| 2008 |
“Power Fields: Explorations in the Work of Vito Acconci”, Slought Foundation, Philadelphia, PA |
| 2005 |
“Self /Sound/City” Foundation for Art and Creative Technology (FACT), Liverpool |
|
“Vito Hannibal Acconci Studio,” Museum of Contemporary Art, Barcelona, Spain; Centro Atlantico de Arte Moderno, Las Palmas, Gran Canary Island, Spain; Stedelijk, Amsterdam, the Netherlands |
| 2004 |
“Diary of a Body”, Gladstone Gallery, New York, NY |
|
“Vito Hannibal Acconci Studio,” Musee des Beaux Artes, Nantes, France; MACBA, Barcelona |
| 2003 |
“Rehearsals for Architecture,” Kenny Schachter Rove, Perry St., New York, NY. |
|
“Acconci Studio- Slipping into the 21st Century,” Pratt-Manhattan Gallery, New York, NY |
| 2002 |
“Vito Acconci/Acconci Studio: Acts Of Architecture,” Milwaukee Museum of Art (Traveled to Aspen Art Museum, Miami Museum of Art 2001,Contemporary Art Museum Houston 2001) |
| 2001 |
“Vito Acconci,” 11 Duke Street, London |
|
“Vito Acconci / Acconci Studio, Architectural Models,” The Institute for the Cooperatic Research, New York and Paris |
|
“Built, Unbuilt, Unbuildable. 1983-2001,” ICAR Foundation, Paris, France |
|
“Para-Cities: Models for Public Spaces,” Arnolfini Gallery, Bristol, England |
|
Playing Amongst the Ruins, Royal College of Art, London, UK |
| 2000 |
“Vito Acconci: Skatepark,” Institute Français d’Architecture, Paris, France |
|
“Vito Acconci: High-rise of Models,” Munich Buildings Department, Munich, Germany |
| 1999 |
“Vito Acconci: Public Art,” University of the Arts, Philadelphia, PA |
| 1997 |
“Vito Acconci: Old, Refined, and Re-Viewed,” Stroom, The Hague, Netherlands |
| 1996 |
“Vito Acconci: Living Off the Museum,” Centro Gellego de Art Contemporanea, Santiago de Campostela, Spain |
|
“Vito Acconci: House of Streets, Parks and Plazas”, L’Usine, Le Consortium, Dijon, France |
| 1995 |
Dia Center for the Arts, New York, NY |
|
Centra Galego de Arte Contemporanea, Santiago de Compostela, Spain |
| 1992 |
“Vito Acconci”, Museo D’Arte Contemporanea Prato, Prato, Italy |
|
“Vito Acconci”, Austrian Museum of Applied Arts, Vienna, Austria |
|
“The City Inside Us”, Mak Österreichisches Museum, Austrian Museum of Applied Arts |
|
“Home Entertainment Centers 1991-1992”, 303 Gallery, New York |
| 1991 |
“Vito Acconci”, Barbara Gladstone Gallery, New York |
|
“Vito Acconci”, Le Centre National d’Art Contemporain de Grenoble, Grenoble, France |
| 1990 |
“Vito Acconci Retrospective”, Landfall Press, New York |
|
“New Work/Vito Acconci”, James Corcoran Gallery, Los Angeles, CA |
| 1989 |
Barbara Gladstone Gallery, NY |
|
Mai 36 Galerie, Luzern, Switzerland |
| 1988 |
“Photographic Works from the 60’s”, Brooke Alexander, NY |
|
“Vito Acconci: Photographic Works 1969‑70”, Cirrus, Los Angeles, CA. |
|
Traveled to Rhona Hoffman Gallery, Chicago, IL and Galerie Eric Franck, Geneva, Switzerland |
|
Galeria Il Ponte, Rome, Italy |
|
“Public Places”, The Museum of Modern Art, NY |
| 1987 |
“Vito Acconci: Domestic Trappings”, La Jolla Museum of Contemporary Art, CA |
| 1985 |
University of North Carolina at Chapel Hill, NC |
|
“Matrix”, Wadsworth Atheneum, Hartford, CT |
|
“Face of the Earth”, City Hall Park,NY |
|
The Brooklyn Museum, Brooklyn, NY |
|
Centre d’Art Contemporain, Geneva, Switzerland |
|
