| 2002-03 |
“The Contemporary Landscape,” Ebert Art Center, The College of Wooster, OH |
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“Northern Light,” Danese Gallery, New York, NY |
| 2001 |
“Secret Victorians: Contemporary Artists and a 19th-Century Vision,” The Fabric Workshop and Museum, Philadelphia, PA |
| 2000 |
“Maxfield Parrish: 1970-1966,” Academy of the Fine Arts, Philadelphia, PA |
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“Waxing Poetic: Encaustic Art in America,” The Montclair Art Museum, Montclair, NJ |
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“Of Darkness and Light,” Art Museum of Western Virginia, Roanoke, VA |
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“Shifting Ground: Transformed Views of the American,” Henry Art Gallery, Seattle, WA |
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“”Nature: Contemporary Art and the Natural World,” Contemporary Gallery, Marywood University, Scranton, PA |
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“Conceptual Realism,” The University of the Arts, Philadelphia, PA |
| 1999 |
“Cityscape/Landscape,” Karen McCready Fine Art, New York, NY |
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“Encyclopedia 1999,” Turner & Runyon, Dallas, TX |
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“Equilibrium of the Senses,” Nohra Haime Gallery, New York, NY |
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“As Far As the Eye Can See,” Atlanta College of Art Gallery, Atlanta, GA |
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“Wildflowers,” Katonah Museum of Art, Katonah, NY |
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“Why Draw a Landscape?” Karen McCready Fine Art, New York, NY |
| 1998 |
“Rediscovering the Landscape of the Americas,” Gerald Peters Gallery, Santa Fe, NM. Traveled to Tucson Museum of Art, Tucson, AZ; Art Museum of South Texas, Corpus Christi, TX; Western Gallery; Memorial Art Gallery, University of Rochester, NY; Gibbes Museum of Art, Charleston, SC. |
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“Landscapes,” Meyerson & Nowinski, Seattle, WA |
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“Movements of Grace: Spirit in the American Landscape,” Winston Wachter Fine Art, New York, NY |
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“Gathered Into Earth,” Sheehan Gallery, Whitman College, Walla Walla, WA |
| 1997 |
“Elusive Nature,” Cuenca Bienal of Painting, Municipal Building, Cuenca, Ecuador |
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“Art on Paper,” Weatherspoon Gallery, Greensboro, NC |
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Annual Benefit and Silent Auction, White Columns, New York, NY |
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“Landscape: The Pastoral to the Urban,” Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY |
| 1996 |
“The Small Painting,” O’Hara Gallery, New York, NY |
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“Landvermesser,” Mannheimer Kunstverein, Mannheim, Germany |
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“Changing Horizons: Landscape on the Eve of the Millenium,” The Katonah Museum, Katonah, NY |
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Summer Group Show, Robert Miller Gallery, New York, NY |
| 1995 |
“The Artist’s Camera: Photographs by Contemporary Artists,” Thread Waxing Space, New York, NY |
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“Salut au Monde,” Fries Museum, Leeuwarden, Friesland, The Netherlands |
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“Down the Garden Path,” The Work Space, New York, NY |
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“A Romantic Impulse: Seventeen American Artists,” O’Hara Gallery, New York, NY |
| 1994 |
“Insights: A Distant View,” Worcester Art Museum, Worcester, MA |
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“Degrees of Abstraction: From Morris Louis to Robert Mapplethorpe,” Museum of Fine Arts, Boston, MA |
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“Songs of the Earth: Twenty-two American Painters of the Landscape,” AHI Gallery, New York, NY |
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“Changing Views,” Feigen Incorporated, Chicago, IL |
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“To Enchant (blue),” Cynthia McCallister Gallery and Bixler Gallery, NY |
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“Landscapes…Ideas,” Apex Art, New York, NY |
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“A Woman’s Nature: The Landscape as Seen by Jennifer Bartlett, April Gornik, Joan Nelson, Idelle Weber,” Jan Abrams Gallery, Los Angeles, CA |
| 1993 |
“Les Environs,” Pamela Auchincloss Gallery, New York, NY |
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“Drawing the Line Against AIDS,” Peggy Guggenheim Collection, Venice, Italy |
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“Living with Art: the Collection of Ellyn & Saul Dennison,” The Morris Museum, Morristown, NJ |
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“Rewriting History: The Salon of 1993,” Montgomery Glasoe, Minneapolis, MN |
| 1992 |
“Magical Mystical Landscapes,” Renée Fotouhi Fine Art, East Hampton, NY |
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“Elemental Nature,” Midtown Payson Galleries, New York, NY |
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“Contemporary Icons—From the Sublime to the Fetishistic,” The Bertha & Karl Leubsdorf Art Gallery at Hunter College, New York, NY |
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“Selective Vision,” TransAmerica Corporation, San Francisco, CA |
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“Contemporary Uses of Wax and Encaustic,” Palo Alto Cultural Center, CA |
