| 2010 |
“Pat Steir: The Paint”, Galerie Jaeger Bucher, Paris, France |
| |
“Pat Steir: After Hokusai, After Hiroshige,” Anderson Gallery of Graphic Art, |
| |
Fine Arts Museums of San Francisco at the M.H. de Young Museum, San Francisco, CA |
| |
“Pat Steir: Drawing Out of Line,” RISD Museum of Art, Providence, RI |
| |
“Pat Steir,” Ochi Fine Art, Ketchum, Idaho |
| |
“Pat Steir,” Cheim & Read, New York, NY |
| |
“Pat Steir,” Contemporary Arts Center, Cincinnati, OH |
| 2009 |
“Pat Steir,” Ochi Fine Art, Ketchum, Idaho |
| |
“Paintings on Painting,” Locks Gallery, Philadelphia, PA |
| 2008 |
“Pat Steir,” Ochi Gallery, Ketchum, Idaho |
| 2007 |
“Pat Steir,” Cheim & Reid, New York, NY |
|
“Alphabet: New Etchings”, Crown Point Press, San Francisco, CA |
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Rosenbaum Contemporary, Boca Raton, FL |
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“Pat Steir” Reykjavik Art Museum, Reykjavik, Iceland |
| 2006 |
“Moons & Mirages”, Locks Gallery, Philadelphia, PA |
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“Small Paintings from the Studio of Pat Steir”, Kiang Gallery, Atlanta, GA |
| 2005 |
“Panorama”, Bentley Projects, Phoenix, AZ |
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“Pat Steir: New Paintings”, Texas Gallery, Houston, TX |
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“Pat Steir: Moons and a River”, Chiem & Read, New York, New York |
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“Pat Steir, Blue Moon, Paintings, Drawings, and Prints,” Galleria Alessandro Bonomo, Rome, Italy |
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Pace Prints Gallery, New York, NY |
| 2004 |
“Abstractions,” Cook Fine Art |
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“Mixed Marks: Seven New Color Etchings”, Crown Point Press, San Francisco, CA |
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Ochi Fine Art, Ketchum, ID |
| 2003 |
“Hand Painted Monoprints,” Pace Prints, New York, NY |
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Galleria Nationale Moderne Borghese, Rome |
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“New Releases by Pat Steir” Crown Point Press, San Francisco, CA |
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Des Moines Art Center, IA |
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“Pat Steir: The Rhythm of Silence,” Locks Gallery, Philadelphia, PA |
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“Pat Steir: Waterfall Paintings,” Boise Art Museum, Boise, ID |
| 2002 |
Cheim and Read, New York, NY |
|
Crown Point Press, San Francisco, CA |
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University Art Museum, University of Michigan, Ann Arbor, MI |
|
Alessandro Bonomo Gallery, Rome, Italy |
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“Looking East, Contemporary Painters Engagement with Chinese Art,” Boston University Art Gallery, Boston, MA [Exhibition with Brice Marden and Michael Mazur] |
|
Kiang Gallery, Atlanta, GA |
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Baldwin Gallery, Aspen, CO |
| 2001 |
“Pat Steir: Recent Prints,” Sherman Gallery, Boston University, Boston, MA |
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“Distant Horizon,” Galleria Bonomo, Bari, Italy |
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“Sweet Suite,” Galerie Simonne Stern, New Orleans, LA |
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“Waterfall of Dreams,” Piece Unique, Paris, France |
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Madison Art Center, Madison, WI |
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Contemporary Art Museum, Honolulu, HI |
| 2000 |
“Nature: New Etchings by Pat Steir” Crown Point Press, San Francisco, CA |
|
Rhona Hoffman Gallery, Chicago, IL |
|
Selby Gallery, Ringling School, Sarasota, FL |
|
Massachusetts College of Art, Boston, MA |
|
Des Moines Cultural Center, Des Moines, IA |
|
Leigh and Mary Block Art Museum, Northwest University, Chicago, IL |
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Lyman Allyn Museum of Art at Connecticut College, New London, CT |
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United States Chancery, Moscow Russia, Permanent Installation |
|
“Lyrical Waterfalls: A Collection of Paintings,” Artcore, Toronto, Canada |
| 1999 |
“My Garden Ghost” Wall painting in special exhibitions gallery “Landscapes of the Millennium,” |
