| 2010 |
Yorkshire Sculpture Park, UK , July 2010 |
| 2009-10 |
“Earth: Art of a Changing World,” GSK Contemporary, Royal Academy of Arts, London, England |
| 2009 |
“David Nash: Drawings and Sculptures”, Abbots Hall, Cumbria England, UK |
|
“Monumental Sculpture,” Mannheim Kunsthalle, Mannheim, Germany |
|
“January’09,” Galeria Alvaro Alcazar, Madrid, Spain |
| 2008 |
“New Work” Haines Gallery, San Francisco, CA |
|
“Retrospective,” Kunsthalle in Emden, Germany |
|
“Naturformen,” Atlana Sinclair Haus, Bad Homburg, Germany |
| 2007 |
“David Nash,” Kukje Gallery, Seoul, Korea (Republic) |
|
“With the Grain: Wood Sculpture,” Lewes Town Hall, East Sussex,England |
|
“With the Grain: A New Sculpture,” Southover Grange Gardens, Lewes, England |
| 2006 |
“Trunks Thicken, Branches Lengthen, Roots Deepen,” Galerie Scheffel, Bad Homburg, Germany |
| 2005 |
“Sculptures & Drawings,” Gallery Lelong Zurich, Switzerland |
|
“Vessels,” Sala de la Diputación de Huesca, Spain |
|
“Pyramids rise, Spheres turn and Cubes stand still,” Annely Juda Fine Art,London, England, UK |
| 2004 |
“New Work,” Haines Gallery, San Francisco, CA |
|
“Twmps and Eggs,” Galerie Lelong, Paris, France |
|
“David Nash,” Meta Gallery, Madrid, Spain |
|
“Making and Placing Abstract Sculpture 1978-2004,” Tate St. Ives,Cornwall, UK |
|
“Holzskulpturen,” Georg-Kolbe-Museum, Berlin, Germany |
| 2003 |
“Penland Project,” Wedge Gallery, Asheville, NC |
|
“Holzskupturen,” Gerhard Marcks Haus, Bremen |
|
“Scuptures et dessins,” Scene Nationale d’Orleans, France |
|
“Roche Beech,” New Art Centre Sculpture Park & Gallery, Salisbury,Wiltshire, UK |
|
“Return of Art as Nature,” Christian Scheffel Gallery, Germany |
|
“Die Rückkehr der Kunst in die Natur,” Galerie Scheffel GmbH, Homburg, Germany |
| 2002 |
“Drawings and Sculpture,” Robert Brown Gallery, Washington, DC |
|
“Stoves and Hearths,” Penny School Gallery, Kingston-on-Thames |
|
“Charred Wall Panels,” Haines Gallery, San Francisco CA |
|
“Sculptures,” Galerie Le Long, New York NY |
|
“Charred Sculptures and Panels,”S65 Galerie, Köln, Germany |
| 2001 |
“Skulpturen & Zeichnungen,” Kunst im Bethmannhof, Frankfurt |
|
“From Wales,” Nishimura Gallery, Tokyo |
|
LeLong, Zurich, Switzerland |
|
Gallery Sculptor, Helsinki, Finland |
|
“Black and Light,”Annely Juda Fine Art, London, England |
|
“Green and Black / Red and Black: new drawing and sculpture by David Nash,” Oriel 31, Davies Memorial Gallery, Wales |
|
“Recent Sculptures and Charred Reliefs”, Galerij S65, Belgium |
|
“Chwarel Goed/Wood Quarry”, Centre for Visual Arts, Cardiff, Wales |
| 1999 |
“Work Place:Sculpture & Drawing”, Haines Gallery, San Francisco, CA, Palma, Majorca, Spain |
| 1998 |
“Red and Black”, L.A. Louver, Venice, CA |
|
“Drawings and Place”, Maneten Gallery, Sweden |
|
“David Nash”, European Foundation for Sculpture, Park Solvay, Brussels,Belgium |
|
“The Language of Wood”, Banque de Luxembourg, Luxembourg |
| 1997 |
“Sculpture from California”, Haines Gallery, San Francisco, CA |
|
“Sculpture and Drawing”, Galerie Hans Mayer, Dusseldorf, Germany |
|
“Sculpture”, Recklinghausen Art Gallery, Recklinghausen, Germany |
|
“Stoves and Hearths,” L.A. Louver, Venice, CA |
| 1996 |
“New Sculptures and Drawings,” Art Affairs, Amsterdam, Netherlands |
|