Carpenter + Hochman Gallery, NY |
| 1984 |
Nature Morte, NY |
|
“Print Survey”, University of Nebraska, Omaha, NE |
| 1983 |
Miami‑Dade Community College, Miami, FL |
|
Williams College Museum of Art, Williamstown, MA |
| 1982 |
Portland Center for the Visual Arts, Portland, OR |
|
Institute for Contemporary Art at the Virginia Museum, Richmond, VA |
|
San Diego State University, CA |
|
University of Massachusetts at Amherst, MA |
| 1981 |
Kunstverein Koln, Cologne, Germany |
|
Padiglione d’Arte Contemporanea, Milan, Italy |
|
Max Protetch, NY |
|
The Kitchen, NY |
| 1980 |
The Kitchen, NY |
|
Museum of Contemporary Art, Chicago, IL (retrospective) |
|
Atlanta Art Workers Coalition, Atlanta, GA |
| 1979 |
Young Hoffman Gallery, NY |
|
Sonnabend Gallery, NY |
|
Rhode Island University, Kingston, RI |
|
“Town Square Projects”, Traveled throughout Holland |
|
Sonnabend, Paris, France |
| 1978 |
Salvatore Ala, Milan, Italy |
|
The Kitchen, NY |
|
Museum of Modern Art, San Francisco, CA |
|
Minneapolis College of Art and Design, MN |
|
Kunstmuseum Luzern, Lucerne, Switzerland |
|
I.C.C, Antwerp, Belgium |
|
Galerie Nachst Ste. Stephen, Vienna, Austria |
|
Mario Diacono,Bologna, Italy |
|
Stedelijk Museum, Amsterdam (retrospective) |
|
Whitney Museum of American Art, NY |
| 1977 |
Galerie D, Brussels, Belgium |
|
Modern Art Agency, Naples, Italy |
|
Ohio State University, Columbus, OH |
|
Anthology Film Archives, NY |
|
University of Massachusetts at Amherst, MA |
|
The Clocktower, NY |
|
Centre d’Art Contemporain, Geneva, Switzerland |
| 1976 |
The Kitchen, NY |
|
Wright State University, Dayton, OH |
|
Sonnabend, NY |
|
Anthology Film Archives, NY |
| 1975 |
Sonnabend, NY |
|
Portland Center for the Visual Arts, Portland, OR |
|
And/Or, Seattle, WA |
|
CARP, Los Angeles, CA |
|
Museum of Conceptual Art, San Francisco, CA |
|
James Mayor, London, England |
|
Hallwalls, Buffalo, NY |
| 1974 |
Allessandra Castelli, Milan, Italy |
| 1973 |
Modern Art Agency, Naples, Italy |
|
Galerie D, Brussels, Belgium |
|
Sonnabend, NY |
|
Galeria Schema, Florence, Italy |
| 1972 |
Sonnabend, NY |
|
Sonnabend, Paris, France |
|
L’Attico, Rome, Italy |
| 1971 |
John Gibson, NY |
|
Protetch‑Rivkin, Washington, D.C |
| 1970 |
Gain Ground, NY |
|
Nova Scotia College of Art and Design, Halifax |
| 2007 |
“Conceptual Paper” Arndt & Partner, Zurich |
| 2006 |
“Medium Fotografie” Stampa Galerie, Basel |
|
“Dark Places” Santa Monica Museum of Art, Santa Monica |
| 2005 |
“Looking at Words” Andrea Rosen Gallery, New York |
| 2004 |
“Excess: Fashion and Underground in the Eighties” Fondazione Pitti Immagine Discovery, Florence Italy |
| 2003 |
“The Chairs Project” Emory University, Atlanta, GA |
|
“Interfunktionen” Miro Foundation, Barcelona |
|
“Art, Lies, and Videotape” Tate Liverpool, UK |
|
“Work Ethic” Baltimore Museum of Art, Baltimore, MD |
|
Venice Bienalle, Venice Italy |
|
“Video Acts: Selected Single Channel Video Works from the Kramlich Collection” PS1, Long Island City NY |
| 2002 |
“Plotting: An Exhibition of Artist Studies” Carrie Secrist Gallery, Chicago |
|
“En Route” Serpentine Gallery, London |
|
“Passenger: the Viewer as Participant” Astrup Fearnley Museum of Modern Art |
|
“(The World May Be) Fantastic” Bienalle of Sydney, Art Gallery of NW, Sydney |