|
Albright Knox Museum, Buffalo, NY |
|
“5 Easy Pieces,” Weatherspoon Art Gallery, University of North Carolina |
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“New Editions by Pat Steir”, Crown Point Press, San Francisco, CA |
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“Double-Sided Painting,” Piece Unique, Paris |
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Marlborough Gallery, New York, NY |
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Albright-Knox Art Gallery, Buffalo, NY |
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Nina Freudenheim Gallery, Buffalo, NY |
| 1997 |
“Pat Steir: Waves and Waterfalls 1982-1992,” The Brooklyn Museum, Brooklyn, NY |
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“Waterfalls, Pat Steir,” Galerie Deux Co., Ltd., Japan |
|
“Wind Water Stone,” Robert Miller Gallery, New York, NY |
|
Harley Baldwin, Aspen, CO |
| 1996 |
“Wind & Water 1985 - 1995,” Irish Museum of Modern Art, Dublin, Ireland |
|
Franck & Schulte, Berlin, Germany |
|
“Marks, Metaphor & Magic: New Etchings by Pat Steir”, Crown Point Press, San Francisco, CA |
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“Pat Steir,” Dorothy Blau Gallery, Bay Harbor Islands, FL |
| 1995 |
Baldwin Gallery, Aspen, CO |
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“Pat Steir: New Paintings,” Robert Miller Gallery, New York, NY |
|
Kunstwerke, Berlin, Germany |
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Quartier Art Centre, Centre d’art comtemporain de Quimper, France |
|
Franck & Schulte, Berlin, Germany |
|
“Black & White,” Print Cabinet, Museum d’art Moderne, Geneva, Switzerland |
| 1994 |
Philadelphia Museum of Art, Philadelphia, PA |
|
“From Beyond the Pale: Pat Steir: ‘A Painting Project’,” The Irish Museum of Modern Art, Dublin |
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“Pat Steir: Paintings and Etchings,” Anders Tornberg Gallery, Lund, Sweden |
| 1993 |
“Pat Steir: Wall Paintings,” Galerie Franck & Schulte, Berlin |
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Galleria Alessandra Bonomo, Rome |
|
Guild Hall Museum, East Hampton, NY |
| 1992 |
“Pat Steir,” Magasin: Centre National D’Art Contemporain, Grenoble, France |
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Robert Miller Gallery, New York, NY |
| 1991 |
“Pat Steir: New Editions,” Crown Point Press, New York, NY |
|
Galerie Albert Baronian, Brussels, Belgium |
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“Self-Portrait Installation,” Mackenzie Art Gallery, Regina, Saskatchewan, Canada |
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Linda Cathcart Gallery, Santa Monica, CA |
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Galerie Franck & Schulte, Berlin, Germany |
| 1990 |
Galerie Montenay, Paris, France |
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“Pat Steir Waterfalls,” Robert Miller Gallery, New York |
|
Musee d’art Contemporain, Lyon, France |
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“Pat Steir: Ways of Seeing, Paintings, Drawings, and Prints of the 1980’s,” New Jersey Center for the Visual Arts, Summit, N.J. |
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“Conversations with Artists V,” [Pat Steir with Kathan Brown], National Gallery of Art, Washington, D.C. |
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“Paintings,” USF Contemporary Art Museum, Tampa, FL |
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“Waterfalls,” Victoria Miro Gallery, London |
| 1989 |
“New Monoprints,” Crown Point Press, New York, NY and San Francisco, CA |
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“Waterfall Paintings,” Fuller Gross Gallery, San Francisco, CA |
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“Pat Steir: New Works,” Harcus Gallery, Boston, MA |
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Galleria Marilena Bonomo, Bari, Italy |
| 1988 |
“Recent Paintings and Drawings,” Kunstmuseum, Bern, Switzerland |
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“Waterfall Series,” M. Knoedler & Co., NY |
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“Gravures 1976‑1988,” Cabinet des Estampes, Geneve, Switzerland travelled |
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to the Tate Gallery, London “Drawings,” Victoria Miro, London, England |
