University, Bellingham, Wash.; and the David and Sandra Bakalar Gallery, Massachusetts College of Art, Boston | |
| Casper David Friedrich, Museum Folkwang, Essen, Germany. Traveled to the Hamburger Kunsthalle, Hamburg | |
| 2005 | Turner Prize 2005, Tate Britain, London |
| Universal Experience. Art, Life and the Tourist’s Eye, Hayward Gallery, London | |
| En Attente, Casino Luxembourg, Luxembourg | |
| Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin | |
| The Mind is a Horse Part II, Bloomberg Space, London | |
| Getting Emotional, Institute of Contemporary Arts, Boston | |
| Works on Paper, Galerie Max Hetzler, Berlin | |
| Universal Experience: Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago | |
| World Without End, Australian Centre for the Moving Image, Melbourne | |
| 2004 | Sequences, Peterborough Digital Arts, Peterborough, England. Traveled to the Q Arts Gallery, Derby, England; Lighthouse, Poole, England; and Sir John Cass Department of Art, Media & Design, London Metropolitan University |
| L’Automne Festival, Paris | |
| Busan Biennale, Busan Metropolitan Art Museum, Busan | |
| Einleuchten, Museum der Moderne, Salzburg | |
| Eclipse: Towards the Edge of the Visible, White Cube, London | |
| Biennale of Pontevedra, Pazo da Cultura, Facultade de Belas Artes/Escola de Restauración, Instituto Valie-Incián, Pontevedra, Spain | |
| After Images, Neues Museum Weserburg, Bremen, Germany | |
| Open Secrets. Something Old, Something New: Redefining The Boundaries of The Art Collection, Imperial War Musem, London | |
| Other Times: British Contemporary Art, City Art Gallery, Prague | |
| 2003 | Video Time, Green on Red Gallery, Dublin |
| Imagination. Perception in Art, Kunsthaus Graz, Graz, Austria | |
| Outlook, Athens | |
| Melodrama, Museo De Arte Contemporánea De Vigo, Vigo, Spain | |
| The Breathing Water, Galerie Hauser & Wirth & Presenhuber, Zürich | |
| Game Over, Grimm/Rosenfeld, Munich | |
| Skulptur Biennale Münsterland, Stadtmuseum Beckum, Beckum, Germany | |
| Sculpture, Matthew Marks Gallery, New York | |
| Hot Summer In The City, Sean Kelly Gallery, New York | |
| Venice Biennale | |
| Witness, The Curve, Barbican Art Gallery, London | |
| Edén, La Colección Jumex, Mexico City | |
| 2002 | Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, P.S.1, Long Island City, N.Y. |
| Melodrama, ARTIUM, Vitoria-Gasteiz, Spain. Traveled to Palacio de los Condes de Gabia, Centro José Guerrero, Granada, Spain, and Museo De Arte Contemporánea De Vigo, Vigo, Spain | |
| Video Zone, The 1st International Video-Art Biennial in Israel, Tel Aviv | |
| The Hate U Give Little Infants Fucks Everyone, Smart Project Space, Amsterdam | |
| Contextualize, Kunstverein Hamburg | |
| The Rowan Collection: Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin | |
| Presentness is Grace – Experiencing the Suspended Moment, Spacex Gallery, Exeter, England | |
| In the Freud Museum, Freud Museum, London | |
| 2001 | 10th Anniversary Exhibition, 100 drawings and Photographs, Matthew Marks Gallery, New York |
| Open Plan P3 – The Marathon, Alphadelta Gallery, Artio Gallery, Athens | |
| Casino 2001, SMAK and Bijlokenmuseum, Ghent, Belgium | |
| Nature in Photography, Galerie Nachst St Stephan, Vienna | |
| Berlin Biennale | |
| Tracking, Kent and Vicki Logan Gallery, California College of Arts and Crafts, Oakland, Calif. | |
