Lives and works in New York.
| 2007 |
Poets on Painters, Ulrich Museum of Art, Wichita State University, KS |
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The Line of Time and the Plane of Now Harris Lieberman, New York, NY |
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The Good, the Bad, and the Ugly New Langton Arts, San Francisco, CA |
| 2006 |
Gifts Go in One Direction, Apexart, New York, NY |
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New Now Next - The Contemporary Blanton Jack S. Blanton Museum of Art, Austin, TX |
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The Triumph of Painting - Part 4 The Saatchi Gallery, London (England) |
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Landscape Confection Orange County Museum of Art, Newport Beach |
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Frontiers - Collecting the Art of Our Time Worcester Art Museum, Worcester, MA |
| 2005 |
Cut, Susanne Vielmetter LA Projects, Culver City, CA |
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Post Modern, Greene Naftali, New York, NY |
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Landscape Confection Contemporary Arts Museum Houston, Houston, TX |
| 2004 |
“Dana Schutz, Amy Sillman, Kara Walker,” Brent Sikkema, New York, NY |
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Whitney Biennial, The Whitney Museum of American Art, New York, NY |
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Open House: Working in Brooklyn, Brooklyn Museum, Brooklyn, NY |
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Wonderland, Judy Ann Goldman Fine Art, Boston MA |
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Affect, Philip and Muriel Berman Museum of Art, Collegeville, PA. |
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True Stories, Johnson County Community College Gallery of Art, Overland |
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Park, KS |
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200 Drawings: Annie Herron and Barry Blinderman Select from the Pierogi Flatfile Illinois State University, Normal, Il |
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Beginning Here: 101 Ways, SVA Visual Arts Gallery, New York, NY |
| 2003 |
Comic Release: Negotiating Identity for a New Generation, Carnegie Mellon |
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University, Pittsburgh PA, January 18- March 21; New Orleans Contemporary Arts Center, New Orleans LA, April 11-June 15; University of North Texas, Denton TX, August 25- October 18; Western Washington University, Bellingham, WA: January 12- March 13, 2004, Armory Center for the Arts, Old Pasadena, CA, June 27- August 15 |
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Rendered, Sara Meltzer Gallery, New York, NY |
| 2002 |
Officina America ReteEmiliaRomagna, Gallaria d’Arte Moderna, Bologna, Italy, Chiostri di San Domenico, Imola, Italy, Galleria Comunale ex Pescheria, Via Pescheria, Cesena, Italy, Palazzo dell’ Arengo, Rimini |
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A Long Drawing, Brent Sikkema, New York |
| 2001 |
Six Contemporary Artists, The Clifford Gallery, Colgate University, Hamilton, NY |
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I’m Not Sure: Contructing Identity at the Turn of the Century, Susquehanna |
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Art Museum, Harrisburg, PA |
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718 Brooklyn, Palm Beach Institute for Contemporary Art, Lake Worth, FL |
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Works on Paper, Tibor De Nagy, New York, NY |
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The Approximative, Galerie Ghislaine Hussenot, Paris, France |
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Passing Through, Shaqab College of Design Arts, Doha, Qatar |
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Expanding Tradition, Contemporary works influenced by Indian miniatures, Deutsche Bank Gallery, New York, NY |
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American Academy Invitational Exhibition of Painting & Sculpture, New York, NY |
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Pixerina Witcherina, University Gallery, Illinois State University, Normal, Il |
| 2000 |
Blurry Lines, John Michael Kohler Arts Center, Sheboyan, WI |
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Painting Generation: 1920 –2000, Kagan Martos Gallery, New York, NY |
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Amy Sillman, Charline von Heyl, Joanne Greenbaum, James Van Damme Gallery, Brussels, Belgium |
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Greater New York, P.S.1, New York, NY |
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Group Show, Brent Sikkema, New York, NY |
| 1999 |
Works on Paper: Mentor, Sillman, Chagoya, Zolla Lieberman Gallery, Chicago, IL |
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The Stroke (selection by Kerry James Marshall), Exit Art, New York, NY |
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Parallel Lines: Mix and Match, Karen McCready Fine Arts, New York, NY |
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Compliment (collaboration with Jef Scharf), The Educational Alliance, New York, NY |
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New etchings and monotypes, Quartet Editions, New York, NY |
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Cosmogram, Galleria Marabini, Bologna, Italy |
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I’m Not Here: Constructing Identity at the Turn of the Century, Susquehanna |
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Art Museum, Harrisburg, PA |
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Turning the Century, Bridgewater/Lustberg & Blumenfeld Gallery, New York |
