Biography - Sherrie Levine | Crown Point Press

Biography - Sherrie Levine

Born

1947	Hazleton, Pennsylvania. Currently resides in New York

Education

1969	University of Wisconsin, Madison, Wisconsin, B.A.
1973	University of Wisconsin, Madison, Wisconsin, M.F.A.

Selected Solo Exhibitions

1974	De Saisset Art Museum, Santa Clara, CA
1977	3 Mercer Street, NY
1978	3 Mercer Street, NY
	Hallwalls, Buffalo, NY
1979	The Kitchen, NY
1981	Metro Pictures, NY
1982	A and M Artworks, NY
1983	Baskerville and Watson Gallery, NY
	Richard Kuhlenschmidt Gallery, Los Angeles, CA
1984	Nature Morte Gallery, NY
	A and M Artworks, NY
	Ace, Montreal, Canada
1985	Baskerville and Watson Gallery, NY
	Block Gallery, Northwestern University, Evanston, IL
	Richard Kuhlenschmidt Gallery, Los Angeles, CA
1986	Daniel Weinberg, Los Angeles, CA
1987	Donald Young Gallery, Chicago, IL
	Wadsworth Atheneum, Hartford, CT
	Mary Boone Gallery, NY
1988	Hirshhorn Museum, Washington, D.C.
	High Museum, Atlanta, GA
	Galerie Nachst St. Stephan, Vienna, Austria
	Mario Diacono Gallery, Boston, MA
1989	Donald Young Gallery, Chicago, IL
	Mary Boone Gallery, Los Angeles, CA
1990	Daniel Weinberg Gallery, Los Angeles, CA
1991	Donald Young Gallery, Chicago, IL
	Mary Boone Gallery, NY
	Galerie Ghislaine Hussenot, Paris, France
1992	Rooseum Center for Contemporary Art, Malmo, Sweden
1993	“New Work”, Jablonka Galerie, Venloer St
	“Museum Studies”, Philadelphia Museum of Art, PA
1994	“Newborn”, Marian Goodman Gallery, NYC
1996	“Cathedrals and Hobbyhorses”, Jablonka Galerie, Koln, Germany
2000	Jablonka Galerie, Cologne
2001	Paula Cooper Gallery, New York
	The Wexner Centre for the Arts, The Ohio State University, Colombus, Ohio
2004	Loulou, Faggionato Fine Arts, London
	“Mourning Mirrors”, Paula Cooper Gallery, New York
2006	“Men, Women and Dogs”, Paula Cooper Gallery, New York; Jablonka Galerie, Cologne
	“Sherrie Levine: Abstraction, The Arts Club of Chicago”, Chicago
2007	Paula Cooper Gallery, New York
	James Kelly Contemporary, Santa Fe
	Jablonka Galerie, Berlin
	Simon Lee Gallery, London