|
“Time Share” Sarah Meltzer Gallery, New York |
|
“Into the Light: The Projected Image in American Art 1964-1977” Cleveland Museum of Art, Cleveland OH |
|
“Moving Pictures” Solomon R. Guggenheim Museum of Art, New York |
|
“From Pop To Now: Selections from the Sonnabend Collection” The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs NY |
|
Travels to the Wexner Center for the Arts, Columbus, OH |
| 2001 |
“Brooklyn” Palm Beach Institute of Contemporary Art, Lake Worth, FL |
|
“New York ca. 1975” David Zwirner Gallery, New York |
|
“A Changing Group Exhibition” Barbara Gladstone, New York |
|
“Works on Paper from Acconci to Zittel” Victoria Miro Gallery, London |
|
“Playing Amongst the Ruins” Royal College of Art Galleries, London |
|
“Affecting Invention” Carrie Secrist Gallery, Chicago IL |
|
“Video Time” Museum of Modern Art, New York |
|
“Bluer” Carrie Secrist Gallery, Chicago IL |
|
“Media_city Seoul” Contemporary Art and Technology Biennale, Seoul Korea |
|
“The City” Nicole Klagsburn Gallery, New York |
|
“Soft White: Lighting, Designs by Artists” University Gallery, Fine Arts Center, University of Massachusetts, Amherst MA |
|
“Making Time: Considering Time as a Material in Contemporary Video and Film” Palm Beach Institute of Contemporary Art, Palm Beach, FL |
|
“THE END: An Independent Vision of Contemporary Culture, 1982-2000” Exit Art, New York |
|
“Into the Light: the projected image in American art 1964-1977” Whitney Museum of American Art, New York. Travelled to Cleveland Museum of Art, OH; ZKM, Karlsruhe Germany |
|
“The Gift: Generous Offerings, Threatening Hospitality” (Independent Curators International, New York, organizers). Travelled to Palazzo delle Papesse Center for Contemporary Art, AZ; Bronx Museum of the Arts, NY; Art Gallery of Hamilton Ontario |
| 2000 |
“Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art” San Francisco Museum of Modern Art, CA |
|
“Comfort Zone: Furniture by Artists” Painewebber Art Gallery, New York |
| 1998 |
“Tracin” Ota Fine Arts, Tokyo |
|
“Out of Actions: between performance and the object, 1949-1979” Museum of Contemporary Art, Los Angeles |
|
“Sculptors and Their Environments” Pratt Institute, Manhattan Gallery, New York |
|
“Conceptual photography from the 60’s and 70’s” David Zwirner Gallery, New York |
|
“Voices,” Witte de With, Rotterdam, The Netherlands. Travelled to Fundacion Joan Miro, Barcelona Le Fresnoy, Studio National des arts contemporains, Tourcoing, France |
| 1997 |
“Broken Home” Greene Naftali Gallery, New York |
|
“In Site ‘97: New Projects in Public Spaces by Artists of the Americas” San Diego, CA |
|
“The Private Eye in Public Art” NationsBank Plaza, Charlotte, NC |
|
Solomon R. Guggenheim Museum, New York |
|
“Rooms with a View: Environments for Video” Documenta X, Kassel, Germany |
|
“Heaven” PS1, Long Island City, NY |
|
“Kunst…Arbeit” Südwest LB Forum, from the collection Südwest LB, Stuttgart Germany |
| 1996 |
“The Art Embodied,” MAC – Galeries Contemporain Musee de Marseilles, France |
|
Bienne di Firenzi, Florence, Italy |
|
“A History of Technological Visions since the 18th Century,” Kunsthalle Wien, Austria |
|
“Sex & Crime. On Human Relationships,” Sprengel Museum, Hannover Germany |
|
