| 2008 |
“Laura Owens: Works on Paper”, ACME, Los Angeles, CA |
| 2007 |
“Paintings and Studies: 1994-2006”, Bonnefanten Museum, the Netherlands |
|
“Laura Owens” Ausstellungshalle zeitgenössische Kunst Münster, Münster |
| 2006 |
“Essential Painting”, The National Museum of Art, Osaka |
|
Kunsthalle Zurich, Switzerland |
|
Camden Art Centre, London |
|
“Laura Owens” Douglas Hyde Gallery, Dublin |
| 2005 |
Shiseido Gallery, Japan |
| 2004 |
Museum of Contemporary Art, North Miami, Florida |
|
Galerie Gisela Capitain, Koln |
|
Fabric Workshop and Museum, Philadelphia, PA |
|
Gavin Brown’s Enterprise, New York, NY |
| 2003 |
Museum of Contemporary Art, Los Angeles, CA |
|
The General Store, Milwaukee, WI |
|
“Laura Owens” Milwaukee Art Museum, Milwaukee, WI |
| 2001 |
ACME., Los Angeles, CA |
|
Isabella Gardner Museum, Boston, MA |
| 2000 |
Studio Guenzani, Milan, Italy |
|
Inverleith House, Royal Botanic Garden Edinburgh, Edinburgh, Scotland |
|
Galerie Gisela Capitain, Cologne, Germany |
|
“Statements,” Basel Art Fair, Gavin Brown Enterprise Booth, Basel, Switzerland |
|
Sadie Cole’s HQ, London, England |
|
China Art Objects, Los Angeles, CA, in collaboration with Scott Reeder |
| 1998 |
ACME., Los Angeles, CA |
|
Gavin Brown’s enterprise, New York, NY |
|
Loyola University of Chicago, Chicago, IL |
| 1997 |
Gavin Brown’s enterprise, New York, NY |
|
Sadie Coles HQ, London, United Kingdom |
| 1996 |
“Studio 246,” (with Lisa Anne Auerbach), Kunstlerhaus Bethanian, Berlin, Germany |
| 1995 |
Rosamund Felsen Gallery, Santa Monica, CA |
| 2007 |
“Sequence 1” Palazzo Grassi, Venice |
|
“Contemporary Painters and Their Influences” Contemporary Art Center of Virginia, Virginia Beach, VA |
|
Gallery Artists Summer Show Sadie Coles HQ, London (England) |
|
Affinities - Neuankäufe Sammlung Seutsche Bank Deutsche Guggenheim, Berlin |
|
Very Abstract and Hyper Figurative Thomas Dane Gallery, London (England) |
|
New Media/ New Materials: Highlights in Contemporary Art from The Fabric Workshop and Museum CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| 2006 |
“Essential Painting” The National Museum of Art - Osaka, Osaka |
|
“Gruppenausstellund - hot spring … in autumn” Galerie Krinzinger, Vienna |
|
“Impression / ism” The City of Brea Art Gallery, Brea, CA |
|
“Crown Point Press - The Art of Etching” The de Young Museum, San Francisco, CA |
|
“Webs, Loops and Skeins in modern Contemporary Art” The RISD Museum, Providence, RI |
|
Opere su carta Studio Guenzani, Milano |
| 2005 |
“Recent acquisitions” MOCA Grand Avenue, Los Angeles, CA |
|
“The early Show” White Columns, New York, NY |
|
“Drawn to Cleveland” MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH |
|
“Miradas y conceptos en la Colección Helga de Alvear” Galeria Helga de Alvear, Madrid |
|
“Landscape Confection” Contemporary Arts Museum • Houston, Houston, TX |
|
“Old News” LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
|
“Fünfundzwanzig Jahre Sammlung Deutsche Bank” Deutsche Guggenheim, Berlin |
|
“Miradas y conceptos en la colección Helga de Alvear” Museo Extremeño e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz |
