| 2006 |
Fred Wilson, Pace Wildenstein, New York, NY |
| 2005-2006 |
Fred Wilson: Black Like Me, The Aldrich Contemporary Arts Museum, Ridgefield, CT |
| 2003 |
*Speak of Me As I Am, American Representative, United States Pavilion, 50th Venice Biennale, Italy |
|
Fred Wilson: Aftermath, University of California, Berkeley Art Museum and Pacific Film Archive |
| 2002-04 |
Fred Wilson, Objects and Installations 1979-2000, Center for Art and Visual Culture, University of Maryland, Baltimore County, MD; Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY; Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA; Blaffner Gallery, University of Houston, Houston, TX; Addison Gallery of American Art, Phillips Academy, Andover, MA; Santa Monica Museum, Santa Monica, CA; Studio Museum in Harlem, New York, NY; Chicago Cultural Center, Chicago, IL |
| 2002-03 |
10th Annual Larry Aldrich Foundation Award, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
| 2002 |
Is This Now Just Beginning?, Fosdick-Nelson Gallery, Alfred University, Alfred, NY |
| 2000 |
Drawings & Maquettes for a Light Rail Station, Jersey City Museum, NJ |
| 1999 |
Fred Wilson: Speaking in Tongues – A Look at the Language of Display, M. H. de Young Memorial Museum, San Francisco, CA |
| 1999 |
The Greeting Gallery, M. H. de Young Memorial Museum, organized by Yerba Buena Center for the Arts, San Francisco, CA |
| 1998 |
Viewing the Invisible: An installation by Fred Wilson, The Ian Potter Museum of Art, The University of Melbourne, Australia |
| 1997 |
Collectibles, Rena Bransten Gallery, San Francisco, CA |
|
Reshuffling the Deck: Selections from the U.C. Davis Collections, Richard L. Nelson Gallery and Fine Arts Collections, University of California, Davis, CA |
| 1996 |
OpEd: Fred Wilson, Museum of Contemporary Art, Chicago, IL |
| 1995 |
Collectibles, Metro Pictures, New York, NY |
| 1993 |
The Museum: Mixed Metaphors, Seattle Art Museum, Seattle, WA |
| 1993 |
The Spiral of Art History, Indianapolis Museum of Art, Indianapolis, IN |
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Transformations 4, Beaver College Art Gallery, Glenside, PA |
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An Invisible Life: A View into the World of a 120 Year Old Man, Capp Street Project, San Francisco, CA |
| 1992 |
Panta Rhei: A Gallery of Ancient Classical Art, Metro Pictures, New York, NY |
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Mining the Museum: An Installation by Fred Wilson, The Contemporary and Maryland Historical Society, Baltimore, MD |
|
Biennial Cairo, Egypt |
| 1991 |
The Other Museum, Washington Project for the Arts, Washington D.C. |
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Primitivism: High & Low, Metro Pictures, New York, NY |
|
Fred Wilson, Gracie Mansion Gallery, New York, NY |
| 1990 |
The Other Museum, White Columns, New York, NY |
| 1988 |
Portrait of Audubon, The Public Art Fund, outdoor sculpture, Chambers St. & West Broadway, New York, NY |
|
The Other Museum, Washington Project for the Arts, Washington, D.C. |
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Panta Rhei: A Gallery of Ancient Classical Art, Metro Pictures, New York, NY |
| 1988 |
Mining the Museum, The Contemporary & Maryland Historical Society, Baltimore, MD |
|
An Invisible Life: A View into the World of a 120 Year Old Man (an Off-Site Installation by Fred Wilson), Capp Street Project, San Francisco, CA |
|
‘Insight: In Site: In Sight: Incite - Memory,’ Artist and the Community: Fred Wilson, South Eastern Center for Contemporary Art, Winston-Salem, NC |
| 2005 |
Summer Group Show, Pace Wildenstein, New York, NY |
|
Double Consciousness: Black Conceptual Art Since 1970, The Contemporary Arts Museum, Houston, TX |
|
Very Early Pictures, Luckman Gallery, California State University, Los Angeles, CA |
| 2004 |
Only Skin Deep. Changing Visions of the American Self, International Center of Photography, New York, NY |
|
Art by MacArthur Fellows, Carl Solway Gallery, Cincinatti, Ohio |
| 2003 |
Works from the Eyebeam Moving Image Studios, New York, NY |