“NowHere” Louisiana Museum of Modern Art, Humlebaek, Denmark |
|
“Skin Deep: Works on Image, Body, Text,” Mercer Union, Toronto, Ontario |
|
“Retinal circus,” Art Space, Copenhagen Denmark |
|
“Self Construction,” 20er Haus, Vienna, Austria |
|
“Autoreverse 2” Centre National d’art Contemporain de Grenoble, France |
|
“Passion Privees, “Musee d’Art Moderne, Paris |
|
“From Figure to Object,” Firth Street Gallery, London |
|
“a/drift” Center for Curatorial Studies, Bard College, Annandale-on-Hudson” NY |
|
“Biennale d’Art Contemporain de Lyon,” Musee d’Art Contemporain de Lyon, France |
|
“Ripple Across the Water 95” WATARI-UM Museum, Tokyo |
|
“1965-1975: Reconsidering the Object of Art” Museum of Contemporary Art at the Temporary Contemporary, Los Angeles |
|
“Self Construction,” Museum Moderner Kunst Stiftung Ludwig, Vienna Austria |
|
“Artistes/Architectes” Nouveau Musee/Institut d’Art contemporain de Villeurbanne, France |
|
“Les annees 80-90” Musee d’art moderne de Villeneuve d’Ascq, France |
|
“Landscape: A Concept” California College of Art, Oakland CA |
|
“Collisions” Artekelu, San Sebastian, Spain |
|
American Fine Arts, New York |
|
“Sculpture as Objects: 1915-1995” Curt Marcus, New York |
|
“Foundations: Underwear/ Under Where?” Lawrence Gallery, Rosemont PA |
|
“In a Different Light” University Art Museum, Berkeley CA |
|
ARS 95 Helsinki Museum of Contemporary Art, Finland |
| 1994 |
Monica Spirith Galerie, Cologne, Germany |
|
“Hors Limites” Centre Georges Pompidou, Paris |
|
Royal College of Art, London |
|
“The Ossuary” Luhring Augustine, New York |
|
“The Old Glory” Cleveland Center for Contemporary Art |
|
“Tradition and Invention – Contemporary Artists Interpret the Japanese Garden” – Sogetsu Plaza, Sogetsu Kaikan Japan |
|
“Outside the Frame” Cleveland Center for Contemporary Art, OH, Traveled to Snug Harbor Cultural Center, Staten Island NY |
| 1993 |
Brooke Alexander Editions, New York |
|
Studio Oggetto, Milan, Italy |
|
“45th Annual Academy Purchase Exhibition”, American Academy of Arts and Letters, New York |
|
Tyne International, New Castle upon Tyne, England |
| 1992 |
“15th Anniversary Exhibition”, Rhona Hoffman Gallery, Chicago, IL |
|
Transform”, Elizabeth Kaufman Gallery, Basel, Switzerland |
|
“44th Annual Academy Institute Purchase Exhibition, American Academy and Institute of Arts and Letters”, New York |
|
“From Plastic Form to Printer’s Plate: 16 Contemporary Sculptors/Printmakers”, CCAC Oliver Art Center, California College of Arts & |
|
Crafts, Oakland, CA |
| 1991 |
“Whitney Biennial”, Whitney Museum of American Art, NY |
|
Group Show, Paula Cooper Gallery, New York |
|
American Fine Arts Company, NY |
|
“Sixties”, John Gibson Gallery, New York |
| 1990 |
“Politics in Print”, Landfall Press, New York |
|
“Prints Made at Crown Point Press”, Tate Gallery, London |
|
“Recent Print Acquisitions in Series”, Barbara Krakow Gallery, Boston, NY |
|
“God and Country/7th Anniversary Exhibition”, Greg Kucera Gallery, Seattle, WASH |
| 1988 |
“Committed to Print”, Museum of Modern Art, NY |
|
“Installation Series I & II, Brooke Alexander, New York, NY |
|
“The Debt”, Exit Art, New York, NY |
|
“The New Urban Landscape”, World Financial Center, NY |
|
“A Leap into the Void”, Wolff Gallery, New York |
|