| 2004 |
“Post Modern”, Green Naftali Gallery, New York, NY |
|
“Undiscovered Country”, UCLA Hammer Museum, Los Angeles, CA |
|
“Huts”, Douglas Hyde Gallery, Dublin, Ireland |
|
“Never Never Landscape”, Atle Gerhardsen, Berlin, Germany |
|
“Contemporary Painting”, Colby College Museum of Art, Waterville, ME |
|
“Whitney Biennial”, Whitney Museum of American Art, New York, NY |
| 2003 |
“Inaugural Exhibition”, Gavin Brown’s Enterprise, New York, NY |
| 2002 |
“Drawing now: Eight Propositions,” The Museum of Modern Art, New York, NY |
|
“Painting on the Move,” Kunstmuseum, Museum für Gegenwartskunst and the Kunsthalle, Basel, Switzerland |
|
“Strolling Through an Ancient Shrine and Garden,” curated by Chip Tom and ACME., ACME., Los Angeles, CA |
|
“Cavepainting: Peter Doig, Chris Ofili, and Laura Owens,” Santa Monica Museum of Art, Santa Monica, CA |
| 2001 |
“Bastard (son of hot sauce),” Law Office, Chicago, IL |
|
“Cal’s Art, Sampling CA Painting,” UNT Gallery, University of North Texas, Denton, TX |
|
“Public Offerings,” The Museum of Contemporary Art, Los Angeles, CA |
|
“Painting at the Edge of the World,” Walker Art Center, Minneapolis, MN, organized by Douglas Fogle |
|
Locating Drawing, Lawing Gallery, Houston, TX, organized by Maureen Mahony and Doug Lawing |
|
“On Canvas: Contemporary Painting from the Collection,” Guggenheim, curated by J. Fiona Ragheb |
|
“Art on Paper 2000,” Weatherspoon Art Gallery, The University of North Carolina at Greensboro, curated by Nancy Doll and Ron Platt |
|
“The Next Wave: New Painting in Southern CA,” California Center for the Arts, Escondido, CA, curated by Noriko Gamblim |
|
“Examining Pictures: Exhibiting Paintings,” MOCA Chicago, IL; UCLA Hammer Museum, Los Angeles, CA |
|
“Works on Paper from Los Angeles,” Studio Guenzani, Milan, Italy |
| 1999 |
“Drawn to Nature,” George’s, Los Angeles, CA |
|
“Facts & Fictions II: Los Angeles,” In ARCO, Torino, Italy, curated by Sergio Bertaccini |
|
Carnegie International 1999/2000, Carnegie Museum of Art, Pittsburgh, Pennsylvania |
|
“Standing Still and Walking in Los Angeles,” Gagosian Gallery, Los Angeles, CA, curated by Terry R. Myers |
|
“New Work: Painting Today,” SFMOMA, San Francisco, CA |
|
“Examining Pictures,” White Chapel Art Gallery, London, England |
|
“Works on Paper (and some other things),” ACME., Los Angeles, CA |
|
“Nach-Blid,” Kunsthalle Basel, Basel, Switzerland, curated by Peter Pakesch |
|
“The Perfect Life: Artifice in LA 1999,” Duke University Museum of Art, Durham, NC |
|
“Hot Spots,” Weatherspoon Art Gallery, University of North Carolina at Greensboro, |
|
“Local Color,” curated by Virginia Rutledge, The Harris Art Gallery, The University of LaVerne, CA |
| 1998 |
“Color Fields,” Luckman Fine Arts Gallery, CA State University, Los Angeles, CA |
|
“Young Americans 2,” The Saatchi Gallery, London, England |
|
“I’m Still in Love with You,” Women’s 20th Century Club, Los Angeles, California |
|
Studio Guenzani, Milan, Italy |
|
“Visions,” XXIX Recontres Internationales de la Photographie, Arles, France |