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“Waterfall Paintings,” Massimo Audiello, New York |
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“New Waterfalls,” Trans Art Exhibitions, Koln, Germany |
| 1987 |
“Self Portrait,” The New Museum, NY |
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“Pat Steir: The Moon and the Wave,” M. Knoedler & Co., NY |
|
“New Paintings,” Galerie Eric Franck, Geneva, Switzerland |
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Galerie Adelina Von Furstenberg, Geneva, Switzerland |
| 1986 |
“Pat Steir: Monoprints and Etchings,” Crown Point Press, NY |
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“New Work,” Castelli Graphics, NY |
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Fuller Goldeen Gallery, San Francisco, CA |
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The Harcus Gallery, Boston, MA |
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“Pat Steir: New Paintings,” Kuhlenschmidt/ Simon Gallery, Los Angeles, CA |
|
“Concentrations 14: Pat Steir,” Dallas Museum of Art, Dallas, TX |
| 1985 |
“Pat Steir‑Important Works on Paper,” Dolan/Maxwell Gallery, Philadelphia, PA |
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“Pat Steir: Prints and Printmaking,” Philadelphia College of Art, Philadelphia, PA |
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“New Drawings,” Cincinnati Art Museum, Cincinnati, OH |
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“Pat Steir Peintures 1981-1985,” Galerie Eric Franck, Geneva, Switzerland |
| 1984 |
“Pat Steir‑The Breughel Series (A Vanitas of Style”), The Brooklyn Museum, Brooklyn, NY |
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“Pat Steir: New Paintings and Works on Paper,” Van Straaten Gallery, Chicago, IL |
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“New Work,” Nina Freudenheim Gallery, Buffalo, NY |
|
“New Paintings,” Galerie Barbara Farber, Amsterdam |
| 1983 |
University Art Galleries, University of South Florida, Tampa, FL |
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Max Protetch Gallery, New York, NY |
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“Form, Illusion, Myth Prints & Drawings,” Spencer St, Lawrence, KS; University Museum, Long Beach, CA; Contemporary Arts Museum, Houston, TX; Wellesley College Museum, Wellesley MA; Brooks Memorial Art Gallery, Memphis, TN |
|
“At Sea” monotypes, Crown Point Press, New York, NY |
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Harcus/Krakow, Boston, MA |
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Fuller‑Goldeen Gallery, San Francisco, CA |
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“Paintings: Ten Years,” Contemporary Arts Museum, Houston, TX |
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McIntosh/Drysdale Gallery, Houston, TX |
|
Marilena Bonomo, Bari, Italy |
|
“Arbitrary Order: Paintings by Pat Steir,” Contemporary Arts Museum, Houston, TX; traveled to Lowe Art Museum, Coral Gables, FL, and The Contemporary Arts Center, Cincinnati, OH |
| 1982 |
Eason Gallery, Santa Fe, NM |
|
Nina Freudenheim Gallery, Buffalo, NY |
|
Annemarie Verna, Zurich, Switzerland |
|
Farideh Cadot, Paris, France |
|
John C. Stoller & Co., Minneapolis, MN |
| 1981 |
Galleriet Lund, Sweden |
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Gloria Luria, Bay Harbor Islands, FL |
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Max Protetch Gallery, New York, NY |
|
Crown Point Press, Oakland, CA |
|
Farideh Cadot, Paris, France |
|
Marianne Dessin Gallery, Chicago, IL |
|
Brown University, Providence, RI |
| 1980 |
Droll/Kolbert Gallery, New York, NY |
|
Galerie d’Art Contemporain, Geneva, Switzerland |
|
Max Protetch Gallery, New York, NY |
| 1979 |
Farideh Cadot, Paris France |
| 1978 |
Droll/Kolbert Gallery, New York, NY |
|
Farideh Cadot, Paris, France |
| 1977 |
“Remember Me” mural, outside wall, Fine Arts Gallery B, California State University, Long Beach, CA |
|
Carl Solway Gallery, Cincinnati, OH |
| 1976 |
University of Maryland, MD |
|
Max Protetch Gallery, Washington, D.C. |
|
Xavier Fourcade, Inc., New York, NY |
|
Morgan Thomas, Santa Monica, CA |
|
Farideh Cadot, Paris, France |
|
White Gallery, Portland State University, Portland, OR |
|
Otis Art Institute, Los Angeles, CA |
| 1975 |
Xavier Fourcade, Inc., New York, NY |
|
John Doyle Gallery, Paris, France |
|
State University of New York, Oneonta, NY |
| 1973 |