| Unreal Time Video, Fine Art Center, The Korean Culture & Arts Foundation, Seoul | |
| Deliberate Living, Greene Naftali Gallery, New York | |
| 2000 | British Short Film festival, UCI Cinema, London |
| Geographies (Darren Almond, Graham Gussin, Anri Sala), Galerie Chantal Crousel, Paris | |
| Apocalypse: Beauty and Horror in Contemporary Art, Royal Academy of Arts, London | |
| Darren Almond. Mark Hosking, Kerstin Engholm Galerie, Vienna | |
| Inverse Perspectives, Edsvik, Sollentuna, Sweden | |
| Out There, White Cube², London | |
| Making Time: Considering Time as a Material in Contemporary Video and Film, Palm Beach Institute of Contemporary Art, Palm Beach, Fla. | |
| Diary, Cornerhouse, Manchester | |
| 1999 | Sleeping Waters, Galerie Chantal Crousel, Paris |
| Chronos & Kairos, Museum Fridericianum, Kassel | |
| Seeing Time, San Francisco Museum of Modern Art | |
| So Far Away, So Close, Encore…Bruxelles, Espace Méridien, Brussells | |
| Concrete Ashtray, Friedrich Petzel Gallery, New York | |
| Common People, Fondazione Sandretto Re Rebaundengo, Turin | |
| 1998 | UK Maximum Diversity, Galerie Krinzinger, Benger Fabrik Bregenz, Bregenz, Austria |
| View Four, Mary Boone Gallery, New York | |
| Hidden Desires And Images, Art Dynamics, Tayayo Lida, Tokyo | |
| Ray Rapp, Tz’Art & Co., New York | |
| Art Crash, Århus Kunstmuseum, Århus, Denmark | |
| 1997 | A Print Portfolio from London, (Ridinghouse/Booth Clibborn Editions), Atle Gerhardsen, Oslo |
| Delta, Musée d’Art Moderne de la Ville de Paris, Paris | |
| Hospital, Galerie Max Hetzler, Berlin | |
| Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, London. Traveled to Hamburger Bahnhof, Hamburg; Museum für Gegenwart, Berlin; and the Whitney Museum, New York | |
| 1996 | Art & Innovation Prize, Institute of Contemporary Art, London |
| Something Else, Exmouth Market, London | |
| A Small Shifting Sphere of Serious Culture, Institute of Contemporary Art, London | |
| 1993 | Group Exhibition, Winchester Gallery, Winchester, England |
| 1992 | Group Exhibition, Southampton Quays, Southampton, England |
Selected Bibliography
Monographs
Madden, Kathleen. Terminus, Galerie Max Hetzler / White Cube / Holzwarth Publications, 2008
Wire, Helen. Index, Parasol Unit / Koenig Books, London, 2008
Heynan, Julian. Darren Almond. 50 moons at a time, K21 Kunstsammlung Nordrhein-Westfalen, Verlag der Buchhandlung Walther König, Cologne 2004
Barnes, Brad. Darren Almond. 11 Miles…From Safety, Jay Jopling / White Cube, London 2003
Walker, Hamza and Martin Herbert. Darren Almond, Kunsthalle Zürich, Zurich 200
Exhibition Catalogues
Bernstein, Joanne, ed. Moving Horizons: UBS Art Collection: 1960s to the present day. Beijing: NAMOC and UBS, 2008.
Dillon, Brian. Moons of the Iapetus Ocean, Jay Jopling / White Cube, London, 2008
Brougher, Kerry, Anne Ellegood, Kelly Gordon and Kristen Hileman. The Cinema Effect: Illusion, Reality and the Moving Image, Hirshorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, 2008
Herbert, Martin and Darren Almond. Darren Almond, Centrum Sztuki, Warsaw 2007
Molok, Nikolai (Ed.). 2nd Moscow Biennale of Contemporary Art: Footnotes, Moscow Biennale Art Foundation, Moscow, 2007
Molok, Nikolai (Ed.). 2nd Moscow Biennale of Contemporary Art: Special Projects, Moscow Biennale Art Foundation, Moscow, 2007
Rugoff, Ralph, Lynne Tillman. Shoot the Family, iCI, New York 2006.