“Three Places, David Nash”, Cairn Gallery, Nailsworthy, UK |
|
“Croesau, Wyau, Llestr, Pasg”, Oriel Y Ddraig, Blaenau Ffestiniog, UK |
|
“Green Fuse”, Mead Gallery, Warwick, UK |
|
“Line of Cut”, Henry Moore Institute, Leeds, UK |
|
“Elements of Drawing”, Leeds City Art Gallery, Leeds, UK |
|
“Survey Show 1971 - 1996”, MUHKA, Antwerp, Belgium |
|
“Recent Sculpture and Drawing”, Galerij S65, Aalst, Belgium |
| 1995 |
“Bat in the Box, Lizard in the Glove”, Refusalon Gallery, San Francisco,CA |
|
“David Nash”, Gianni Giacobbi Arte Contemporare, Palma de Mallorca, Spain |
|
“David Nash,” Palau de la Virreina, Barcelona, Spain |
|
“Voyages and Vessels”, Contemporary Museum Honolulu, Hawaii |
|
“Voyages and Vessels,” Museum of Contemporary Art, San Diego, CA |
| 1994 |
Nishimura Gallery, Tokyo, Japan |
|
“A Collaboration with Nature,” Santa Monica Museum of Art, Santa Monica, CA |
|
“Voyages and Vessels,” Joslyn Art Museum, Omaha, NE |
|
“New Drawing and Sculpture,” Oriel The Friary Cardiff, Cardiff, Wales |
| 1992 |
“The Planted Works 1977 - 1992,” Louver Gallery, NY |
|
“David Nash,” Jan Weiner Gallery, Kansas City, MO |
|
“Sculpture and Drawings,” Gerald Peters Gallery, Dallas, TX |
|
“Poland Project,” Galerie S65, Aalst, Belgium Usazdowski Castle, Warsaw, Poland Criccieth Music |
|
“Festival”, North Wales, Heidelberg Kunstverein, Kunst Europa |
|
“Planted and Carved,” Nishimura Gallery, Tokyo, Japan |
|
“Five New Sculptures” L.A. Louver, Venice, CA |
|
“Sculpture,” Mortyn Gallery, North Wales |
|
“Wood Quarry,” Mappin Art Gallery, Sheffield, UK |
| 1990 |
“Drawings,” L.A. Louver, Venice, CA |
|
“Sculpture,” Louver Gallery New York, NY |
|
“Drawings and Sculpture,” de Andino Fine Arts, Washington, D.C. |
|
“Chene et Frene,” Musee des Beaux-Arts, Calais, France |
|
“Sculpture 1971 - 90,” Serpentine Gallery, London, UK |
|
“Sculpture 1971 - 90,” National Museum of Wales, Cardiff |
|
“David Nash,” Galerie Philipe Casini, Paris Art Affairs, Amsterdam |
|
“Sculpture 1971 - 90,” Scottish National Gallery of Modern Art, Edinburgh, Scotland |
| 1989 |
“Sculpture and Projects 1986 - 1989,” Annely Juda Fine Art, London, UK |
| 1988 |
“Adennes Project,” Galerij S65, Aalst, Belgium |
|
“Adennes Project,” Vaughn & Vaughn, Minneapolis, MN |
|
“Drawings,” Nishimura Gallery, Tokyo, Japan |
|
“Drawings,” Musee Greuze, France |
| 1987 |
“Sculpture from the Djerassi Foundation,” L.A. Louver, Venice, CA |
| 1986 |
“Tree to Vessel Sculpture,” Judy Rowan Gallery, London, UK |
| 1985 |
Kamakura Gallery, Tokyo Sogestu Gallery, Tokyo, Japan |
|
Kroller Muller Museum, Otterlo, Netherlands |
|
Bixby Gallery, Washington University St. Louis, MO |
|
Heide Art Gallery, Melbourne, Australia |
|
Galerie S J5, Aalst, Belgium |
| 1984 |
Exhibitions and Demonstrations held throughout Japan (Shiga, Miyagi, Tochigi, and Fukuoka) sponsored by the Chairman of the Japanese Association of Art Museums, with the support of the British Council |
| 1983 |
“Sixty Seasons,” Third Eye Centre, Glasgow, Scotland“Sixty Seasons,” Douglas Hyde Gallery, Dublin, Ireland |
|
“The Lime Tree Project”, South Hill Marks Art Centre |
| 1982 |
Elise Meyer Gallery, New York, NY |
|
Oriel Gallery, Cardiff, Wales |
|
“Wood Quarry,” Rijksmuseum Kroller Muller Otterlo, Netherlands |
|
