| 2007 |
“Gay Outlaw: Recent Work” di Rose Preserve, Gatehouse Gallery, Napa, CA |
| 2006 |
Gallery Paule Anglim, San Francisco, CA |
|
“Structure and Void,” Hosfelt Gallery, New York, NY |
| 2005 |
“Three-legged Inversions,” Mills College Art Museum, Oakland, CA |
| 2004 |
“Impermeable,” Gallery Paule Anglim, San Francisco, CA |
| 2003 |
University of Virginia Art Museum, Charlottesville, VA |
|
“Extruded,” Halsey Gallery, College of Charleston, SC |
| 2001 |
“Centric 61: Gay Outlaw,” University Art Museum, California State University, Long Beach, CA |
|
Gallery Paule Anglim, San Francisco, CA |
| 1999 |
SECA Award Exhibition, San Francisco Museum of Modern Art |
| 1998 |
“Black Hose Mountain and other Works,” Refusalon, San Fransisco, CA |
| 1996 |
“New Pictures and Sculpture,” Refusalon, San Francisco, CA |
|
Littlejohn Contemporary Art, New York, NY |
| 1995 |
“Counterspace,” an off-site project organized by Haines Gallery, San Francisco, CA |
| 1994 |
PHOTOS Gallery, San Francisco, CA |
| 1990 |
The Friends of Photography, Ansel Adams Center, San Francisco, CA |
| 2008 |
“The Space Between” San Jose Institute of Contemporary Art |
| 2007 |
“The Camo Show” San Marco Gallery at Alemany Library, San Rafael, CA |
| 2005 |
“Anoke Faruqee, Gay Outlaw, Shirley Tse,” Raid Projects, Los Angeles, CA |
| 2003 |
“The Gray Area, Uncertain Images,” California College of the Arts, Wattis Institute, San Francisco, CA |
| 2001 |
“Personal Abstractions: Lee Bontecou, Gay Outlaw, And Diana Cooper,” The Sculpture Center, New York, NY |
|
“Active Ingredients,” American Center for Food, Wine, and the Arts,Napa, CA |
|
“Making the Making,” Apex Art Curatorial Program, New York, NY |
| 1999 |
“1998 SECA Awards,” San Francisco Museum of Modern Art, CA |
|
Refusalon, San Francisco, CA |
|
“Gay and Graham,” Refusalon, San Francisco, CA |
|
“Far From the Soil,” new work by Gay Outlaw and Charles Goldman, RareArt Properties, New York, NY |
|
“Mi Casa es Su Casa,” NOGA Gallery of Contemporary Art, Tel Aviv, Israel |
| 1998 |
“Adopt-A-Highway,” Refusalon at Dogenhaus, Dogenhaus Galerie, Leipzig, Germany |
|
“PROJECTions,” Pusan Metropolitan Art Museum, Pusan, Korea |
| 1997 |
“Thirty-Five Years at Crown Point Press,” California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, CA |
|
“Stirred, not Shaken,” Refusalon, San Francisco, CA |
| 1996 |
“Food for Thought,” Kohler Art Center, Sheboygen, WI |
|
“Inside: The Work of St. Clair Cemin, Joel Otterson, and Other,” California Center for the Arts, Escondido, CA |
|
“Art in the Urban Lanscape,” Capp Street Project, San Fransisco, CA |
|
“Photogravure – A Survey: 1903-1996,” Marlborough Graphics, New York, NY |
| 1995 |
“Division of Labor: Women’s Work,” The Bronx Museum, Bronx, NY, and The Museum of Contemporary Art, Los Angeles, CA |
|
“Gravure Group,” Crown Point Press, San Francisco, CA |
|
“Inscrutable Objects,” Ansel Adams Center, San Francisco, CA |
|
“(dis)still(ed) lives,” Houston Center for Photography, Houston, TX |
|
“On the Waterfront,” Transamerica Corporation, San Francisco, CA |
| 1994 |
“Bad Girls West,” University of California, Los Angeles, Wight Art Gallery, Los Angeles, CA |
|
“Flagging the 21st Century,” Capp Street Project, San Francisco, CA |
| 1993 |
New Langton Arts, San Francisco, CA |
|
Edith Caldwell Gallery, San Francisco, CA |
|
G. Gibson Gallery, Seattle, WA |
| 1992 |
“Afterthought,” Diego Rivera Gallery, San Francisco Art Institute, San Francisco, CA |
|
“New American Talent: The Eighth Exhibition,” Austin Museum of Art at Laguna Gloria, Austin, TX |
|
“John Cage,” Jernigan Wicker Gallery, San Francisco, CA |
| 1991 |
G. Gibson Gallery, Seattle, WA |
|
Severn Gallery, Sun Valley, ID |
|
Catherine Edelman Gallery, Chicago, IL |
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“The Garden Within,” The Nevada Museum of Art, Reno, NV |
|
Baker, Kenneth. Review. San Francisco Chronicle, November 14, 1996. |
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Bonetti, David. Review. San Francisco Examiner, January 29, 1998. |
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Davis, Randal. Review. Artweek 25, No 11 (June 9, 1994): 19. |
|
Helfand, Glen. Review. San Francisco Bay Guardian, January 14, 1998. |
|
Hunt, David. Review. Sculpture 17, no. 6 (July-August 1998); 66-7. |
|
Kerston, Karen. Review. Zing Magazine. Issue 11, vol.3 (winter 2000): 222-3 |
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Klausner, Betty. Review. Art in America 86, no 7 (July 1998): 103-4. |
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Levine, Karen. Interview. Open, SFMOMA magazine, no.1 (winter/ spring 2000): 44-7. |
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Marable, Darwyn. Interview. Photo Metro 9, no. 86 (February 1991): 3-9. |
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Marquez, Susan. World SculptureNews, vol. 6, no.1 (winter 20000): 36-7. |
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Schumacher, Donna Leigh. Review. Art Papers, no. 6 (November-December 1996): 44. |
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Van Proyen, Mark. Review. Art Issues no. 57 (March/ April 1999): 32. |