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Paper View, Fordham University, New York, NY |
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Drawing Into Paint, Alfred University, Fosdick-Nelson Gallery, NY |
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Drawing in the Present Tense, Parsons School of Design, New York, NY |
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New Work, Cincinnati Center for Contemporary Art, Cincinnati, OH |
| 1998 |
The New Surrealism (with Team SHaG, collaborative painting with David |
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Humphrey and Elliott Green), Pamela Auchincloss Project |
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Space, New York, NY |
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Cluster Bomb, Morrison-Judd, London |
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Personal Touch, Art in General, New York, NY |
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Commitment to Image, University of North Texas, Denton, Texas |
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From Here to Eternity: Painting in the 1990’s, Max Protetch Gallery, New York, NY |
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Pop Surrealism (with Team SHaG), The Aldrich Museum, Ridgefield, CT |
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Codex USA, Entwistle Gallery, London |
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Drawings, Graham Modern Gallery, New York, NY |
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The Secret Charts, Jonctions Festival, Brussels (collaboration with filmmaker |
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Peggy Ahwesh) |
| 1997 |
Drawings and Paintings, Brent Sikkema/Wooster Gardens, New York, NY |
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Art and Provocation: Images from Rebels, Boulder Museum of Contemporary Art, Boulder, CO |
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Art on Paper, The Weatherspoon Art Gallery, University of North Carolina - Greensboro, Greensboro, NC |
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Current Undercurrents: Working in Brooklyn, The Brooklyn Museum of Art, Brooklyn, NY |
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New York Drawers (Pierogi 2000 flat files), Gasworks, UK |
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Distraction, TBA Exhibition Space, Chicago, IL |
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Irredeemable Skeletons, Sillman + Smith, London, UK |
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Team SHaG (collaborative paintings with David Humphrey and Elliot Green), Postmasters Gallery, New York, NY |
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Nu-Glu, Joseph Hellman, New York, NY |
| 1996 |
Imaginary Beings, Exit Art, New York, NY |
| 1995 |
Summer Group Show, Stefano Basilico , New York, NY |
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Wheel of Fortune, Lombard Fried Gallery, New York, NY |
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Imaginary Beings, Exit Art, New York, NY |
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International Graphics Biennial, Gyor, Hungary |
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Invitational Exhibition, Anina Nosei, New York, NY |
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Obsession, Chassie Post Gallery, New York, NY |
| 1994 |
Arabesque, PPOW, New York, NY |
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Out West and Back East New Work from LA and NY, Santa Monica Museum, Los Angeles, CA |
| 1993 |
Figure as Fiction, Cincinnati Center for Contemporary Art, Cincinnati, OH |
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Paintings, Trial Balloon Gallery, New York, NY |
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Mating Instinct, Penine Hart Gallery, New York, NY |
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Invitational Exhibition, Stux Gallery, New York, NY |
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Paintings, Salvatore Ala Gallery, New York, NY |
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1920, Exit Art, New York, NY |
| 1992 |
Seven Rooms/Seven Curators (with four walls), P.S.1., Long Island City, NY |
| 1991 |
Amy Sillman and Terry Adkins, Dart Gallery, Chicago, IL |
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Ornament: Ho Hum All Ye Faithful, John Post Lee Gallery, New York, NY |
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The Painting Project, Part 1, Four Walls, Brooklyn, NY |
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New Generations: New York, Carnegie Mellon Art Center, Pittsburgh, PA |
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Lyric: Uses of beauty at the end of the century, White Columns Gallery, New York, NY |
| 1990 |
Amy Sillman/Dina Ghen, Ledis Flam Gallery, New York, NY |
| 1989 |
Climate ‘89, E.M. Donahue Gallery, New York, NY |
| 1988 |
1988 Real Democracy, Four Walls at White Columns, New York, NY |
| 1987 |
Artists Books, Museum of Contemporary Art, Chicago, IL |
| 1986 |
Selections 34, The Drawing Center, New York, NY |
| 1984 |
On View: Michael Byron, Lisa Hoke, Amy Sillman, The New Museum, NY |
| 1982 |
Visionary Landscapes, PS 122 Gallery, New York, NY |
| 2007 |
Molesworth, Helen. Frieze, January-February 2006, p. 134 |
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Halle, Howard. “Art Goes Boom,” Time Out New York, Feb 22-28, p.16 |
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“A Phrase Guide for the Spring Art Season,” German Architectural Digest, December 2006/ January 2007, p. 146 |
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Baker, Kenneth. “Photographer Sugimoto to be all over town,” San Francisco Chronicle, Saturday February 17, 2007 |
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Norden, Linda, Amy Sillman: The Elephant in the Painting, Artforum, February 2007, pp. 238-245 |