Levine, Robert, Claire Noesen. En Attente, Casino Luxembourg-Forum d’art contemporain, Luxembourg 2005
Medvedow, Jill, Nicholas Baume, Wayne Koestenbaum, Jennifer Doyle, Emily Moore and Bennett Simpson. Getting Emotional, Institute of Contemporary Art, Boston 2005
Damisch, Hubert, Douglas Crimp, A.D. Coleman, Christopher Phillips, Dan Graham, Robert Smithson, Abigail Solomon-Godeau, Boris Groys, Jeff Wall, Martha Rosler, Lev Manovich, Tamara Trodd, Jonathan Crary. Los usos de la imagen. Fotografía, film y video en La Colección Jumex, Espacio Fundación Telefónica, Buenos Aires 2004
Abal Louzán, Rafael, José Carlos Valle Pérez, David G. Torres, Miguel von Hafe Pérez. In The Beginning There Was The Journey. 28 Bienal de Arte de Pontevedra, Provincial de Pontevedra 2004
Shani, Annushka. Eclipse. Towards The Edge of the Visible, Jay Jopling / White Cube, London 2004
E.Young, James, Guido Boulboullé, Detlef Stein, Peter Friese and Harald Welzer. After Images, Neues Museum Weserburg Bremen, Revolver, Frankfurt am Main 2004
Malá, Olga and Karel Srp. Other Times: Contemporary British Art, City Gallery Prague, British Council London 2004
Cream 3, Phaidon, London 2003
Levin, Dalia. Video Art, Herzliya Museum of Art, Herzliya 2003
Herbert, Martin. Skulptur Biennale Münsterland 2003, Münsterland 2003
Gillick, Liam. Contextualize, Kunstverein in Hamburg, Dumont, Germany 2002
Biesenbach, Klaus, Barbara London and Christopher Eamon. Video Acts, Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, P.S.1 Contemporary Art Center, New York 2002
Chan dong, Kim, and Alexandre Pollazzon. Unreal Time Video, The Korean Culture & Arts Foundation, Seoul 2001
Rohatyn, Jeanne Greenburg. Casino 2001, Stedelijk Museum voor Actuaele Kunst, Ghent 2001
Bos, Saskia. Berlin Biennale, Oktagon, Cologne 2001
Godfrey, Tony. Diary, Cornerhouse, Manchester 2000
Cappellazzo, Amy and Peter Wollen. Making Time. Considering Time as a Material in Contemporary Video & Film, Palm Beach Institute of Contemporary Art, Florida 2000
Rosenthal, Norman, Michael Archer, Michael Bracewell, James Hall and Nathan Kernan. Apocalypse. Beauty and Horror in Contemporary Art, Royal Academy of Arts, London 2000
Ross, David, Robert Riley, Marita Sturken and Chrisse Iles. Seeing Time: Selections from the Pamela and Richard Kramlich Collection, San Francisco Museum of Modern Art, San Francisco 1999
Glaser, Martin and René Block. Chronos & Kairos, Museum Fridericianum Kassel, Germany 1999
Tarantino, Michael. So Faraway So Close, Espace Méridien, Bruxelles 1999
Bonami, Francesco. Common People. Arte Inglese Tra Fenomeno e Realta, Fondazione Sandretto Re Rebaudengo Per L’Arte, Turin 1999
Muller, Brian. UK Maximum Diversity, Galerie Krinzinger, Vienna 1998
Hospital, Galerie Max Hetzler, Berlin 1997
Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal and Richard Shone. Sensation. Young British Artists From The Saatchi Collection, Royal Academy of Arts, London 1997
Bonami, Francesco. Delta, Musée d’Art Moderne de la Ville de Paris, Paris 1997
Publications
“Mountains under moon. mist” San Francisco Chronicle and SFGATE.com. June 12, 2010
Grosenick, Uta. ART NOW, Taschen, 2000
Keller, Anne, Beatrix Ruf, Stefan Kalmar. Art at 30 St Mary Axe, Swiss Reinsurance Group, Zurich 2005
Coetzee, Mark. Not Afraid. Rubell Family Collection, Phaidon, London 2004
Gillick, Liam. White Cube. 44 Duke Street, St James’ London, Steidl, Gottingen 2002
Booth-Clibborn, Patrick Elliot and Jeremy Lewison. Contemporary Art in Print, Booth-Clibborn Edition, London 2001