“Wood Quarry,” Midland Group, Nottingham, UK |
|
“Wood Quarry,” Yorkshire Sculpture Park (Fellowship Exhibition), Yorkshire, UK |
|
“Wood Quarry,” Kilkenny Art Gallery, Kilkenny, Ireland |
| 1981 |
“Pyramids and Catapults,” St. Paul’s Gallery, Leeds, UK |
| 1980 |
Southhampton University Gallery, Southhampton, UK |
|
“Wood Quarry,” Elise Meyer Gallery, New York, NY |
|
Galleria Cavallino, Venice, Italy |
|
Arnolfini Gallery, Bristol, UK |
| 1979 |
Parnham House, Dorset, UK |
| 1978 |
“Fletched Over Ash,” Air Gallery, London, UK |
|
Arts Center, Chester, UK |
|
Chapter Gallery, Cardiff, Wales |
| 1976 |
“Loosely Held Grain,” Arnolfini Gallery, Bristol, UK |
| 1973 |
“Briefly Cooked Apples,” York Festival, England; Oriel, Banor, Wales |
| 2009-10 |
“Earth: Art of a Changing World,” GSK Contemporary, Royal Academy of Arts, London, England |
| 2009 |
“Summer Choices,” Crown Point Press, San Francisco, CA |
| 2008 |
“Feuer In der Gegenwartskunst,” Kunsthaus Kaufbeuren, Kaufbeuren, Germany |
|
“La Construccion del Paisaje Contemporaneo,” CDAN – Centro de Arte y Naturaleza – Fundación Beulas, Huesca, Spain |
|
“Beyond Measure: conversations across art and science,” Kettle’s Yard,Cambridgeshire, England |
| 2007 |
“On Paper,” Haines Gallery, San Francisco, CA |
|
“Landscape & Memory II.” Haines Gallery, San Francisco, CA |
|
“Im kleinen Format 2007/08,” Galerie Scheffel GmbH, Bad Homburg,Germany |
|
“Geometrisk Abstraktion XXVI,” Konstruktiv Tendens, Stockhom, Sweden |
|
“Accrochae, gallery artists,” Art Affairs Gallery, Amsterdam, Netherlands |
|
“Art Protects,” Yvon Lambert – Paris, Paris, France |
|
“Everything,” Dunn and Brown Contemporary, Dallas, TX |
|
“Envisioning Change,” Nobel Peace Center, Oslo, Norway; BOZAR Centre for Fine Arts, Brussels,Belgium; Ministry of Culture, Monaco; Field Museum, Chicago, USA |
|
“Annely juda – A Celebration,” Annely Juda Fine Art, London, UK |
|
“100 Jahre Kunsthalle Mannheim,” Städtische Kunsthalle Mannheim, Mannheim, Germany |
|
“Gems from the Collection,” Butler Gallery, Kilkenny, Ireland (Republic) |
| 2006 |
“Director’s Choice,” Haines Gallery, San Francisco, CA |
|
Künstler der Galerie - “Im kleinen Format 2006/07,” Galerie Scheffel GmbH, Bad Homburg Germany |
|
“Selections from the Collection of Edward R. Broida,” The National Gallery of Art, Washington, DC |
| 2005 |
“Director’s Choice: Contemporary Art with Objects from Asia,” HainesGallery, San Francisco, CA |
|
“Beyond the Pour: Pairing Art and Wine Label Design,” San Francisco |
|
Museum of Craft & Design,San Francisco, CA |
|
Künstler der Galerie - “Im kleinen Format,” Galerie Scheffel GmbH, Bad Homburg, Germany |
|
“Geometrisk Abstraktion XXIV,” Konstruktiv Tendens, Stockhom,Sweden |
|
“Exhibition of Indoor Collections,” Kirishima Open-Air Museum, Kagoshima, Japan |
|
“50 Jahre Galerie Koch,” Galerie Koch, Hannover, Germany |
| 2004 |
“The Native Land,”Oriel Mostyn, Landudno, N. Wales |
|
“Temporalscape,” Haines Gallery, San Francisco, CA |
|
Künstler der Galerie - “Im kleinen Format 2004/05,” Galerie Scheffel GmbH, Bad Homburg, Germany |
|
“Geometrisk Abstraktion XXIII,” Konstruktiv Tendens, Stockhom,Sweden |
|
“Contemporánea Arte,” Sala Amós Salvador, Logroño, Spain |
| 2003 |
“Recent Acquisitions,” Robert Brown Gallery, Washington, DC |
|