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Molesworth, Helen, Looking Back: Solo Shows, Artforum, January 2007, p.134 |
| 2006 |
Selected by the Stars, The Art Newspaper, Saturday-Sunday 14-15 October, 2006, p.6 |
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Ashford, Doug, and Anne Pasternak. Who Cares, d.a.p. ISBN 1-928570-02-X |
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Richer, Francesca, and Matthew Rosenzweig, ed. No. 1: First Works by 362 Artists, d.a.p. ISBN 1-933045-09-4 |
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Maine, Stephan. “Amy Sillman at Sikkema Jenkins,” Art in America, September, 2006 |
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Blum, Kelly, and Annette DiMeo Carlozzi, ed. Blanton Museum of Art: American Art Since 1900, The University of Texas at Austin, 2006. |
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Coggins, David. “Amy Sillman,” Modern Painters, July-August 2006 |
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Goings On About Town, The New Yorker, May 1, 2006 |
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Saltz, Jerry. “Gypsy,” The Village Voice, April 24, 2006 |
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Baker, R. C. “Best in Show”, The Village Voice, April 19-25. |
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Johnson, Ken, “Amy Sillman at Sikkema Jenkins &Co.,” The New York Times, April 28, 2006 |
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Scott, Andrea. “Fresh Direct,” Time Out New York, April 27- May 3, 2006, Issue 552 |
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Cohen, David. “Turn up the Volume,” The New York Sun, April 18, 2006 |
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Bui, Phong. “In Conversation: Amy Sillman with Phong Bui,” The Brooklyn Rail, April 11, 2006 |
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Sicha, Choire. “Sillman, Hesse, walker; How ‘Bout Utah for Some Art?” The New York Observer, March 6, 2006 |
| 2005 |
Israel, Nico. “Candyland,” Vogue, March 2005 |
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Pagel, David. “Depicting the Delights of Spring,” Los Angeles Times, Friday |
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April 8, p. E26 |
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“Amy Sillman: The Other One,” review, Modern Painters, June 2005 |
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Spaid, Sue. “Landscape Confection,” ArtUS, Issue 9, July-September p. 44 |
| 2004 |
“Whitney Biennial,” The Whitney Museum of American Art, New York, NY, March 11- June 13 (Exhibition Catalog) |
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“Open House: Working in Brooklyn,” Brooklyn Museum, Brooklyn, NY, (Exhibition Catalog) c. 2004 ISBN 0872731502 |
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Installation, Selected by Dana Schutz, Modern Painters, Autumn 2004, p.64 |
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Halle, Howard. “Local Color,” BKLYN, Spring, 2004, p. 29-30 |
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Lovelace, Carey. “How to visit a Studio,” ArtNews, October, pp.178-9 |
| 2003 |
Rubenstein, Raphael. “8 Painters: New Work,” Art in America, November, pp. 0-141 |
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Wei, Lilly. “Amy Sillman at Brent Sikkema,” Art in America, September, p 128 |
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Maniglia, Julie. “Amy Sillman at Brent Sikkema,” Artforum, September, pp 226 |
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Mendelsohn, Meredith. “Amy Sillman at Brent Sikkema,” ARTnews, September, p 133 |
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Kerr, Merrily. “Amy Sillman at Brent Sikkema,” Flash Art, July- September, p 118 |
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Bloemink, Barbara and Clark, Vicky A. Comic Release: Negotiating Identity for a New Generation, DAP, New York, ISBN: 1-891024-60-4, p. 172 |
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Halle, Howard. “I am curious (yellow),” Time Out New York, May 15-22 p. 67 |
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Schjeldahl, Peter. “Mellow Yellow,” The New Yorker, May 12, p.14 |
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Glueck, Grace. The New York Times, May 9, 2003, p. E39 |
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Levin, Kim. Voice Choices, The Village Voice, May 9 |
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Cohen, David, Gallery-going, The New York Sun, Thursday May 22 p. 14 |
| 2002 |
Wolfe, Kristin L., “When the “No!” Becomes “Aha!” The School of Visual Arts Alumni Magazine, Summer 2002, pp. 8-9 |
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McDevitt, Siobhan, “Amy Sillman,” Frieze, Issue 68 June July August 2002, pp. 110-111 |
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Crowd vol. 2, issue 1, Summer 2002, ISBN: 0-97133-48-1-1, pp. 18-19 |
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Tatar, Maria, Conger, Bill, and Susina, Jan, “Pixerina/Witcherina,” University Galleries of Illinois State University, Normal, IL. c. 2002 ISBN 0-945558- 31-7, pp.54-55 |
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Knight, Christopher, “Sillman Celebrates Struggle and Wonder,” Los Angeles Times, Friday April 19, 2002, p. F26 |
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Officina America ReteEmiliaRomagna, Gallaria d’Arte Moderna, Bologna, Italy, Chiostri di San Domenico, Imola, Italy, Galleria Comunale ex Pescheria, Via Pescheria, Cesena, Italy, Palazzo dell’ Arengo, Rimini. C. 2002. Edizioni Gabriele Mazotta, ISBN 8820215314 |
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Rosenberg, Karen “Traveling Light: Two Artists Explore Topography” The Village Voice, February 5, 2002, p. 57 |
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“Carol Rhodes/Amy Sillman” The New Yorker, January 15, 2002 |