Grosenick, Uta. ART NOW, Taschen, 2000
Shand Kydd, Johnnie. Spit Fire. Photographs from the Art World London 1996/97, Thames & Hudson, London 1997
Periodicals
Cummings, Laura. ‘The world as a waste of space’, The Observer, 8 February 2009, p.19
Wullschlager, Jackie. ‘Art in search of label’, Financial Times, 7/8 February 2009, p.13
Lewis, Ben. ‘The new age of the ‘ism’ ‘, Evening Standard, 6 February 2009, p.41-42
Lubbock, Tom. Jones, Alice. ‘No sharks here but plenty to bite on’, The Independent, 6 February 2009, p.4-7
Campbell-Johnston, Rachel. ‘The new modern- but did it get lost in the Post?’ The Times 2, 3 February 2009
Ward, Ossian. ‘In the Studio: Darren Almond’, Art World, Issue 8, Decemeber 2008-January 2009, pp.36-41
Unknown. Art on Paper, November/December 2008, p.46-47
Unknown. ‘Parasol Unit’, Timeout, 27 February – 4 March 2008, p.62
Unknown. ‘Exhibitions: Darren Almond: Fire under snow: Moons of lapetus ocean’, PLUK, Spring 2008, p.42
Unknown. ‘ Parasol Unit Foundation For Contemporary Art’, PLUK, Spring 2008, p.104
Kent, Sarah. ‘History in monochrome’, Time Out, Apocalypse Supplement, pp.20-21, Date Unknown
MacArthur, Erica. ‘Darren Almond: Fire Under Snow’, Art Review, 18 January – 30 March 2008
Unknown. ‘Critics’ choice: Galleries’, Time Out, 6-12 February 2008
Unknown. ‘The ruins of romanticism’, Art World, February/March 2008, pp.8-9
Unknown. ‘Listing, Exhibition, Darren Almond: Moons of the Lapetus Ocean’, Eikoku News Digest, 14 February 2008, Volume 1134, p.17
Unknown. ‘Critics’ choice: Galleries’, Timeout, London, 20-26 February 2008, p.63
Unknown. ‘Darren Almond on Norilsk’, Artreview, February 2008, p.28
Smart, Alastair. ‘The iron road to Shangri-la’, The Sunday Telegraph, Seven Magazine, 20 January 2008, p.27
Rushton, Susie. ‘Captain moonlight’, The Independent, Extra, 17 January 2008, pp.12-13
Searle, Adrian. ‘The devil in the detail’, The Guardian, G2, 17 January 2008, pp.23-25
Morris, Jo. ‘Image of the week’, The Times, 5 January 2008, p.3
Banai, Nuit. ‘Berlin, Darren Almond’, Modern Painters, November 2007, p.98-99
Unknown. ‘Podóz w czasie I przestrzeni’, Gazeta, 12-13 May 2007, pp.1-4
Almond, Darren. ‘ Letter from UK’, Photo net, May 2006, p.60-64
Clarkson, Tom. ‘State of the Art’, Racing Line, March 2006, p.34-37
Ruiz, Cristina. ‘Revealed: where the Sensation art is now’, The Art Newspaper, No. 173, October 2006, pp. 36
Samuel, Deborah and Martin. ‘It’s art, Mart, but not as we know it’, The Times The Knowledge, 3 – 9 December, 2006, pp. 6-7
Darwent, Charles. ‘The winner? Please place your bets now…’ The Independent on Sunday, 23 October 2005,
p. 10
Maddocks, Fiona. ‘Is there really any point’, Evening Standard, 18 October 2005, p.34
Lubbock, Tom. ‘A prize bore’, The Independent, 18 October 2005, pp.12-13
Alberge, Dalya. ‘Hmm. Does my bum look big on this?’, The Times, 18 October 2005, p.29
Getty, Sarah. ‘Botty-celli makes the Turner list’, Metro, 18 October 2005, p.21
Price, Tom. ‘The Turner turn-up’, Daily Express, 18 October 2005, p.19
Hackworth, Nick. ‘B for effort, but must try harder in the future’, Evening Standard, 18 October 2005, p.35
O’Sullivan, Kevin. ‘Arse for art’s sake’, The Mirror, 18 October 2005, p.19
Leplot, Toulouse. ‘It must be a Picasso’, The Sun, 18 October 2005, pp.12-13
Kelly, Tom. ‘the shed that became a boat that became a shed again… and could win the turner prize’, Daily Mail, 18 October 2005, p.19
Dormant, Richard. ‘Flowers in a vase vs blood on the floor’, The Daily Telegraph, 18 October 2005, p.25
Rollig, Stella. ‘Lentos Kunstmuseum’, Arco, Summer, 2005, pp 60 – 63