“Works on Paper,” Haines Gallery, San Francisco, CA |
|
Inventory@Byron Cohen Gallery, Byron Cohen Gallery, Kansas City, MO |
|
“Blickachsen 4,” Galerie Scheffel GmbH, Bad Homburg, Germany |
| 2002 |
“In Praise of Trees,” Stephen Lacey Gallery, London |
|
“Plotting,” Carrie Secrist Gallery, Chicago, IL (catalogue) |
|
“Fifteen – 15th Anniversary Exhibition,” Haines Gallery, San Francisco, CA |
|
“Drawn Together,” Bury St Edmunds Art Gallery, Suffolk, England |
|
“Shift,” Galerie Lelong – New York, New York City, NY |
|
“Botanique,” PKM Gallery, Seoul, Korea (Republic) |
| 2001 |
“Blickachsen 3,” Galerie Scheffel GmbH, Bad Homburg, Germany |
|
“Burn: Artists Play with Fire,” Norton Museum of Art, West Palm Beach, FL |
| 2000 |
“Bronze”, Holland Park, London, Engaland |
| 1999 |
“Artist’s Pages”, Palo Alto Art Center, Palo Alto, CA |
| 1998 |
“Here: Artists’ Interventions”, Aldrich Museum, Ridgefield, CT |
|
“Landscapes”, Meyerson & Nowinski Gallery, Seattle, WA |
|
“The Collection of Ed Broida”, Orlando Museum and Art Gallery, Orlando, FL |
|
“Twenty-five Year Celebrations”, Butler Gallery, Ireland |
|
“Places in Gothenburg”, Gothenburg, Sweden (Outdoor piece) |
|
“The Hollowed Out Trunk of Wood”, Stadtische Museum, Heilbron, Germany |
|
Crown Point Press, San Francisco, CA |
|
TransAmerica Building Lobby, San Francisco, CA |
| 1997 |
“The Sixth International Shoe-box Sculpture Exhibition”, Hawaii Art Gallery, Hawaii |
|
“Obsession + Devotion”, Haines Gallery, San Francisco, CA |
|
“3rd Wexford Artists Book Exhibition”, Wexford Arts Center, Ireland |
|
“Push the Boat Out”, Swansea Arts Workshop Gallery, Swansea, UK |
|
“8 x 8”, Pallant House, Chichester, UK |
|
“Ecce Ubu”, La Maison du Spectacle - Le Bellone, Brussels, Belgium |
|
“Language of Wood”, Pyo Gallery, Seoul, Korea |
|
“A Sculptors Choice: Works Selected by Ann Christopher”, RoyalAcademy of Art, London, England |
|
“The Sixth International Shoe-Box Sculpture Exhibition”, Hawaii Art Gallery, Hawaii |
| 1996 |
“Sightlines”, Honiton Festival, Honiton, UK |
|
“Place to Place: Parish Maps”, Common Ground, Barbican Center, London, UK |
|
“Bi-annual Exhibition of Contemporary Sculpture”, Jesus College,Cambridge, UK |
|
“Paul Gees, Ludwig Vandevelde, David Nash”, De Vishal, Haarlem, Netherlands |
|
“Trilogi - Confrontation with Nature”, Kunsthallen Brandts Klaedfabrik,Denmark |
|
“Endangered Spaces”, Christies, London, UK |
| 1995 |
“The Edge of Town”, Joseloff Gallery, Hartford, CT |
|
“Here and Now”, Serpentine Gallery, London, England |
|
“Drawn Together - Works on Paper from the Contemporary Art Society and the Arnolfini Trust”, Middlesborough Art Gallery, England |
|
“Sculptor’s Drawings: 1945 - 1990”, Metropolitan Museum of Art”, New York, NY |
| 1994 |
“New Sculpture,” L.A. Louver, Venice, CA. |
| 1993 |
“Black through Green,” Installation of site work commissioned by Laumier Sculpture Park for the Series Titled, “Perfect Unity: Sculptures and Living Forms,” St. Louis, MO |
| 1992-93 |
“The Artist’s Hand,” Phoenix Art Museum, Phoenix, AZ |
| 1991 |
Europadstich Werkstatt Ruhrgebeit ’91, Reckinhausen Kunsthalle, Germany |
|
“Espace,” The Royal Hibernian Academy Gallery, Dublin, Ireland |
|
Criccieth Music Festival, North Wales |
|
“Charred Sculptures,” Museum Filkwang, Essen, Germany |