|
“Exterminating Angel,” Galerie Ghislaine Hussenot, Paris, France |
|
“Paintings Interested in the Ideas of Architecture and Design,” Post, Los Angeles, CA |
| 1997 |
“Sharon Lockhart, Laura Owens, Frances Stark,” Blum & Poe, Santa Monica, CA |
|
“Project Painting,” Basilico Fine Arts and Lehmann Maupin, New York, NY, catalog |
|
“Vertical Painting Show,” P.S. 1, Brooklyn, NY |
|
“Palace,” Beret International Gallery, Chicago, IL |
|
“The Eagle Rock Show,” Eagle Rock Community Cultural Center, Los Angeles, CA |
|
“Hot Coffee,” Artist Space, New York, NY |
| 1996 |
“Wunderbar,” Kunstverein, Hamburg, Germany |
|
“Screen,” Friedrich Petzel Gallery, New York, NY, curated by Joshua Decter |
|
“The Speed of Painting,” Pat Hearn Gallery, New York, NY |
|
“Studio 246,” Marc Foxx Gallery, Los Angeles, CA |
|
“Painting Show,” Regen Projects, Los Angeles, CA |
| 1995 |
“Smells Like Vinyl,” Roger Merians Gallery, New York, NY |
|
“Tell Everyone,” Green Naftali Gallery, New York, NY |
|
“From LA with Love,” Galerie-Praz Delavallade, Paris, France |
| 1994 |
“Gorgeous Politics,” Las Vegas, Nevada, curated by Dave Hickey |
|
“L.A.C.E. Annuale,” Los Angeles Contemporary Exhibtions, Los Angeles, CA |
|
“Thanks Again,” Food House, Santa Monica, CA |
|
“Playfield,” Rio Hondo College, Rio Hondo, CA, curated by Randy Sommer |
|
“Hot Crop,” Claremont College, Claremont, CA, curated by Jean Willette |
| 2005 |
Bell, Kirsty; Kohno, Haruko. “Laura Owens”, published by Shiseido Gallery, Tokyo |
| 2003 |
Singerman, Howard. “Laura Owens,” Artforum, May, p. 163. |
|
Weissman, Ben. “Interview with Laura Owens,” Cakewalk, Issue 5, winter, pp. 42-45. |
| 2002 |
Gute, Charles, Ed. “Focus Painting Part One,” Flash Art, No. 226, October, p. 84. |
|
Miller, Francine Koslow. “Laura Owens: Isabella Stewart Gardner Museum, Boston,” Artforum International, January, p. 144. |
| 2001 |
Schimmel, Paul. “Public Offerings,” The Museum of Contemporary Art, pp. 108-113, essay by Lane Relyea. |
|
Fogle, Douglas. “Painting at the Edge of the World,” Walker Art Center, pp. 318-321, catalog. |
|
Mariner, Robin. “LA Law,” Contemporary Visual Arts, Issue 32, pp. 36-41. |
| 2000 |
Knight, Christopher. “Catching the Next Wave of Painters,” LA Times, June 20. |
|
Grynsztejn, Madelaine. Carnegie International 1999/2000, catalog. |
| 1999 |
Dannatt, Adrian. “Old Masters of Tomorrow,” Art Newspaper, December. |
|
Mauer, Simon. “Alle gegen alle und alle mit allen,” Tages-Anzeiger, June 17. |
|
Iannaccone, Carmine. “Entertainment Complex,” Frieze, November/December, 1999, pp. 81-91. |
|
Smith, Roberta. New York Times, November 13. |
| 1997 |
X-Tra, Number 3, Los Angeles, CA, December, p. 3. |
|
Carsley, Michael Ann. “Palace,” New Art Examiner, Chicago, May. |
|
Morris, Rebecca. “Programming Attitude: An Interview with Laura Owens,” Art Issues, Feb/March, Vol.11, Issue 3. |
| 1996 |
Smith, Roberta. New York Times, February 2, p. C26. |
| 1995 |
Weissman, Benjamin. “Openings: Laura Owens,” Artforum, New York, November. |
|
Morgan, Charles. “Gorgeous Politics,” Las Vegas Weekly, Las Vegas, Nevada, December 21. |