Selected Group Exhibitions

1977	“Pictures”, Artist Space, NY
1979	“Pictures, Photographs”, Castelli Graphics, NY
1980	“Pictures and Promises”, The Kitchen, NY
	“Remembrances for Tomorrow”, New 57 Gallery, Edinburgh, Scotland
	“Horro Pleni”, Padiglioni d’Arte Contemporanea, Milan,
	Italy
1981	“Inespressionisma Americano”, Genoa, Italy
	“Couches, Diamonds and Pie”, P.S.1, Queens, NY
	Metro Pictures, NY
	“Extended Photography”, Successionist Museum, Vienna, Austria
	“Love is Blind”, Castelli Graphics, NY
1982	“Documenta 7”, Museum Fridericianum, Kassel, West Germany
1983	“Seventy Fourth American Exhibition, Chicago Art Institute, Chicago, IL
1984	“Sex Show”, Cable Gallery, NY
	“The Success of Failure”, Diane Brown Gallery, NY
	“Difference: On Sexuality and Representation”, The New Museum, NY
	“Ailleurs et Autrement”, ARC Musee d’Art Contemporain, Paris, France
	“Between Here and Nowhere”, Riverside S tudios, London, England
	“Artist’s Space Tenth Anniversary Show”, Artist’s Space, NY
	“New Images in Photography”, Visual Arts Museum, NY
	“Hirshhorn Tenth Anniversary Show”, Hirshhorn Museum,
	Washington, DC
	Yajima Gallery, Montreal, Canada
	“Artist’s Call”, Judson Memorial Church, NY
	“Portraits”, P.S.1, Queens, NY
	“Drawings After Photography”, Allen Memorial Art Museum, Oberlin College, Oberlin, OH
	“Mannerism”, Vancouver Art Gallery, Vancouver Art Gallery, Vancouver, Canada
	“Image Scavengers”, Institute of Contemporary Art, Philadelphia, PA
	International with Monument, NY
	“Art and Politics”, Allen Memorial Art Museum, Oberlin College, Oberlin, OH
	Baskerville and Watson Gallery, NY
	Richard Kuhlenschmidt Gallery, Los Angeles, CA
1985	“A Life of Signs”, Michael Klein Gallery, NY
	“Whitney Biennial”, Whitney Museum of American Art, NY
	Baskerville and Watson Gallery, NY
	Rudolf Zwirner Gallery, Koln, West Germany
	Nature Morte Gallery, NY
	Jamie Wolff Gallery, NY
	Richard Kuhlenschmidt Gallery, Los Angeles, CA
	“Momento Mori”, Goldie Paley Gallery, Moore College of Art, Philadelphia, PA
	“Vernacular Abstractions”, Wacoal Art Center, Tokyo, Japan
	“Correspondences”, La Foret Museum, Tokyo, Japan
	“Talking Back to the Media”, Foundation de Appell, Amsterdam, Holland
	“Repetition”, Hunter College Art Gallery, NY
	Fay Gold Gallery, Atlanta, GA
1985	“Seduction: Working Photographs”, White Columns, NY
	“The Anticipated Ruin”, The Kitchen, NY
1986	“The Sydney Biennial”, Sydney, Australia
	“Signs of Painting”, Donald Young Gallery, Chicago, IL
	“Signs of Painting”, Metro Pictures, NY
	“Abstract Appropriations”, Grey Art Gallery, NY
	“Political Geometries”, Hunter College Art Gallery, NY
	“As Found”, Institute of Contemporary Art, Boston, MA
	“After Matisse”, Queens Museum, Queens, NY
	Metro Pictures, NY
	Heland and Thorden Wetterling Galleries, Stockholm, Sweden
	Barbara Krakow Gallery, Boston, MA
	“Tableaux Abstraits”, Villa Arson Centre Nationale d’Art Contemporain, Nice, France
	“Painting and Sculpture Today 1986”, Indianapolis Museum of Art, Indianapolis, IN
	“Making Their Mark: Women Artists Today”, Albright-Knox Museum, Buffalo, NY
	“Drawings After Photography”, Independent Curators Inc., NY
	“Endgame: Reference and Simulation in Recent Painting and Sculpture”, Institute of Contemporary Art, Boston, MA
	“Photographs Begot Photographs”, Minneapolis Institute of Art, Minneapolis, MN
	“Europa-Amerika”, Museum Ludwig, Koln, West Germany
	“Art and Its Double”, Fundacion Caja de Pensiones, Barcelona, Spain