|
“Kunst Europa 1991,” Kunstverein Heidelberg, Germany |
|
“Hortus Camrensis,” Erdigg, Clywd (Tour organized by the NationalTrust) Centrum Sztuki Wspolezensnej Zamek Njuazdowski, Poland |
|
“Roger Ackiling, David Nash, Dianne Samuels,” Michner/Wilcox Gallery |
| 1988 |
“Briatnnica: Trente ans de Sculpture,” Musee de Harve, Le Harve, France |
|
“The Forces of Nature,” Manchester City Art Galleries, Manchester, UK |
|
“A Natural Order,”Hudson River Museum, Yonkers, NY |
|
“Three Artists in Wales,” Oriel Gallery, Cardiff ,Wales |
|
“Royal Academy Summer Exhibition,” Royal Academy, London, UK |
|
“Artist’s in National Parks,” Victoria & Albert Museum, London, UK |
|
“A Quiet Revolution Sculpture since 1965”, Museum of Contemporary Art, Chicago, IL (traveled) |
| 1987 |
“Unpainted Landscape,” Maclaurian Gallery, Ayr, Scotland (traveled) |
| 1986 |
“Overland,” Ikon Gallery, Birmingham, UK |
|
“Landscape-Place-Nature, Material,” Kettles Yard, Cambridge, UK |
|
“Forest of Dean Project,” Arnolfini Gallery, Bristol, UK |
|
“Japonaise,” Northern Centre for Contemporary Art, Sunderland, UK |
|
“200 Years and 10 Days at Pollywrack,” South Wales, UK |
|
“American/European Painting Sculpture,” L.A. Louver, Venice, CA |
|
“Naivety in Art,” Setagaya Art Museum ,Tokyo, Japan |
| 1985 |
“Hayward Annual,” Hayward Gallery, London, UK |
|
“25 Years: Three Decades of Contemporary Art: The Eighties,” Juda Rowan Gallery, London, UK |
|
“Transformation - American and European Sculpture 1945 - 1985,” Guggenheim Museum, New York, NY |
|
“Survey of Recent International Painting and Sculpture,” Museum of Modern Art, New York, NY |
|
ROSC International Exhibition, Dublin, Ireland |
|
“Haarlem Hout”, Frans Hals Museum Haarlem, Holland |
| 1983 |
“The Sculpture Show,” Serpentine and Hayward Galleries, London, UK |
|
“Tongue and Groove,” Coracle Press, London, UK |
|
“53 - 83 Three Decades of Artists from Inner London Art Schools,” RoyalAcademy London, UK |
| 1982 |
“Presence of Nature,” Carlisle Art Gallery and Museum,UK |
|
“British Drawing,” Hayward Annual London, UK |
|
“Aspects of British Art Today,” Tokyo Metropolitan Art Museum, Japan |
|
“Through Children’s Eyes,” 4th Biennial of Sydney, Australia Arts Council Touring Exhibition England, UK |
| 1981 |
“Art And Sea,” Third Eye Centre, Glasgow Scotland (Traveled) |
|
“British Sculpture in the Twentieth Century, Part II,” Whitechapel Art Gallery, London, UK |
|
Cleveland Drawing Biennial, Cleveland, OH |
| 1980 |
“A Wood Exhibition,” The Monries, Colchester, UK |
|
“British Art Now: An American Perspective,” Guggenheim Museum, New York, NY (Traveled) |
|
“Mixage”, De Lantern, Rotterdam, Netherlands |
| 1979-80 |
“Wood,” Yorshire Sculpture Park, Yorkshire, UK |
|
LYC Museum Cumbria, UK |
|
“Corners,” Elise Meyer Gallery, New York, NY |
| 1977 |
“From Wales,” Fruit Market Gallery, Edinburgh, Scotland |
|
“On Site”, Arnolfini Gallery Bristol, UK |
| 1976 |
“Summer Show II,” Serpentine Gallery, London, UK |
| 1975 |
“The Condition of Sculpture,” Hayward Gallery, London, UK |
| 2009 |
“Yorkshire Sculpture Park will Present a Rich and Extensive Exhibition of Work by David Nash,” Artdaily.org,December 26, 2009. |
|
“Trunk Call,” Yorkshire Post, December 11, 2009. |
|
