| 2009 |
Galerie Giti Nourbakhsch, Berlin, Germany |
| 2008 |
David Zwirner, New York, NY |
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New Museum of Contemporary Art, New York |
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(traveling to the Hammer Museum, Los Angeles) |
| 2006 |
Galerie Daniel Buchholz, Cologne, Germany |
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Turner Prize, Tate Britain, London, United Kingdom |
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Kunsthalle Kiel, Kiel, Germany |
| 2005 |
Greengrassi, London, United Kingdom |
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Kunsthalle Basel, Basel, Switzerland |
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Douglas Hyde Gallery, Dublin, Ireland |
| 2004 |
Journal#7, “Tomma Abts/Vincent Fecteau”, |
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Van Abbe Museum, Eindhoven, The Netherlands |
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Galerie Giti Nourbakhsch, Berlin, Germany |
| 2003 |
The Wrong Gallery, New York, NY |
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Galerie Daniel Buchholz, Cologne, Germany |
| 2002 |
Greengrassi, London, United Kingdom |
| 2001 |
Galerie Giti Nourbakhsch, Berlin, Germany |
| 1999 |
Greengrassi, London, United Kingdom |
| 1998 |
habitat, Kings Road, London, United Kingdom |
| 2009 |
Tirana International Contemporary Art Biennal, Tirana,Albania |
| 2008 |
The Gallery, David Zwirner, New York, NY |
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History in the Making: A Retrospective of the Turner Prize, |
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Mori Art Museum, Tokyo, Japan |
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Yes, No & Other Options, Art Sheffield, 08, S1 Artspace, Sheffield, |
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curated by Jan Verwoert |
| 2007 |
Turner Prize: A Retrospective 1986 – 2007, London (traveling to Moscow,Tokyo) |
| 2006 |
The Shanghai Biennale – Hyper Design, Shanghai, China |
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Of Mice and Men, 4th Berlin Biennale, Berlin, Germany |
| 2005 |
British Art Show 6, organized by the Hayward Gallery, London (traveling to |
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various venues in Gateshead, Manchester, Nottingham and Bristol) |
| 2004 |
54th Carnegie International, Carnegioe Museum of Art, Pittsburgh. |
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Formalismus: Moderne Kunst Heute, Kunstverein Hamburg, Humburg. |
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Müllberg, Galerie Daniel Buchholz |
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Werke aus der Sammlung Boros, Museum fur Neue Kunst, ZKM Karlsruhe, 7th |
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February - 9th May |
| 2003 |
Black Rainbow, Lucky Tackle, Oakland, CA |
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Honey I Rearranged the Collection, greengrassi /Corvi Mora, London, |
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United Kingdom |
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Kunstpreis der Bottcherstrasse in Bremen, Kunsthalle, Bremen, Germany |
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Hot, Blue and Righteous, Galerie Giti Nourbakhsch, Berlin, Germany |
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Deutschemalereizweitausenddrei Frankfurter Kunstverein |
| 2002 |
Richard Hakins & Tomma Abts, Lecia Dole-Recio, Morgan Fisher, James |
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Hayward, Galerie Daniel Buchholz, Cologne, Germany |
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Tomma Abts & Vincent Fecteau, Marc Foxx, Los Angeles, CA |
| 2001 |
The Devil is in the Details, Allston Skirt Gallery, Boston, MA |
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Egofugal, 7th International Istanbul Biennial, Istanbul, Turkey |
| 1999 |
Limit Less, Galerie Krinzinger, Vienna, Austria |
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Etcetera, Spacex Gallery, Exeter, NH |
| 1998 |
The Origin of Parties, greengrassi, London, United Kingdom |
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The Vauxhall Gardens, Norwich Art Gallery, Norwich, United Kingdom |
| 1996 |
Fast, 520 King Street West, Toronto, Canada |
| 1995 |
filmcuts, Galerie neugerriemschneider, Berlin, Germany |
| 2007 |
Rhodes, Richards, “The New Abstraction”, Canadian Art, Spring, p. 14-16 |
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Thornton, Sarah, “Reality Art Show”, The New Yorker, March 19th, pp. 74 – 82 |
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Margalejo, Isabel, Rosario Nadal, Architectural Digest, March, No.12, p.338, ill. |
| 2006 |
Ben, Lewis, “Space Exploration”, The Sunday Telegraph, December 10th |
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Brockes, Emma, “I’m sure they were thinking it was time a woman won”, The |
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Guardian, G2, December 6th, 2006 |
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Searle, Adrian, “Odd but worthy winner”, The Guardian, December 5th, p.3 |
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Dorment, Richard, “No other artist seems to be working like this”, |