	“Momentori”, Centro Culturale Arte Contemporaneo, Mexico City, Mexico
	“Sherrie Levine and Haim Steinbach”, Jay Gorney Modern Art, NY
	Daniel Weinberg Gallery, Los Angeles, CA
1987	“New York Now”, Jerusalem Museum of Art, Israel
	“Avant-Garde in the Eighties”, Los Angeles County Museum of Art, Los Angeles, CA
	“Photography and Art 1946-1986”, The Aldrich Museum of Contemporary Art, Ridgefield, CT
	“Post-Abstract Abstraction”, The Aldrich Museum of Contemporary Art, Ridgefield, CT
	Moderna Museet, Stockholm, Sweden
1988	“Cultural Geometry”, Deste Foundation, Athens, Greece.
	“The Image of Abstraction”, The Museum of Contemporary Art, Los Angeles, CA
	“Carnegie International”, Carnegie Museum of Art, Pittsburgh, PA
1989	“Making Their Mark: Women Artists Move Into the Mainstream, 1970-85, New Orleans Museum of Art, New Orleans, LA
	” “”Prospect 89”, Frankfurt Kunstverein and Schirn Kunsthalle, Frankfurt, West Germany
	“Bilderstreit”, Rheinhalle, Koln, West Germany
	“Biennial”, The Whitney Museum of American Art, NY
	“A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, Los Angeles, CA
	“Repetition”, Hirschl & Adler Modern, NY
	“Making Their Mark: Women Artists Move into the Mainstream, 1970-85”, Denver Art Museum, Denver, CO
1989	“Confronting the uncomfortable: Questioning Truth and Power”, Yale University Art Gallery, New Haven, CT
	“What is Contemporary Art”, Rooseum, Malmo, Sweden
	“Image World: Art and Media Culture”, The Whitney Museum of American Art, NY
	“Wittgenstein: The Play of the Unsayable”, Vienna Secession, Vienna, Austria
1990	“Culture and Commentary”, Hirshhorn Museum, Washington, D.C.
	“The Last Decade-American Artists of the 80’s”, Tony Shafrazi Gallery, NY
	“Recent Releases”, Crown Point Press, NY
	“Art That Happens To Be Photography”, Texas Gallery, Houston, TX
1991	“Strategies For the Last Painting”, Feigen Inc., Chicago, IL
	“The Picture After the Picture”, Galerie Metropol, Vienna, Austria
	“Moira Dryer, Roni Horn, Sherrie Levine, Hiram Butler Gallery, Houston, TX
	Group Show, Paula Cooper Gallery, New York
1992	“Allegories of Modernism: Contemporary Drawing”, Museum of Modern Art, New York, NY
1993	“Patently Missing”, Barbara Krakow Gallery, Boston, MA
	“Summer Group Show”, Marian Goodman Gallery, New York, NY
1998	Paula Cooper Gallery, NY
2000	“Around 1984”, P.S.1 Contemporary Art Centre, Long Island City, New York
	“Examining Pictures: Exhibiting Paintings”, UCLA Armand Hammer Museum of American Art, Los Angeles
	“One Thing After Another”, Museum of Modern Art, New York
	“Open Ends”, Museum of Modern Art, New York
2001	Picture Media: Modern Photographs from the Permanent Collection, Metropolitan Museum of Art, New York
	“Mythic Proportions: Painting in the 1980’s”, Museum of Contemporary Art, Miami
2002	“But is it Real?”, Williams College Musuem of Art, Williamstown
2003	“Influence, Anxiety and Gratitude”, M.I.T List Visual Arts Centre, Cambridge MA
	“Living with Duchamp”, The Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs
2005	“Seeing Double”, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
2006	“The Downtown Show, The New York Art Scene 1974-1984”, The Grey Art Gallery, New York
	“Singular Multiples: The Peter Blum Edition Archive 1980-1994”, Museum of Fine Arts, Houston
2007	“Take 2: Women Revisiting Art History”, Mills College of Art Museum, Oakland
	“Living in the Material World – ‘Things’ In Art of the Twentieth Century and Beyond”, The National Art Center, Tokyo
	“Real Life Magazine”, Artists Space, New York