|
Drawings, Metro Pictures, New York, NY |
| 2002 |
Art Inside Out, Children’s Museum of Manhattan, New York, NY |
| 2001 |
Pictures, Patents, Monkeys and More…On Collecting, (Organized by Independent Curators International) Western Gallery, Western Washington University, Bellingham, WA; John Michael Kohler Arts Center, Sheboygan, WI; Akron Art Museum, Akron, OH; Fuller Museum of Art, Brockton, MA; Institute of Contemporary Art, University of Pennsylvania, PA; Pittsburgh Center for the Arts, Pittsburgh, PA |
|
W, Musée des Beaux-Arts, Dole, France |
|
Play’s The Thing, (Organized by the Whitney Museum of American Art Independent Study Program) Art Gallery of The Graduate Center, The University of New York, NY |
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Museum as Subjects, The National Museum of Art, Osaka, Japan |
| 2000 |
Outbound: Passages From the 90’s, Contemporary Arts Museum, Houston, TX |
| 1999 |
Trace, The Liverpool Biennial of Contemporary Art, Liverpool, England |
|
Uniform, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY |
| |
The Museum as Muse, Museum of Modern Art, New York, NY; Museum of Contemporary Art, San Diego, CA |
|
To the Rescue: Eight Artists in an Archive, International Center of Photography, New York; Miami Art Museum, FL; Contemporary Arts Museum, Houston, TX |
|
Microminiatures from Armenia: The Eye of the Needle; The Greeting Gallery, Yerba Buena Center for the Arts, San Francisco, CA |
| 1998 |
Re-Presentation, Freedom Gallery, Albright College Center for the Arts, Reading, PA |
| |
Viewing the Invisible, The Ian Potter Museum of Art, Melbourne, Australia |
| 1998 |
Postcards from Black America, Hedendaagse Afrikaans-Amerikaanse Kunst, Boschstraat, Netherlands |
| 1997 |
Heart, Mind, Body, Soul: American Art in the 1990’s, Whitney Museum of American Art, New York, NY |
| |
Museum Studies: Eleven Photographer’s Views, High Museum of Art, Atlanta, GA |
| |
Millenium Eve Dress, Contemporary Arts Center, Cincinnati, OH |
| |
Collected, The Photographer’s Gallery and British Museum, London, England |
| 1996 |
Inklusion: Exklusion, Steirischer Herbst 96, Graz, Austria |
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Cultural Economies: Histories from the Alternative, The Drawing Center, New York, NY |
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Putt-Modernism, The Hyde Collection, Glen Falls, NY |
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Fragments: Proposta per a una colleccio de fotografia contemporania, Museu d’Art Contemporani, Barcelona, Spain |
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New Histories, The Institute of Contemporary Art, Boston, MA |
| |
Burning Issues: Contemporary African-American Art, Museum of Art, Fort Lauderdale, FL |
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Three Rivers Arts Festival, Pittsburgh, PA |
|
Project Row Houses, Houston, TX |
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Designation, Galerie & Edition Artelier, Graz, Austria |
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Millennium Eve Dress, The Fabric Workshop, Philadelphia, PA |
| 1995 |
Heroes and heroines: From Myth to Reality, New Jersey Center for Visual Arts, NJ |
|
Configura 2 - Dialog der Kulturen - Erfurt 1995, Erfurt, Federal Republic of Germany |
| 1994 |
Don’t Look Now, Thread Waxing Space, New York, NY |
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Die Orte der Kunst, Sprengel Museum, Hannover, Germany |
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Crash: Nostalgia for the Absence of Cyberspace, Thread Waxing Space, NewYork, NY |
| 1994 |
Western Artists/African Art, Museum of African Art, New York, NY |
|
Notational Photographs, Metro Pictures, New York, NY |
|
Transformers: The Art of Multiphrenia, Bard Center for Curatorial Studies, Bard College, NY (traveling ICI exhibition) |
|
Black Male: Representations of Masculinity in Contemporary America Art, The Whitney Museum of American Art, New York, NY |
|
Cocido Y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain |