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The Telegraph, December 5th, p.15 |
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Lubbock, Tom, “A worthy winner. And I think we will be seeing a lot more of her”, |
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The Independent, December 5th, p.7 |
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Falconer, Morgan, “Wenn ich mich zu meinen bildern äussere, könnte ich |
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genauso gut das Gegenteil sagen”, Welt am Sonntag, Kultur, December 3rd, |
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pp. 80-81 |
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Grosse, Julia, “Kunst der Langsamkeit”, ZEIT online, 30th November |
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Cummings, Laura, “Painting triumphs again”, The Observer, |
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October 10th, p.17 – 18 |
| 2006 |
Vahland, Kia, “Fiugobjekte, Metallvogel, Wurfgeschosse”, Suddeutsche Zeitung, |
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July 28,No. 172, p.14 |
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Collings, Matthew, “Diary”, Modern Painters, March, p.34 - 35 |
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Morton, Tom, “Terminally New”, Frieze, March 2006, p.120 – 125 |
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Prince, Mark, “Pluralism”, Art Monthly, February 2006, p. 7 – 11 |
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Buck, Louisa, “Artist Interview /Champion of Abstraction”, The Art Newspaper, |
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January 2006 |
| 2005 |
Searle, Adrian, “Is Anyone There?”, The Guardian, G2, 13 December, p.18 - 20 |
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Abts, Tomma, “The Artists’ Artists”, Artforum, December, p. 104 |
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Abts, Tomma, “on Gwen John’s Chloe Boughton-Leigh (1904 -1908)”, Tate etc., |
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#5 p. 56 |
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Ohnemus, Melanie, “Das quadratische Gespenst”, Texte zur Kunst, nr.59, |
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September, pp.181 - 183 |
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Dunne, Aidan, “Artist obsessions and fantasy extravaganzas”, The Irish Times, |
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September 7th |
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Schwabsky, Barry, “Slow Time”, Modern Painters, September, pp. 58-59 |
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Burnett, Craig, “Tomma Abts- Kunsthalle Basel”, Art Review September, p. 114 |
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Preuss, Sebastian, “Die neue Liebe zur Geometrie”, Monopol, nr. 3, June – July, |
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pp. 50 - 63 |
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Abts, Tomma, “Who are you?”, Domus, nr. 881, May |
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Bell, Kirsty, “Formalism: Modern Art Today”, Frieze, March |
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Kerr, Merrily, “54th Carnegie International”, Flash Art, January – February, p.51 |
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Siegel, Katy, “Carnegie International 2004”, Artforum January, p.175 |
| 2004 |
Seigel, Katy, “Tomma Abts”, Artforum, January p. 135 |
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Tomma Abts, “Bijutsu Techo” Magazine, April, p.26 |
| 2002 |
Slyce, John; “Last exit: painting”, Flash Art, October, p.69 |
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Burnett, Craig, “Tomma Abts”, Untitled, no. 28, Summer Issue, p. 60. |
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Tomma Abts, Contemporary, April pp.89-90 |
| 2001 |
Sherman, Mary, “Toale Gallery exhibit draws on trends”, Boston Sunday Herald, |
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December 2001 p. 49. |
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Parcellin, Paul, “Low-tech, high concept”, Retro-Rocket.com, December. |
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McQuaid, Cate, “Paintings a nice fit for Allston Skirt”, The Boston Globe. 22 |
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December 2001. p. 47. |
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Buck, Louisa, “Tomma Abts Welf and Zaarke”, ArcoNoticias 21, |
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July-August, pp.6-7. |
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Ebner, Jorn, Frankfurter “Allgemeine Zeitung”, 5 May p. 53. |
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Schwabsky, Barry, “painting: a minor art?” Tema Celeste, May-June, pp.42-47. |
| 2000 |
Higgie, Jennifer, Bijutsu Techno Magazine, February. |
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McFarland, Dale, Wallflower, Frieze, Issue 51, March-April, pp. 92-93. |
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Glover, Izi, Tomma Abts, greengrassi, Time Out London, January 5-12. |
| 1999 |
Buck, Louisa, The Art Newspaper, Issue 98, December, p.68 |