Selected Bibliography

	Foster, Hal, “The Expressive Fallacy”, Art in America, January 1983, pp. 80-83. (illus: “Self Portrait After Egon Schiele”, p. 82, b/w).
	Korklun, Kathi, “If You’ve Seen One Mona Lisa…”, L.A. Weekly, February 25, 1983.
	Singerman, Howard, “Sherrie Levine, Richard Kuhlenschmidt Gallery, Art Forum, September 1983, p. 80.
	Grundberg, Andy, “Post-Modernist in the Main Stream”, The New York Times, November 20, 1983, pp. H27, H43.
	Cameron, Dan, “Absence and Allure: Sherrie Levine’s Recent Work”, Arts Magazine, December 1983, pp. 84-87. (illus: “After Henri Matisse”, p. 84, b/w, “After Piet Mondrian”, p. 86, b/w, “After Fernand Leger”, p. 86, b/w, “After Vincent Van Gogh”, p. 87, b/w, “After Stuart Davis”, p. 87, b/w).
	Smith, Roberta, “It’s not Fake Anything - It’s Real Levine”, The Village Voice, December 13, 1983, p. 107.
	Fisher, Jean, “Sherrie Levine”, Art Forum, April 1984, p. 84.
	Lichtenstein, Therese, “Sherrie Levine”, Arts Magazine, May 1984, pp. 53-54. (illus: “Self Portrait After Egon Schiele”, p. 54, b.w).
	Carr, Cindy, “The Shock of the Old”, The Village Voice, October 30, 1984, pp. 103-104. (illus: “After Ilya Chasnik”, p. 103, b/w).
	Moufarrege, Nicolas, “Sherrie Levine”, Flash Art, January 1985.
	Silverthorne, Jeanne, “Sherrie Levine”, Art Forum, January 1985, pp. 85-86 (illus: “After Ilya Chasnik”, p. 85, b/w).
	Brooks, Rosetta, “From the Night of Consumerism to the Dawn of Simulation”, Art Forum, February 1985, pp. 76-81. (illus: “After J.M.W. Turner”, p. 79, b/w).
	Smith, Paul, “Difference in America”, Art in America, April 1985, pp. 190-199. (illus: “After Alexander Rodchenko”, Cover, b/w; “After Egon Schiele”, p. 194, b/w).
	Brenson, Michael, “Sherrie Levine”, The New Times, November 29, 1985, p. C23.
	Indiana, Gary, “Sherrie Levine and Bette Davisj:Affinities and Contrasts”, The Village Voice, December 3, 1985, p. 105.
	Melville, Stephen, “Not Painting: The New Work of Sherrie Levine”, Arts Magazine, February 1986, pp. 23-25. (illus: “Golden Knots #2”, p. 23, color, “Golden Knots #4”, p. 23, color, “Golden Knots #1”, p. 24, b/w).
	Heartney, Eleanor, “Sherry Levine at Baskerville and Watson”, Art News, February 1986, p. 120.
	Jones, Ronald, “Sherrie Levine at Baskerville and Watson”, ArtScribe, May 1986, , pp. 75-77. (illus: “Broad Stripe #4”, p. 76, color).
	Cone, Michele, “Sherrie Levine”, Flash Art, March 1986.
	Sturtevant, Alfred, “Sherrie Levine”, Arts Magazine, March 1986, p. 124 (illus: Golden Knot”, p. 124, b/w).
	Siegel, Jeanne, “Geometry Desurfacing: Ross Bleckner, Alan Belcher, Ellen Carey, Peter Halley, Sherrie Levine, Philip T aaffe, James Welling, Arts Magazine, March 1986, pp. 26-32. (illus: “Broad Stripe #1”, p. 31, color).
	Westfall, Stephen, “Sherrie Levine at Baskerville and Watson”, Art in America, March 1986, pp. 145-146. (illus: “Broad Stripe #8”, p. 145).
	Marzorati, Gerald, “Art in the (re)Making”, Art News, May 1986, pp 90-99. (illustrations of “Golden Knots”, color, “Thin Stripe #5”, color, “After Rodchenko #3”, b/w, “After Edward Weston”, b/w, “After Walker Evans”, b/w, “After Claude Monet”, color, “After Kasimir Malevich”, color, and “Broad Stripe #11”, color).
	Foster, Hal, “Signs Taken for Wonders”, Art in America, June 1986, pp. 80-91. (illus: ‘Check #2, p. 82, color, “Untitled #3, p. 82, color).
	Gardner, Colin, “Sherrie Levine”, Los Angeles Times, October 10, 1986.
	Knight, Christopher, “Painting in the Corners of a Man’s Art World”, Los Angeles Herald Examiner, October 26, 1986, pp. E5-7.
	Larson, Kay, “Masters of Hype”, New York Magazine, November 10, 1986, pp. 100-103.