Corcoran Gallery of Art, Washington, D.C. |
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Max Protetch Gallery, Washington, D.C. |
|
Ball State University, Muncie, IN |
| 1972 |
Paley & Lowe, Inc., New York, NY |
|
Douglas College, Rutgers University, New Brunswick, NJ |
| 1971 |
Graham Gallery, New York, NY |
| 1969 |
Bienville Gallery, New Orleans, LA |
| 1964 |
Terry Dintenfass Gallery, New York, NY |
| 2009 |
“Abstractions by Gallery Artists,” Cheim & Read, New York, NY |
|
“Don’t Perish,” Leo Koenig Inc., New York, NY |
|
“The Dorothy and Herbert Vogel Collection – Fifty Works for Fifty States,” The Speed Art Museum,Louisville, KY |
| 2008 |
“Expansion – Resonance,” Galerie Jaeger Bucher, Paris, France |
|
“Pretty Ugly,” Maccarone Gallery, New York, NY |
|
“Paintings’ Edge,” Parks Exhibition Center at Idyllwild Arts, Idyllwild, CA |
| 2007 |
“Falling Water”, Reykjavik Art Museum, Reykjavik, Iceland |
| 2006 |
“The 181st Annual” National Academy, New York |
|
“Twice Drawn,” Tang Teaching Museum, Skidmore College, Saratoga Springs, NY |
| 2005 |
Beijing International Art Biennale, Beijing, China |
|
“Paint,” Elizabeth Leach Gallery, Portland, OR |
|
“Contemporary Woman Artists,” University Art Gallery, Indiana State University, Terre Haute, IN |
| 2004 |
“Abstractions,” Cook Fine Art, New York |
|
“Presence,” Chelsea Art Museum, New York |
| 2003 |
Neuberger Museum of Art, Purchase, NY |
|
“Larger Than Life, Woman Artists Making it Big,” Sesquehanna Art Museum, Harrisburg, PA |
|
“Lewitt’s Lewitt’s, Collection of Carol and Sol Lewitt” New Britain Museum of American Art, New Britain, CT |
|
“Simple Marks,” Cheim & Read, New York |
|
“The Invisible Thread: Buddhist Spirit in Contemporary Art” Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Snug Harbor, New York |
| 2002 |
“Looking East: Contemporary Painters’ Engagement with Chinese Art,” Boston University |
|
Art Gallery, MA |
|
“Modernism & Abstraction: Treasures from the Smithsonian’s Art Museum,” |
|
National Academy Museum, New York City; Des Moines Art Center, Des Moines, IA; Oakland Museum, Oakland, CA |
|
“New York Renaissance: Masterworks of the Whitney Collection,” Palazzo Reale, Rome, Italy |
|
“Invitational Exhibition of Painting and Sculpture,” American Academy of Arts and Letters, New York |
|
“Wall Street Rising-Art Downtown,” New York |
|
The Inward Eye: Transcendence in Contemporary Art, Contemporary Arts Museum, Houston, TX |
| 2001 |
“Modernism & Abstraction: Treasures from the Smithsonian’s Art Museum,” Memorial Art Gallery, University of Rochester, Rochester, NY |
|
“Looking East: Dialogue, Selections from the LeWitt Collection and the Samuel S.T. Chen Collection,” |
|
Central Connecticut State University, New Britain, CT |
|
“Some Paintings,” Texas Gallery, Houston, TX |
| 2000 |
“Moon Mountain Ghost Water” New painting, Marlborough Chelsea, New York |
|
“Pat Steir and Betty Woodman: A Conversation,” Art Resources Transfer, New York City |
|
“Modernism & Abstraction: Treasures from the Smithsonian’s Art Museum,” Art Museum at Florida |
|
International University, Miami, FL |
|
National Gallery of Art, Washington, D.C. |
|
“The Permanent Collection,” Whitney Museum of Art, New York |
| 1999 |
“New Paintings,” Baldwin Gallery, Aspen, Colorado |
|
“The American Century,” Whitney Museum of American Art, New York, NY |
| 1998 |
“The Edge of Awareness,” traveling group exhibition curated by Adelina Von Fustenberg, beginning in Geneva, Switzerland, to P.S. 1 Contemporary Art Center, Long Island, NY, traveling to Sao Paulo, then to New Delhi (in 1999) |
|
“LICKITY SPLIT,” Installation, Whitney Museum of Art, New York, NY |
| 1997 |
“The Founders and Heirs of the New York School,” Museum of Contemporary Art, Tokyo, traveling to The Miyagi Museum of Art and the Museum of Modern Art, Ibaraki, Japan |
|
“Original Visions: Women, Art, and the Politics of Gender,” Boston College Museum of Art, Boston, MA |
|
“After The Fall: Aspects of Abstract Painting Since 1970,” The Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY |
|
“A Thought Intercepted,” California Museum of Art, Santa Rosa, CA |
|
“Affinities With The East,” Robert Miller Gallery, New York, NY |
|
Museum of Modern Art, New York, summer print survey exhibition from the collection |
| 1996 |
“Marks, Metaphor and Magic: New Editions by Pat Steir, Tom Marioni and William T. Wiley,” |
|