Wielgos, Pippa Jane. “Earth – Art of a Changing World at the Royal Academy,” Culture 24, December 4, 2009. |
|
“Inconvenient Art: Contemporary Artists Weigh In On Climate Change,” The Independent, December 3, 2009. |
|
“David Nash: La Sabiduria Profunda de la Naturaleza,” Al Limite, December 2009. |
|
Hickling, Alfred. “David Nash,” Guardian, September 29, 2009. |
|
Baker, Kenneth. “David Nash Advances Zen with a Chain Saw,” San Francisco Chronicle, October 18, 2009. |
| 2006 |
“David Nash Creates and Gifts Sculptures,” Djerassi RAP, Spring 2006, Vol.XV, No. 1 |
| 2005 |
Selz, Peter. “David Nash: Organic Sculpture in the Forest and the Gallery,” Sculpture Magazine, June 2005. |
| 2004 |
“What’s On,” The Art Newspaper, December, No. 153. |
|
Baker, Kenneth.“Artist David Nash sculpts motion with a chain saw and blowtorch,” San Francisco Chronicle, December 11, 2004. |
| 2003 |
“David Nash: Wood Quarry—the Creative Process,” Sculpture, June, Vol. 22, No.5, p. 15. |
| 2002 |
Bauer, Marilyn. “Nash finds niche in nature,” The Cincinnati Enquirer, May 19. |
|
Bauer, Marilyn. “New Park Will Showcase Internationally Known Sculptors,” The Cincinnati Enquirer, May 19. |
|
Bauer, Marilyn. “Plaza of the Sun,” The Cincinnati Enquirer, May 19. |
|
Baker, Kenneth. “David Nash at Haines,” San Francisco Chronicle, January 26. |
| 2001 |
Grande, John. “Real Living Art: A Conversation with David Nash,” Sculpture, December, Vol. 20, No. 10, pp.25-31. |
| 1999 |
Baker, Kenneth, “Sculptor Plies Chain Saw Like Fine Artist’s Brush”, San Francisco Chronicle, Saturday, May 22. |
|
Curtis, Cathy, “ Raw Talent”, Orange County Calendar, January |
|
Heartney, Eleanor “David Nash at Galerie Lelong”, Art in America, April |
|
Scherr, Apollinaire, “Over There”, East Bay Express, May 14 |
| 1998 |
Ollman, Leah “Sculptor Shapes His History on a Tree,” L.A. Times, May 15 |
|
Curtis, Cathy, “Raw Talent”, LA Times |
|
Updike, Robin, “Beyond Pretty Scenery”, Seattle Times, January |
|
The Essential Garden Book (“Two Together”), Sculpture at Goodwood |
|
Hunt, Jeremym “David Nash - Studio Visit”, Art and Architecture |
|
Pietsch, Von Hans“Im holz lebt der Geist der Natur”, Art Das Kunstmagazin, May |
|
Ramp, Stephanie, “It’s All Here”, News & Arts Weekly, Fairfield, CT, September 24-30 |
| 1997 |
Baker, Kenneth, “Nash Offers Wood Sculpture”, San Francisco Chronicle, May 22. |
|
Bonetti, David, “David Nash” San Francisco Examiner, April 25. |
|
Ingleby, Richard, “If you go down to the Woods today”, The Independent |
|
Bailey, Colette, “Interview with David Nash”, Sculpture, vol. 108 |
|
Mabey, Richard, “An Engagement with Nature”, Modern Painters |
|
“David Nash - Forms into Time”, Marina Warner, publication by Academy Editions, London |
|
“The Sculpture of David Nash”, Julie Andrews, published by Lund Humphries, London |
|
Scarbarough, James, Flash Art, Madison Art Center Review, January. |
|
Gale, Iain, “Iain Gale on Exhibitions”, The Independent |
|
“The Sunday Sculpture”, Independent on Sunday |
| 1994 |
Packer, William, “Symbolism in Wood and Clay”, Art Monthly |
|
Lynton, Norbet, “Hewn From the Beaches”, Eastbourne Herald, UK |
|
“Green Fuse - New Sculpture by David Nash”, published by Mead Gallery, Warwick Arts Center, UK |
| 1993 |
“At The Edge of the Forest”, published by Annelly Juda Fine Art, London |