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“New Viewpoints: Contemporary Paintings by Distinguished American Women Artists,” Seville World Expo ‘92, United States Pavilion |
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“How It Is,” Tony Shafrazi Gallery, New York, NY |
| 1991-92 |
“American Realism & Figurative Art: 1952-1990,” The Miyagi Museum of Art, Miyagi, Japan. Traveled to Sogo Museum of Art; The Tokushima Modern Art Museum; The Museum of Modern Art, Shiga; Kochi Prefectural Museum of Folk Art. |
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“Refiguring Nature,” Modern Art Museum of Fort Worth, TX |
| 1991 |
1991 Invitational, New Britain Museum of American Art, New Britain, CT |
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“Working with Wax: Ten Contemporary Artists,” Tibor de Nagy Gallery, NY |
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“Summer,” Forum Gallery, New York, NY |
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“A Dialogue of Images - Recent German & American Painting,” Galerie Pfeferle, Munich, Germany |
| 1990 |
“Harmony & Discord,” Virginia Museum of Fine Arts, Richmond, VA |
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“The Ten Artists I Was Thinking of on May 3rd, 1990 at 7:00 o’clock,” Witte de With, Rotterdam, The Netherlands |
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42nd Annual Academy—Institute Purchase Exhibition, American Academy & Institute of Arts & Letters, New York |
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“Von der Natur in Der Kunst,” Wiener Festwochen, Vienna, Austria |
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“This Land is Our Land,” Zoe Gallery, Boston, MA |
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“The Garden,” A/D, New York, NY |
| 1989-90 |
Romance & Irony in Recent American Art, Art Gallery of Western Australia, Perth, Australia. (Traveled to: National Art Gallery, Wellington, New |
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Zealand; Auckland City Art Gallery, New Zealand; Tampa Museum of Art, FL; |
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Parrish Art Museum, Southampton, NY) |
| 1989 |
Topology, Fuller Gross Gallery, Los Angeles, CA |
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Painting Beyond the Death of Painting, Kunetsky Most Exhibition Hall, Moscow, USSR |
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Landscape: A Travelogue Painted from Memory, Imagination, or Reality, Ruth Siegel Gallery Ltd., New York |
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Landscape Re-Viewed: Contemporary Reflections on a Traditional Theme, Walker Art Center, Minneapolis, MN |
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Nocturnal Visions in Contemporary Painting, Whitney at Equitable Center, NY |
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RePresenting Landscape, New York Studio School, New York, NY |
| 1988 |
Jack Barth, Michael Young, Joan Nelson, Blum Helman Gallery , New York |
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Landscape: Common Ground, Jan Turner Gallery, Los Angeles, CA |
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Of Another Nature, Loughelton Gallery, New York |
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Landscape Anthology, Grace Borgenicht Gallery, New York |
| 1987 |
On Paper, Curt Marcus Gallery, New York |
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Between Abstraction & Reality, Greenberg Gallery, St. Louis, MO |
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The Great Drawing Show, Michael Kohn Gallery, Los Angeles, CA |
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New Impressions, Fay Gold Gallery, Atlanta, GA |
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Joe Fawbush Editions: A Selection, Jan Turner Gallery, Los Angeles, CA |
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The New Romantic Landscape, The Whitney Museum of American Art, Stamford, CT |
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Emerging Artists: Selections from the Exxon Series, 1975-1986, Solomon |
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R. Guggenheim Museum, New York |
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Fictions: A Selection of Pictures from the 18th, 19th, & 20th Centuries, Kent Fine Art and Curt Marcus Gallery, New York |
| 1986 |
Art of the East Village, Morris Center, Lafayette College, Easton, PA |
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Small Format, Lang O’Hara Gallery, New York |
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NYC: New York, Delaware Art Museum, Wilmington, DE |
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Forum, International Kunstmusee, Zurich, Switzerland |
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Painting and Sculpture Today: 1986, Indianapolis Museum of Art, IN |
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The Manor in the Landscape, Lorence Monk Gallery, New York |
| 1985 |
Summer Invitational, Grace Borgenicht Gallery, New York |
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East Village at the Center, Saidye Bronfman Gallery, Montreal, Canada |
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East Village Artists, Vorpal Gallery, San Francisco, CA |
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Places, Greenville County Museum of Art, Greenville, SC |
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Minimal Representation, Jan Baum Gallery, Los Angeles, CA |
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Exxon Emerging Artists Invitational, Solomon R. Guggenheim Museum, NY |
| 1984 |
P.P.O.W Gallery, New York |
| 1982 |
Nature Morte Gallery, New York |