‘Review’, Modern Painters, July/August 2005, pp.109-110
Westley, Hester. ‘Is the Turner ageing too gracefully?’, The Times T2, 1 June 2005, p.15
Photonet, May 2006 pp. 60 - 64
Johnson, Ken. ‘Art Listing’, The New York Times, 14 April, 2006
Clarkson, Tom. ‘State of the Art’, Racing Line, issue 97, March, 2006, pp. 34 – 37
DB. ‘Darren Almond. K21 Kunstsammlung Nordrhein-Westfalen’, Art Forum, Vol. XLII, No.5, January 2005, p.97
Herbert, Martin. ‘Eclipse. White Cube’, Time Out, 11-18 August 2004, p.57
Coxhead, Gabriel. ‘As far as the eye can see’, The Times, 21 July 2004, p.13
Güner, Fisun. ‘Eclipse: Towards The Edge Of The Real’, Metro, 19 July 2004, p.23
Lack, Jessica. ‘Group Show. London’, The Guardian Guide, 17 July 2004, p.36
Lucie-Smith, Edward. ‘Countdown to the Olympics’, ArtReview, February 2004, Vol. LV, pp.32-34
Manzi, Zoe. ‘Vision Unlimited’, Tate Arts and Culture, November/December 2003, p.24
Carpenter, Louise. ‘Art’s Mr Fixit’, Telegraph Magazine, 18 October 2003, p.56
Tzanetoulakou, Faye. ‘Darren Almond’, Time Out, Athens, October 2003, pp.78-79
‘Darren Almond’, Flash Art, October 2003, p.46
Vendrame, Simona. ‘Venice Biennale’, Tema Celeste, September/October 2003, p.39
Fraser, Nathalie. ‘Bipolaire’, Numero, July/August 2003
Williams, Eliza. ‘Darren Almond: 11 Miles…From Safety’, Contemporary, no.55, June 2003, pp.73-74
Falconer, Morgan. ‘Darren Almond’, Art Monthly, June 2003
Honigman, Ana Finel. ‘Darren Almond’, Time Out, 14-21 May 2003, p.59
Darwent, Charles. ‘Darren Almond: 11 Miles From Safety’, The Independent on Sunday, 11 May 2003, p.43
Herbert, Martin. ‘Northern exposures’, ArtReview, May 2003, p.76
Dawson, Mike. ‘Darren Almond: 11 Miles From Safety’, Flux, April/May 2003
Güner, Fisun. ‘Going with the ice flow’, Metro, 28 April 2003, p.22
Darwent, Charles. ‘Battling the elements: it’s a boy thing’, The Independent on Sunday; Life, 27 April 2003, p.12
‘Darren Almond: 11 Miles From Safety’, Evening Standard Metro Life, 25 April 2003
Falconer, Morgan. ‘The Big Freeze’, What’s On In London, 23 April 2003, p.23
‘Saatchi. The definitive guide to the new Thameside gallery’, The Observer supplement, 6-13 April 2003, p.26
‘Gleaming The Cube’, V Magazine, March/April 2003
‘Get the picture. Three rising artists to watch, and invest in’, GQ, March 2003, p.62
George, Rose. ‘Freeze frame’, The Independent Magazine, 12 October 2002, pp.16-18
Coomer, Martin. ‘Darren Almond. PADT at the Royal National Theatre’, 9-16 October 2002, p.59
Coomer, Martin. ‘My Name Is…Darren Almond’, Time Out, 2-9 October 2002, p.6
‘Darren Almond @ Matthew Marks’, Flash Art, October 2002, p.46
‘ArtNews’, ArtReview, October 2002, p.20
‘Darren Almond’, Zoo, June 2002, pp.79-80
Slyce, John. ‘Darren Almond; Transport Medium’, Flash Art, January-February 2002, pp.70-76
‘Darren Almond’, Trace, No.36, January 2002, p.51
Wainwright, Jean. ‘Can we talk about contemporary video and film art in terms of genres?’, Pluk, Issue 3, November-December 2001, pp.41-45
Bishop, Claire. ‘Shark in a tank? Mike will build it’, Evening Standard, 30 November 2001, p.26
Wilson, Michael. ‘New York Round-up’, Art Monthly, November 2001, pp.40-41
Kent, Sarah. ‘Darren Almond’, Time Out, 17-24 October 2001, p.62
Lampert, Catherine. ‘Auerbach: Wind of Time’, RA Magazine, Autumn 2001, p.52
Irving, Mark. ‘An alternative way of seeing’, Independent on Sunday, 29 September 2001, p.8
Falconer, Morgan. ‘Darren Almond, Night as Day’, What’s On in London, 26 September 2001, p.42
Jones, Jonathan. ‘Darren Almond’, The Guardian, 10 September 2001