Crown Point Press, San Francisco, CA |
|
“Destiny Manifest: American Landscape Painting in the Nineties,” Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL |
|
“Original Visions: Women, Art, and the Politics of Gender,” Boston College Museum of Art, Boston, MA |
|
“After The Fall: Aspects of Abstract Painting Since 1970,” The Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY |
|
“A Thought Intercepted,” California Museum of Art, Santa Rosa, CA |
|
“Affinities With The East,” Robert Miller Gallery, New York, NY |
|
Museum of Modern Art, New York, summer print survey exhibition from the collection |
|
traveling to Kunsthalle Bielefeld, Museo de Arte Contemporaneo, Barcelona |
|
“Jahresmuseum,” Kunst Haus Muerz, Austria |
| 1995 |
“From Impulse to Image,” Virginia Museum of Fine Arts, Richmond, VA |
|
“The Artist’s Camera, Photographs by Contemporary Artists,” Thread Waxing Space, New York, NY |
|
“American Art Today: Night Paintings,” The Art Museum, Florida International University, Miami, FL |
|
“Selected Works from the Collection,” The Irish Museum of Modern Art, Dublin, Ireland |
|
“25 Americans: Painting in the ’90s,” Milwaukee Art Museum, Milwaukee, WI |
|
“Fiftieth Anniversary Celebration for Human Rights,” United Nations, Geneva, Switzerland |
|
Louvre, Paris, France; commissioned for a special print edition |
|
Print Cabinet, Musee d’art Moderne, Geneva, Switzerland; commissioned for a special print edition |
|
Philadelphia Museum of Art, PA; commissioned for a special print edition |
|
“From Picasso to Woodrow: suite of prints “Long Vertical Falls,” Tate Gallery, London, England |
| 1994 |
“Dialogue with the Other,” Kunsthallen Brandts Klaedefabrik, Odense, Denmark |
|
“A Room With Some Views,” Sonnabend Gallery, New York, NY |
|
“Inspired by Nature,” Neuberger Museum, Purchase, NY |
|
“Abstract Works on Paper,” Robert Miller Gallery, New York, NY |
|
“Chicago Art Fair,” Galerie Franck & Schulte, Berlin, Germany |
| 1993 |
“Abstract-Figurative,” Robert Miller Gallery, New York, NY |
|
“I Am The Enunciator,” Thread Waxing Space, New York, NY |
|
“Darkness and Light,” Blaffer Gallery, University of Houston, TX |
|
“Zeichnungen setzen Zeichen,” Galerie Raymond Bollag 1, Zurich, Switzerland |
|
“Rewriting History: The Salon of 1993,” Montgomery Glasoe Fine Art, Minneapolis, Minnesota |
|
“Drawing the Line Against AIDS,” Peggy Guggenheim Collection, Venice, Italy |
|
“Tresors de Voyage,” XLV Biennale di Venezia, Venice, Italy |
|
“Arbeiten auf Papier,” Kunstler der Documenta IX |
|
“Eight Painters: Abstraction in the Nineties,” Carl Solway Gallery, Cincinnati, OH |
| 1992 |
“Important Contemporary Prints,” Steven Scott Gallery, Baltimore, MD |
|
“Surface to Surface,” Barbara Krakow Gallery, Boston, MA |
|
“Allegories of Modernism: Contemporary Drawings,” The Museum of Modern Art, New York, NY |
|
“Quotations,” The Aldrich Museum of Contemporary Art, Ridgefield, CT |
|
“Documenta IX,” Kassel, Germany |
|
“Americana ‘92,” Hong Kong Arts Centre, Wanchai, Hong Kong |
|
“Directions in Bay Area Printmaking: 3 Decades,” Palo Alto Cultural Center, Palo Alto, CA |
| 1991 |
“Slow Art,” P.S.1, Long Island City, NY |
|
“Whitney Biennial,” Whitney Museum of American Art, NY |
|
“Art Pro Choice II Print Portfolio,” K. Kimpton Gallery, San Francisco, CA; Linda Cathcart Gallery, Santa Monica, CA; Pace Prints, New York, NY |
|
“Masters of Contemporary Sculpture, Paintings, and Drawings: 1930s –1990s,” |
|
Bella Artes, Santa Fe, N.M. |
|
“Vertigo,” Thaddaeus Ropac, Salzburg, Austria (smaller version of the 1990 exhibition) |
|
“Open Mind: The LeWitt Collection,” Wadsworth Atheneum, Hartford, CT |
|
“Rope,” Curated by Christian Leigh, Fernando Alcolea Gallery, Barcelona, Spain |
| 1990 |
“Woodblock Prints from the People’s Republic of China,” Crown Point Press, NY |
|
“Prints Made at Crown Point Press, Tate Gallery, London |
|
“Terra Incognita,” Museum of Art, Rhode Island School of Design, Providence, R.I. |
|
“Three-Person Installation,” Le Magazine, Grenoble, Switzerland |
|
“Contemporary Prints and Multiples,” Norah Haime Gallery, New York, NY |
|
“Inconsolable,” Louver Gallery, New York, NY |
|
“Twenty Years of Landfall Press,” Landfall Press, Chicago, IL |
|
“Le Diaphane,” Musee des Beaux-Arts, Tourcoing, France |
|
“Women’s Work: Hidden Treasures,” Gallery 44, Boulder, CO |
|
“The Unique Print: 70’s Into 90’s,” Museum of Fine Arts, Boston, MA |