| 1991 |
Cassim, Julia, “Warped Art from Wild Wood,” The Japan Times, June ‘91 |
|
Nishimura Gallery Exhibition review, Nikkei Art July, p. 99 |
| 1990 |
Perryman, Kevin, “Back to Nature,” Spotlight, August, pp.22-24 |
|
Wilson - Llyod Ann, “Evidence of Fundamental Forces,” Contemporenaea, no.23, December 1990 |
|
Mabey, Richard, “Art and Ecology,” Modern Painters, Winter Edition |
|
Morley, Simon, “David Nash, Serpentine Gallery,” Tema Celest, November. |
| 1991 |
Koplos, Janet, Review of Exhibitions, “David Nash at Louver,” Art in America, October |
|
Arnault, Martine, “David Nash,” Cimaise, June /July/ August |
|
Feaver, William, “Growth From Fallen Timber,” Observer , July 1 |
|
Harrod, Tanya, “The Freedom Flourish and Waywardness of Wood,” TheIndependent on Sunday, June 24 |
|
Packer, William, “If you go down to the Woods today,” Financial Times, June |
|
Hergott, Fabrice, “David Nash,” Liberation, April 19 |
|
Hutchins, Samantha, “David Nash le bois a la lettre,” Le Quotidien de Paris, April 19 |
|
Dobbels, Daniel, “David Nash, las la langue de bois,” Liberation, April 17 |
|
“Sculptures de David Nash,” Le voix de Nord, April 5 |
|
Gardiner, Stephen, “Their Medium is Nature,” American Society of Landscape Architects, February |
|
Bonetti, David, “A Very English way with Wood,” San Francisco Examiner, January 24 |
| 1989 |
Baker, Kenneth, “Wood Sculptures as faux Geology,” San Francisco Chronicle, February 7. |
|
Sutton Kobke, Gertrud, “Land Art,” Landskab, Denmark, December |
|
Smulders, Caroline, “David Nash,” Art Press, France, October |
|
“Nash sort de Bois,” Liberation, August 3 |
| 1988 |
“David Nash: Sculpture 1971-90”, Serpentine Gallery, London (catalogue) |
|
“Mosaic Egg”, Andely Juda Fine Art, London |
| 1987 |
Chene et Frene, Musee Greuze, France |
|
“Wood Primer”, published by Bedford Press, San Francisco, CA |
|
“A Quite Revolution - British Sculpture Since 1965”, Graham Beal and Mary Jane Jacob, published by Thames and Hudson, London |
| 1985 |
“Tree to Vessel”, Juda Rowen Gallery, London 1985 |
|
“Elm Wattle Gum”, Heide Art Gallery, Melbourne, Australia |
|
Hogue Veluwe Otterlo, Kroller -Muller Museum, The Netherlands |
|
“David Nash - Japan”, Ki No Inochi, Japan, Association of Art Museums, i No Icochi, Japan |
|
“A Sense of Place: Sculpture in Landscape”, Peter Davis and Tony Knipe,published by Ceolfrith Press, New York |
|
“Earthworks and Beyond: Contemporary Art in the Landscape”, John Beardsley, published by Abbeville Press, New York |
| 1985 |
“Second Nature”, Richard Mabey (ed), published by Jonathon Cape, London |
| 1983 |
“Wood,” Quarry Otterlo, Kruller Muller Museum, The Netherlands |
| 1982 |
“Sixty Seasons”, Third Eye Centre, Glasgow, Scotland |
|
“Forest Poems, Forest Drawings”, David Nash with Anthony Barnett, published by Ferry Press, London, UK |
| 1981 |
“Stoves And Hearths”, Duke Street Gallery, London, UK |
|
Fellowship, Yorkshire Sculpture Park , UK |
| 1979 |
“David Nash,” Aspects, Spring Wood Quarry, Elise Meyer, New York, NY |
| 1978 |
David Nash,” Aspects, Summer 1978 |
| 1976 |
“Fletched Over Ash”, AIR Gallery, London, UK |
| 1973 |
“Loosely Held Garin,” Arnolfini Gallery, Bristol, UK |
|
Bellars, Peter. “David Nash Growing Works,” Asahi Evening News, May |