	Smith, Roberta, “Sherrie Levine”, The New York Times, December 26, 1986, p. 33, color).
	Cameron, Dan, “Art and Its Double: A New York Perspective”, Flash Art, May 1987, pp. 57-71. (illus: “Untitled” (After Joan Miro), p. 67, color).
	Taylor, Paul, “Sherrie Levine Plays with Paul Taylor”, Flash Art, June, 1987, pp. 55-59.
	Brea, Jose Luis, “Sherrie Levine: Fake as More”, Sur/Express, July 1987, pp. 39-48.
	Grundberg, Andy, “When Outs Are In, What’s Up?”, The New York Times, July 26, 1987, pp. 1, 32/Section 2. (illus: “Untitled” (Lead Chevron:1), p. 32, b/w).
	Staniszewski, Mary Anne, “Dry Sherrie”, Vanity Fair, September, 1987, p. 1982.
	Schwartzman, Alan, “All Work and All Play”, Manhattan Inc, September 1987, p. 192. (illus: “Untitled” (Lead/Chevron:3), p. 192, color)
	Morgan, Stuart, “Art: A Different Stripe”, Vogue, September 1987, pp. 32, 36. (illus: “Untitled” (Broad Stripe:5), p. 36, color).
	Mc Gill, Douglas C., “Original Slant on Originality”, The New York Times, September 12, 1987, p. 11).
	Smith, Roberta, “Art: From Sherrie Levine, a Mini-Retrospective”, The New York Times, September 18, 1987, p. 22. (illus: “Untitled” (Lead Checks:3), p. C22, b/w).
	Levin, Kim, “Sherrie Levine”, The Village Voice, September 29, 1987, p.46.
	Larson, Kay, “Shrinking History”, New York Magazine, October 5, 1987, p. 102.
	Hess, Elizabeth, “Success! A Boone for Feminists?”, The Village Voice, October 6, 1987, Supplement, pp. 4-5.
	Indiana, Gary, “Endgame, The Village Voice, October 6, 1987, Supplement, p. 18, b/w. “Untitled” (Lead Chevron:2), p. 18, b;w, “Untitled” (Lead Chevron:3), p. 18, b/w, “Untitled (Lead Checks #1), p. 18, b/w, “Untitled” (Lead Checks:2), p. 18, b/w, “Untitled” (After Alexander Rodchenko:4), p. 18, b/w).
	Grimes, Nancy, “Sherrie Levine”, Art News, November 1987, pp. 191-192. (illus: “Untitled” (Lead Chevron:3), p. 192, b/w).
	Graw, Isabelle, “First Ladies”, Wolkenratzer, November 1987, pp. 54-55.
	Westfall, Stephen, “Sherrie Levine”, Flash Art, November 1987, p. 106
	Morgan, Robert C., “Sherrie Levine: Language Games”, Arts Magazine, December 1987, pp. 86-88. (illus: “Untitled” (Golden Knots:5), p. 86, color, “Untitled” (After Alexander Rodchenko:7), p. 86, b/w, “Untitled” (After Alexander Rodchenko :9), p. 86, b/w, “Untitled” (Lead Chevron:1), p. 87, color).
	Wei, Lilly, “Talking Abstract”, Art in America, December 1987, pp. 112-129, 171. (illus: “Untitled” (Lead Checks :1), p. 114), color, “Untitled” (Lead Chevron:1), p. 115, color).
	Kuspit, Donald, “Sherrie Levine”, Art Forum, December 1987, pp. 110-111. (illus: “Untitled” (Golden Knots:2), p. 110, b/w).
	Jones, Ronald, “Slow Time”, ArtScribe, January 1988, p. 45. (illus: “Untitled” (Lead Checks :3), p. 45, color).
	Johnson Ellen H., “Appropriation: Are These All Originals?”, Dialogue, March 1988, pp. 23-27.
	Jones, Ronald, “Hover Culture”, ArtScribe, June 1988, pp. 46-51.
	Fox, Catherine, “It’s All in Sherrie Levine’s Game that We Take Her Parodies Seriously”, The Atlanta Journal and Constitution, June 19, 1988, p. 2J. (illus: “Untitled” (Lead Checks :6), p. 1J, color, “Untitled” (After Fernand Leger), p. 2J, b/w).
	Ratacliff, Carter, “Back to the Abstract”, Elle, July 1988, pp. 68, 70.
	Staff, “Insert: Sherrie Levine”, Parkett, No. 16, July 1988, pp. 1230-134.
	Woodward, Richard B., “It’s Art, But Is It Photography?”, The New York Times Magazine, October 9, 1988, pp. 28-31, 42-57. (illus: “Untitled” (After Walker Evans:2), p. 30, b/w).
	Jones, Ronald, “Even Picasso: Sherrie Levine”, ArtScribe, November 1988, pp. 50-52. (illus: “Untitled” (Krazy Kat:1), pp. 1, 50, 51, 52, color, “Untitled” (Ignatz:1), pp. 1, 50, 51, 52, color, “Untitled” (Chair Seat:4), p. 51, color, “Untitled” (Lead Checks:4), p. 52, color, “Untitled” (After Willem de Kooning), p. 52, color).