| 1989 |
“Drawings and Related Prints,” Castelli Graphics, NY |
|
“Art of Renewal,” Orchard Gallery, Derry, Ireland |
|
“Methods of Abstraction,” Gallery Urban, New York, NY |
|
“Les Cents Jours,” Centre International d’art Contemporain, Montreal, Canada |
|
“Encore II: Celebrating 1980-89,” The Contemporary Arts Center, Cincinnati, OH |
|
“American Artists: Curated by Donald Cuspit,” Kuznetsky Most Exhibition Hall, Moscow, U.S.S.R. |
|
“Specific Metaphysics,” Sandra Gering Gallery, New York, NY |
|
“Water,” Museum of Modern Art, Art Advisory Service: Mezzanine of Corporate Conference Center, New York |
| 1988 |
“Idea Image: Etchings and Woodblocks,” Crown Point Press, New York, NY and San Francisco, CA |
|
“Alan Charlton, Matt Mullican, Pat Steir,” Michael Klein, Inc., New York, NY |
|
“The M. Anwar Kamal Collection of Art,” The Cumer Gallery of Art, Jacksonville, FL |
|
Massimo Audiello Gallery, New York, New York |
|
“Black and White,” Fabric Workshop, Philadelphia, PA |
|
“Recent Acquisitions,” Print Department, The Museum of Modern Art, NY |
|
“The Silent Baroque,” Galerie Thaddeus Ropac, Salzburg, Austria |
| 1987 |
“Not So Plain Geometry,” Crown Point Press, NY |
|
“Faces,” Crown Point Press, San Francisco, CA |
|
“Works on Paper: Third Annual Master Print Exhibition,” Lizardi‑Harp Gallery, Pasadena, CA |
|
“The Fabric Workshop: A Decade of Pattern,” The Graduate School of Fine Arts, University of Pennsylvania, PA |
|
“For 25 Years: Crown Point Press,” The Museum of Modern Art, NY |
|
“Stephan Antonakos, Michael Singer, Robert Stackhouse, Pat Steir,” 19th Bienal de Sao Paulo, Brazil |
|
“Art and the Law,” The West Company, St. Paul, MN |
|
“Working Woman,” The Harcus Gallery, Boston, MA |
|
“Romanticism and Classicism,” The QCC Art Gallery, Bayside, NY |
|
“Avant Garde in the Eighties,” Los Angeles County Museum, Los Angeles, CA |
|
“Stations,” Centre International d’art Contemporain de Montreal, Canada |
|
“Malerei- Wandmalerei,” Grazer Kunstverein, Stadtmuseum Graz, Graz, Austria |
|
“The Success of Failure,” Laumeier Sculpture Park and Gallery, Saint Louis, Missouri |
| 1986 |
“Public and Private‑‑American Prints Today,” The Brooklyn Museum, Brooklyn, NY |
|
“Rebecca Horn/ Pat Steir,” Galerie Eric Franck, Geneva, Switzerland |
|
“Still Life/ Landscape, New Approaches to Old Traditions,” Gloria Luria Gallery, Bay Harbor, FL |
|
“Second Sight: San Francisco Museum of Modern Art, Biennial V,” San Francisco, CA |
|
“The Art of Drawing,” Barbara Mathes Gallery, New York, NY |
|
“Investigations,” McIntosh/Drysdale Gallery, Washington, D.C. |
|
“Chamber Sculptures,” Swabian Castle, Bari, Italy |
|
“Richard Artschwager, Alan Saret, Pat Steir,” Harm Bouckaert Gallery, New York, NY |
|
Centre d’art Contemporain, Geneva, Switzerland |
|
“Boston Collects: Contemporary Paintings and Sculpture,” Museum of Fine Arts, Boston, MA |
|
“Focus on the Image: Selection from the Rivendell Collection,” Phoenix, AZ |
| 1985 |
“Portfolio‑Prints in Context,” Barbara Krakow Gallery, Boston, MA |
|
“Fabrications,” Gallery 400, University of Chicago, Chicago, IL |
|
“A New Beginning: 1968-1978,” The Hudson River Museum, Yonkers, NY |
|
“New York Now: Correspondences,” Laforet Museum, Tokyo, Japan; exhibition traveled to Tochigi Prefectural Museum of Fine Arts, Japan; and Tasaki Hall Espace Media, Kobe, Japan. |
|
“From Organism to Architecture,” The New York Studio School, New York, NY |
|
“Doppelganger,” Aorta, Amsterdam, The Netherlands |
|
“Promenades,” Centre d’art Contemporain, Geneva, Switzerland |
|
“Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases,” The Brooklyn Museum, Brooklyn, NY |
|
“The Second Hurricane,” Harry de Jur Playhouse, Henry Street Settlement, New York, NY |
|
“American Art: American Women,” Stamford Museum and Nature Center, Stamford, CT |
|
“Nine Printmakers and the Working Process,” Whitney Museum of American Art, NY |
|
“New Works on Paper 3,” Metropolitan Museum of Art, NY |
| 1984 |
“Drawings,” Barbara Toll Fine Arts, New York, NY |
|
“SEX,” Cable Gallery, New York, NY |
|
“Contemporary Triptychs,” The Edith C. Blum Art Institute, The Bard Center Annandale-on-Hudson, New York, NY |
|
“Ecstasy,” Monique Knowlton Gallery, New York, NY |
|
Pace Editions, New York, NY |
|
“Artists’ Weapons,” Ted Greenwald Gallery, New York, NY |
|