| 1993 |
Readymade Identities, The Museum of Modern Art, New York, NY |
|
1993 Biennial Exhibition, The Whitney Museum of American Art, New York, NY |
|
Construction in Process IV: My Home is Your Home, The Artists’ Museum, Lodz, Poland |
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The Theater of Refusal: Black Art and Mainstream Criticism, University of California at Irvine |
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Artists Respond: The New World Question, The Studio Museum in Harlem, New York, NY |
|
Ciphers of Identity, (organized by Maurice Berger), Fine Arts Gallery, University of Maryland, Baltimore County, MD |
|
The Rag Trade, The InterArt Center, New York, NY |
|
Past Imperfect: A Museum Looks At Itself, The Parrish Art Museum Southhampton, NY |
|
Metro Pictures, New York, NY |
|
Rosamund Felsen Clinic, (curated by Ralph Rugoff), Rosamund Felsen Gallery, Los Angeles, CA |
|
Putt-Modernism, Artist’s Space, New York, NY |
|
Translation, (curated by Kim Levin), Centrum Sztuki Wspolczesnej Zamek Ujazdowski, Warsaw, Poland |
|
Inheritance, Los Angeles Contemporary Exhibitions, Los Angeles |
| 1992 |
The Jewish Museum’s Masked Ball: In Celebration of Purim, The Waldorf-Astoria, New York, NY |
|
The Order of Things: Toward A Politic of Still Life, Real Art Ways, Hartford, CT |
|
The Big Nothing Or Le Presque Rien, The New Museum of Contemporary Art, New York |
|
Environmental Terror, Fine Arts Gallery, University of Maryland Baltimore County, Catonsville, MD; Frostburg State University, MD; East Main Street Gallery, VA |
|
Transgressions in the White Cube: Territorial Mappings, (organized by Joshua Decter), USDAN Gallery, Bennington College, Bennington, VT |
|
Quincentenary, Hillwood Art Museum, Long Island University, Brookville, NY |
|
Inheritance, Los Angeles Contemporary Exhibitions, CA |
|
Environmental Terror, Fine Arts Gallery, University of Maryland, Baltimore,MD |
| 1991 |
Office Installations, Hillwood Art Museum, Long Island, NY |
|
SITEseeing: Travel and Tourism in Contemporary Art, The Whitney Museum of American Art (Downtown), New York, NY |
|
Outdoor Sculpture Commission, Dept. of Parks, Prospect Park, NY |
| 1990 |
Public Mirror: Artists Against Racial Prejudice, Clocktower Gallery, New York, NY |
|
The New School Collects: Recent Acquisitions,” Parsons School of Design, New York, NY |
|
Fine Arts Faculty Group Show, Galleries at F.I.T., New York, NY |
|
Orders, Pyramid Art Center, Rochester, NY |
|
Notes on the Margin, Gracie Mansion Gallery, New York, NY |
|
Dream Machinations in America, Minor Injury Gallery, Brooklyn, NY |
| 1990 |
Conflict & Resolution, Brownsville Art Gallery Manhattanville College, Purchase, NY |
| 1987 |
Selection from the Artists File, Artists Space, New York, NY |
|
Intellects and Idiosyncrasies, 55 Mercer Gallery, New York, NY |
| 1986 |
The Bronx Celebrates: Alternative Spaces, Lehman College Art Gallery, Bronx, NY |
|
Ando/Wilson, New Sculpture, John Jay College Art Gallery, New York, NY |
| 1985 |
Art on the Beach, Creative Time Inc., New York, NY |
|
Forecast: Images of the Future, Kenkeleba Gallery, New York, NY |
|
Visions, Rediscovered, Castillo Gallery, New York, NY |
| 1984 |
Exchange of Sources: Expanding Powers, Real Art Ways, Hartford, CT |
|
Racist America, Dramatis Personae Gallery, New York, NY |
|
Sticks and Stones - Modern/Post Modern Sculpture, Kenkeleba Gallery, New York, NY |
|
L’Esprit Enclyclopedique, Caidoz Gallery, New York, NY |
|
Art Against Apartheid, (window installation), 10 on 8, New York, NY |
|
The Monument Redefined, Gowanus Memorial Artyard, New York, NY |
|
After Dark, William Patterson College, Patterson, NJ |
| 1982 |
Ornament as Sculpture, The Sculpture Center, New York, NY |
|
Terminal New York, A.A.A. Art, New York, NY |
|
Looks at Books, ABC NO Rio, New York, NY |
|
Grand Army Plaza: Three Sculptors, Grand Army Plaza Arch, Dept. of Parks, New York, NY |
|
Spare Parts, Materials for the Arts/Dept. of Cultural Affairs, New York, NY |
| 1981 |
Festive Works, A.I.R. Gallery, New York, NY |