	Albig, Jorg-Uwe, “Dies sind kein Picassos”, Art, November 1988, pp. 54-60.
	Robinson, Walter, “Back to the Future”, Elle, January 1989, pp. 82-83. (illus: “Untitled (After Egon Schiele), p. 58, color.
	Salvioni, Daniela, “Sherrie Levine”, Flash Art, March 1989, p. 109. (illus: “Untitled” (Lead Checks/Lead Chevron:10), p. 170, b/w).
	Yood, James, “Sherrie Levine”, Art Forum, April 1989, p. 170. (illus: “Untitled” (Lead Checks/Lead Chevron:10), p. 170, b/w).
	Galligan, Gregory, “New New York Painters”, Art International, April 1989, pp. 32-39. (illus: “Untitled” (Lead Checks/Lead Chevron 4), p. 33,b/w).
	Woodward, Richard B., “Comics as Inspiration: Are We Having Fun Yet?”, The New York Times, April 23, 1989, Section 2, p. 1, 22. (illus: “Untitled” (Ignatz:1), Section 2, p. 1, b/w).
	Smith, Roberta, “More Women and Unknowns in the Whitney Biennial”, The New York Times, April 28, 1989, p. C32.
	Siegel, Jeanne, “Ronald Jones”, Flash Art, May 1989, pp. 99-101. (illus: “Untitled” (Lead Checks/Lead Chevron:5), p. 100, color)
	Smith, Roberta, “A Shift in Perspective”, Vogue, May 1989, pp. 230-234. (illus: “Untitled” (Krazy Kat:1), p. 230, color).
	Keisuke, Oki, “The Ecstasy of Reproduction - Sherrie Levine”, Kula, July 1989, p. 9
	Cottingham, Laura, “The Feminine De-Mystique”, Flash Art, July 1989, pp. 91- 95,. (illus: “Untitled” (After Egon Schiele), p. 92, b/w).
	Staff, “Women in Simulation”, Bijutsu Techo, August 1989, pp. 11-75.
	Carlin, John, “Sherrie Levine”, Paper, September 1989, p. 51.
	Smith, Roberta, “Sherrie Levine Enters The World of Sculpture”, The New York Times, September 8, 1989, p. C23. (illus: “Untitled” (The Bachelors: Gendarme”), p. C23, b/w).
	Levin, Kim, “Sherrie Levine”, The Village Voice, October 3, 1989, p. 99. (illus: “Untitled” (The Bachelors: “Larbin”), p. 99, b/w).
	Schjeldahl, Peter, “Paperweight”, Seven Days, October 4, 1989, p. 67. (illus: “Untitled” (The Bachelors: Livreur de grand magasin”), p. 67, b/w).
	Smith, Roberta, “Subtle Ways to Eat Your Cake and Have It Too”, The New York Times, October 8, 1989, pp. H35-H36.
	Cotter, Holland, “Sherrie Levine at Mary Boone”, Art in America, November 1989, p. 187. (illus: “Untitled” (The Bachelors: “Croque-mort”), p. 186, b/w).
	Rimanelli, David, “Sherrie Levine”, Art Forum, November 1989, p. 147. (illus: “Untitled” (The Bachelors: “Larbin”), p. 147, b/w).
	Heartney, Eleanor, “Sherrie Levine”, Flash Art, November 1989, p. 162, (illus: “Untitled” (The Bachelors:Gendarme”), p. 162 b/w).
	Harrison, Katharine, “Sherrie Levine”, Flash Art, November 1989, p. 133.
	Mahoney, Robert, “Sherrie Levine”, Arts Magazine, December 1989, pp. 92-93. (illus: “Untitled” (The Bachelors: Larbin”), p. 92, color).
	Kuspit, Donald, “Sherrie Levine”, Contemporanea, December 1989, pp. 90-91. (illus: “Untitled” (The Bachelors:”Larbin”), p. 90, color, “Untitled” (The Bachelors: Gardien de la paix”), p. 91, color.
	Hall, James, “Neo-Geo’s Bachelor Artists”, Art International, December 1989, pp. 30-35. (illus: “Untitled” (After Walker Evans:2), p. 34, b/w).
	Kachur, Lewis, “Sculptors Turn to Social Themes”, Art International, December 1989, pp. 90-92.
	Scheurer, Daniel, “150th at f2: Snapshots of Contemporary Art Photography”, Center Quarterly, December 1989, pp. 12-21. (illus: “Untitled” (After Walker Evans:2), p. 17, b/w).
	Staff, “The Art of Quotation - Interview with Robert Rosenblum”, Art and Design, December 1989, pp. 6-15. (illus: “Untitled” (Double Lead Checks:8), p. 12, color).