“Art of the Seventies,” Whitney Museum of American Art, New York, NY; traveled to North Carolina Museum of Art, Raleigh, N.C.; La Jolla Museum of Contemporary Art, San Diego, CA; Sheldon Memorial Art Gallery, Lincoln, Nebraska; Center for the Fine Arts, Miami, FL. |
|
“Highlights: Selections from the Bank of America Corporate Art Collection,” Bank of America World Headquarters, San Francisco, CA |
|
“Content: A Contemporary Focus, 1974-1984,” Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, D.C. |
|
“From the Collection of Sol LeWitt,” The University Art Museum, Long Beach, CA; exhibition traveled to Ackland Art Museum, Chapel Hill, N.C.; Everhart Museum, Scranton, PA; The Grey Art Gallery and Study Center, New York, NY; Museum of Art, Fort Lauderdale, FL. |
| 1983 |
“SEX and Representation,” A Space, Toronto, Canada |
|
“Inaugural Exhibition,” Barbara Mathes Gallery, New York, NY |
|
Centre Culturel le Parvi, Tarbes, France |
|
“When Art Becomes Book/ When Books Become Art,” Galerie Annemarie Verna, Zurich, Switzerland |
|
“Ornamentalism,” The Harcus Gallery, Boston, MA |
|
“Recent Acquisitions,” Musee d’art Toulon, France |
|
“ARC Exhibition,” Musee d’art Moderne de la Ville de Paris, France |
|
“Collectors Choice,” Museum of Art, Rhode Island School of Art and Design, Providence, RI |
|
“Language, Drama, Source, and Vision,” The New Museum of Contemporary Art, New York, NY |
|
“Biennial Exhibition,” Whitney Museum of American Art, NY |
| 1982 |
“L’Art Baroque,” Musee d’Art Contemporain, Paris, France |
|
“Paintings,” Fuller Goldeen Gallery, San Francisco, CA |
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“Representing Reality: Fragments from the Image Field: An Exhibition of Etchings and Woodblock Prints by Gunter Brus, Francesco Clemente, Joel Fisher, Robert Kushner, Pat Steir, and William T. Wiley,” Crown Point Press, Oakland, CA |
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“Geometric Art at Vassar,” Vassar College Art Gallery, Poughkeepsie, NY |
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“Post‑Minimalisms,” Aldrich Museum of Contemporary Art, Ridgefield, CT |
| 1981 |
“Rigors,” The Patrick Gallery, Austin, TX |
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“New York News,” Clark Benton Gallery, Santa Fe, NM |
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“Paper Work,” Nina Freudenheim Gallery, Buffalo, NY |
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“An Aviary,” Art Lending Service, The Museum of Modern Art, NY |
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“Works on Paper,” Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC |
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“A Range of Contemporary Drawings,” Sordoni Art Gallery, Wilkes College, Wilkes‑Barre, PA |
| 1980 |
“Drawings,” Nina Freudenheim Gallery, Buffalo, NY |
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“American Paintings of the 60’s and 70’s: The Real, The Ideal, The Fantastic: Selections from the Whitney Museum of American Art,” Whitney Museum, New York, NY |
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“American Drawings in Black and White,” Brooklyn Museum, Brooklyn, NY |
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“Print Makers and Printers,” Walker Art Institute, Portland, OR |
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Max Protetch Gallery, New York |
| 1979 |
“Intimate Statements,” The University of New Mexico Art Museum, Albuquerque, NM |
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“Lithography: A Sense of Scale,” The University of New Mexico Art Museum, Albuquerque, NM |
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“Decade in Review: Selections from the 1970’s Permanent Collection,” Whitney Museum of American Art, New York, NY |
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“The 1970’s: New American Painting,” The New Museum, New York, NY |
| 1978 |
“The Seventies, New American Paintings,” organized by the New Museum, Travelling for two years in Europe |
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“Artists’ Books and Notations,” Touchstone Gallery, NY |
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“Contemporary Drawings/New York,” University Art Museum, University of California, Santa Barbara, CA |
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“American Artists of the Seventies‑Works on Paper,” Albright Knox Art Gallery, Buffalo, NY |