‘From Tomorrow’, Evening Standard, 6 September 2001, p.49
O’Connell, Alex. ‘Fifteen minutes of frame’, The Times, 5 September 2001, p.18
Herbert, Martin. ‘Darren Almond’, Tema Celeste, Summer 2001, p.82
Bers, Miriam. ‘Berlin Biennale. Affect, not effect’, Tema Celeste, Summer 2001, p.74
Studer, Margaret. ‘Berlin Biennale: Taking a Look at the Trends’, The Wall Street Journal Europe, 27 April 2001, p.2
Nigg, Marie-Louise. ‘Ein Aufblitzen von Ahnungen’, Zürichsee-Zeitungen, 20 April 2001
Vogel, Matthias. ‘Wege zum Unfassbaren’, Neue Zürcher Zeitung, 14/15 April 2001
Holländer, Katarna. ‘Der Bus nach Auschwitz’, Tachles, 13 April 2001
Basting, Barbara. ‘Kopfreisen, Körperballett, Kamerafahrten’, Tages-Anzeiger, 7 April 2001
Oberholzer, Niklaus. ‘Nach Geschichten graben’, Neue Luzerner Zeitung, 4 April 2001
‘Young guns’, i-D, No. 208, April 2001, p.86
Rosenberg, Karen. ‘Deliberate Living’, Untitled, Spring 2001, p.29
Steiner, Urs. ‘Tout Zurich in der Höhle der Löwen – Vernissage in Zürich West’, Neue Zürcher Zeitung, 31 March - 1April 2001, p.46
Lorés, Maite. ‘Darren Almond, Bus Top (2 Bus Shelters) at Apocalypse’, Contemporary Visual Arts, February 2001, p.74
Chambers, Christopher. ‘Darren Almond. Matthew Marks’, Flash Art, January/February 2001, pp.115-116
Allen, Jennifer. ‘Darren Almond’, Artforum, January 2001, p.63
‘Tie art’, Attitude, December 2000
Avgikos, Jan. ‘Darren Almond. Matthew Marks Gallery’, Artforum, Vol. XXXIX, No.4, December 2000, p.145
Bumpus, Judith. ‘Publicity overkill’, The Art Newspaper, No.108, November 2000, p.46
Smith, Roberta. ‘Darren Almond. Matthew Marks Gallery’, The New York Times, 20 October 2000, p.40
BS. ‘London: Darren Almond’, Artforum, September 2000, xxxix, no. 1, pp.185-186
‘Darren Almond’, Zoo, August 2000, pp.164-165
Hofleitner, Johanna. ‘Ausgestellt in Wien’, 24 July 2000
Aigner, Claudia. ‘Der Kampf ums Überleben, Wiener Zeitung, 20 July 2000
Scheyerer, Nicole. ‘Kunst Kurz’, Falter, July 2000
Currah, Mark. ‘Darren Almond. Chisenhale’, Time Out, 5-12 April 2000, p.49
Williams, Gilda. ‘Darren Almond. The Approach’, Time Out, 5-12 April 2000, p.49
Buck, Louisa. ‘And they don’t use dead animals’, The Observer, This Is British Art supplement, April 2000, p.28
Buck, Louisa. ‘Darren Almond. UK Artist Q & A’, The Art Newspaper, No.101, March 2000, p.71
‘Darren Almond and Norbert Schoerner, ‘Cuckoo’’, The Independent Magazine, 1 January 2000, p.27
Birnbaum, Daniel. ‘Darren Almond’, Artforum, January 2000, XXXVIII, No.5, pp.102-103
Grabner, Michelle. ‘Darren Almond: The Renaissance Society, Chicago’, Art & Text, January 2000, No.67
Rigney, Robert. ‘Darren Almond. Max Hetzler, Berlin’, ArtNews, November 1999, Vol.98, No.10, p.202
Herbert, Martin. ‘Darren Almond’, Camera Austria, no.67, 1999, pp.38-49
MDB. ‘Scar Trek’, Artforum, May 1999, Vol.XXXVII, No.9, p.67
Artner, Alan. ‘Time passes slowly, noisily towards death’, Chicago Tribune, 17 June 1999
Bush, Kate. ‘Doing Time’, Frieze, Issue 42, Sept.-Oct. 1998, pp.72-75
‘Darren Almond’, Scene, January/February 1998, p.110
Williams, Gilda. ‘Darren Almond at the ICA’, Art in America, October 1997
Williams, Gilda. ‘Darren Almond. White Cube, London’, Art & Text, Summer Issue, no.58, 1997, pp.99-100
Kent, Sarah. Time Out, 26 February- 5 March 1997, p.80
Alvarez, Maria. ‘An artist whose work is Industrial-Strength,’ Telegraph Magazine, 18 January 1997
Herbert, Martin. ‘Doing Time’, Dazed & Confused, no. 29, 1997, p.51
Awards
| 1996 | Art & Innovation Prize, Institute of Contemporary Art, London |