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Richard, Francis “Critic’s Picks” Artforum.com, January 10, 2002 |
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Robinson, Walter “Weekend Update” Artnet.com, January 8, 2002 |
| 2001 |
Gregg, Gail, “Streams of Consciousness,” ARTnews, April 2001, p.120-123 |
| 2000 |
Adelman, Shonagh, Frieze, review, September – October |
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“Amy Sillman”, The New Yorker, review, April 17 |
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Anton, Saul, Time Out New York, review, April 27 – May 4 |
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Harris, Susan. Art in America, review, October, p. 171 |
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Dailey, Meghan, “Amy Sillman.” Artforum, review, Summer |
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Humphrey, David, Bomb, review, Summer |
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Smith, Roberta, The New York Times, April 21 |
| 1999 |
Balken, Deborah Bricker. “Drawing in the Present Tense,” exhibition catalog, Parsons School of Design |
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Decker, Andrew. “Arts Next Wave”, Cigar Aficionado |
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Goodman, Jonathan. “Medrie Macphee and Amy Sillman”, Contemporary Visual Art |
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Mellyn, Sean and Jonathan Van Dyke, “I’m Not Here,” exhibition catalog, Susquehanna Art Museum |
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Young, Geoffrey “Drawing Into Paint” exhibition publication, Alfred University |
| 1998 |
Cotter, Holland. The New York Times, review |
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Koestenbaum, Wayne. “The Best of 1998,” Artforum, review |
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Exhibition catalog, Casey Kaplan Gallery, NY, NY |
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Harris, Elise. “Sentimental Journey”, Out magazine |
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Humphrey, David. “New York Fax”, Art Issues |
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Klein, Richard. Pop Surrealism, exhibition catalog., The Aldrich Museum, Aldrich, CT |
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Mumford, Steve, Review, review |
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Nahas, Dominique, Review, review |
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Schjeldahl, Peter. “Thanks for Painting”, The Village Voice |
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Volk, Gregory. “Amy Sillman’s New Painting” Amy Sillman, |
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Yablonsky, Linda. Time Out New York, review |
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Ziolkowski, Thad. Artforum, review |
| 1997 |
Cotter, Holland. The New York Times, review |
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Maldondo, Wasserman & Wasserman. “Distraction”, Exhibition Catalog, TBA Exhibition Space, Chicago, IL |
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Paglia, Michael. “Not the Funnies”, Westworld |
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Smith, Roberta. “Also of Note”, The New York Times |
| 1996 |
“Ripple Effects: Painting and Language”, New Observations 113 |
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Condon, Elizabeth. New Art Examiner, review |
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Frankel, David. Artforum, review |
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Hirsch, Fave. “Crude Oils”, World Art |
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Kimmelman, Michael. The New York Times, review |
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Servetar, Stewart. The New York Press, review |
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Smith, Roberta. “The Gallery Door Open to the Long Denied”, The New York Times |
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Westfall, Stephen. Art in America, review |
| 1995 |
Brock, Hovey. “On the Edge: Amy Sillman, Subconscious Riot”, Art News |
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Camper, Fred. The Chicago Reader, review |
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Hess, Elizabeth. “Growing Paints”, The Village Voice |
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King, Elaine E.. The Figure as Fiction, exhibition catalog. The Cincinnati Center for Contemporary Art, Cincinnati, OH |
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Lipkin, Lawrence and Julie Jaquette, Editors. “Forum of Young Artists”, M/E/A/N/I/N/G 16 |
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Myles, Eileen. Art in America, review |
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Saltz, Jerry. “A Year in the Life: Tropic of Painting”, Art in America |
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Schaffner, Ingrid. “Cursive”, Parkett |
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Smith, Roberta. The New York Times, review |
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Wye, Pamela. “Karmic Kabob” with Amy Sillman, “Six Gouaches”, |
| 1993 |
Smith, Roberta. “Shades of a Rebirth for Painting”, The New York Times |
| 1991 |
Cyphers, Peggy. Arts Magazine, review |
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Hamilton, Carrie. Interview: “Four Walls in Their Own Words”, |
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King, Elaine E. New Generations: New York, exhibition catalog, Carnegie Mellon Art Gallery |
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WORM Magazine |
| 1989 |
David, Ester. The Times of India, review |
| 1982 |
Hales, David. Artexpress, review |
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Lublin, Mary. Arts Magazine, review |
| 1981 |
Levin, Kim. “Anarchy in the MC”, The Village Voice |