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“Drawing Explorations 1930‑1978,” Janus Gallery, Los Angeles, CA |
| 1977 |
“Drawings of the Seventies,” Art Institute of Chicago, Chicago, IL |
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“America Drawn and Matched,” The Museum of Modern Art, New York, NY |
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“A Painting Show,” P.S. 1, Institute for Art and Urban Resources, New York, NY |
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“Invitational American Drawing Exhibition,” San Diego Museum of Art, San Diego, CA |
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“Art on Paper 1977,” Weatherspoon Art Gallery, Greensboro, N.C. |
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“A Survey of Prints, 1970-1977,” Museum of Contemporary Art, Chicago, IL |
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“Biennial Exhibition,” Whitney Museum of American Art, NY |
| 1976 |
“American Artists ‘76‑A Celebration,” Marilyn Kogler MCTay Art Institute, San Antonio, TX |
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“Painting and Sculpture Today: 1976,” Indianapolis Museum of Art, Indianapolis, IN |
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Max Protetch Gallery, Washington, D.C. |
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“16 Projects/ 4 Artists,” The University Art Museum, Long Beach, CA |
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“Private Notations‑Artists’ Sketchbooks II,” Philadelphia College of Art, Philadelphia, PA |
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“Art That Involves Words,” Max Protetch Gallery, Washington, D.C. |
| 1975 |
“Group Show,” Max Protetch Gallery, Washington, D.C. |
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“25 Stills,” Whitney Museum of American Art, New York, NY |
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“American Women Printmakers,” Gallery 210, St. Louis, Missouri |
| 1974 |
“28 Painters of the New York Avant‑Garde ‘74,” Saidye Bronfman Center, Montreal, Canada |
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“Inaugural Exhibition,” Loretta Yarlow Fine Arts, Ltd., Toronto, Canada |
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“People and Places,” Whitney Museum of American Art, New York, NY |
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“Painting and Sculpture Today, 1974,” Indianapolis Museum of Art, Indianapolis, IN |
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“Women’s Work‑ American Art ‘74,” Museum of the Philadelphia Civic Center, in conjunction with the Philadelphia Museum of Art, Philadelphia, PA |
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Loretta Yarlow Fine Arts, Toronto, Canada |
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“Joan Snyder and Pat Steir,” Institute of Contemporary Art, Boston, MA |
| 1973 |
“Six Visions,” Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA |
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“Drawings,” Cusack Gallery, Houston, TX |
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“American Drawing 1963‑1973,” Whitney Museum of American Art, NY |
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The Museum of Modern Art, New York, NY |
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“Recent Acquisitions,” Whitney Museum of American Art, NY |
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“Biennial Exhibition: Contemporary American Art,” Whitney Museum of American Art, New York, NY |
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“Women Choose Women,” New York Cultural Center, New York, NY |
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Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA |
| 1971 |
“Three Paintings,” Paley & Lowe, New York, NY |
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Glauber Poons Gallery, Amsterdam, the Netherlands |
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Graham Gallery, New York, NY |
| 1970 |
French & Company, New York, NY |
| 1969 |
Graham Gallery, New York, NY |
| 1963 |
The High Museum of Art, Atlanta, GA |
| 1966 |
Terry Dintenfass Gallery, New York, NY |
| 1964 |
Annual Exhibition, Philadelphia Museum of Art, Philadelphia, PA |
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“Drawings,” Museum of Modern Art, New York, NY |
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Finch College, New York, NY |