“American Rainbow”, Galerie de Poche, Paris, France |
| 1987 |
“Acid and Light: Contemporary Photo‑Etchings”, Allen Memorial Art Museum, Oberlin College, OH |
| 1987 |
American Fine Arts Company, NY |
|
“Perverted by Language”, Hillwood Art Gallery, C.W Post Campus of Long Island University, Brookville, NY |
|
“Prints in Parts”, Crown Point Press, NY |
| 1986 |
“Public and Private: American Prints Today”, The Brooklyn Museum, NY |
| 1985 |
“A New Beginning”, Hudson River Museum, Yonkers, NY |
|
“Works on Paper”, Weatherspoon Art Gallery, Greensboro, NC |
|
“Microcosms”, Galerie Maeght‑Lelong, NY |
|
“The Bronx Celebrates”, Lehman College, NY |
|
“State of the Art, Part II”, Twining Gallery, NY |
|
“From Crown Point Press”, Georgia State University Gallery Atlanta, GA |
| 1984 |
“Furniture and Furnishings”, Museum of Art, R.I.S.D, Providence, RI. |
|
Traveled throughout the United States |
|
“Content: Contemporary Focus”, Hirshhorn Museum and Sculpture Garden, Washington, DC |
|
“Art as Social Conscience”, Bard College, Annandale‑on‑Hudson, NY |
|
Skowhegan School of Painting and Sculpture, ME |
|
“Staged/Stages”, Bernice Steinbaum Gallery, NY |
|
“Drawings by Sculptors: Two Decades of Non‑Objective Art in the |
|
SeagramsCollection”,TheMontreal Museum of Fine Arts, Canada. Traveled throughout Canada. |
|
“Luminous Images”, Steklijk Museum, Amsterdam, Holland |
|
“Soul Catchers”, Stellweg Seguy Gallery, NY |
|
“The Maximal Implications of the Minimal Line”, Bard College, Annandale‑on‑Hudson, NY |
|
“Armed”, Interim Art, London, England |
|
“Artists’ Weapons”, Ted Greenwald Gallery, NY |
| 1983 |
“Bridges”, Pratt Institute, Brooklyn, NY |
|
Art Park, Lewiston, NY |
|
“Urban Site”, 80 Langton Street, San Francisco, CA |
|
“When Words Become Works”, Minneapolis College of Art and Walker Art Center, MN |
|
“Urban Pulses:The Artist and the City”, Pittsburgh Plan for Art, PA |
|
Paula Cooper Gallery, NY |
|
“1984‑ A Preview”, Ronald Feldman Gallery, NY |
|
Robert Friedus Gallery, NY |
|
“Minimalism to Expressionism”, Whitney Museum of American Art, NY |
| 1982 |
“Prefiguration and Figuration of Catastrophe”, Centre d’Art Contemporain, Geneva, Switzerland |
|
Documenta VIII, Kassel, Germany |
|
“Illegal America”, Franklin Furnace, NY |
|
“Attitude/Concept/Image: A Selection from 20 Years of Visual Arts”, Stedelijk Museum, Amsterdam, Holland |
| 1981 |
Biennial, Whitney Museum of American Art, NY |
|
“Machineworks”,Institute of Contemporary Art, Philadelphia, PA |
|
“Projects at the Precinct”, Creative Time, NY |
|
“The Prison Show”, Whitney Museum Downtown, NY |
|
“Metaphor”, Hirshhorn Museum, Washington, D.C |
|
“Three Manifestations”, Lerner Heller Gallery, NY |
| 1980 |
“Three Installations”, Sonnabend Gallery, NY |
| 1979 |
“A Great Big Drawing Show”, P.S 1, Long Island City, NY |
|
“Lourness Interdisciplinaires sur l’Art Corporeal et les Performances”, Centre Georges Pompidou, |
|
Paris, France |
|
“Concept,Narrative, Document”, Museum of Contemporary Art, Chicago, IL |
|
“Sound”, P.S 1, Long Island City, NY |
|
“The Artist: Hermit? Investigator? Social Worker?”, Kunstverein, Hamburg, Germany |
| 1978 |
Venice Biennale, Venice, Italy |
|
“The Sense of the Self”, Independent Curators Inc, Washington, D.C |
|
“Three Installations”, Tampa Bay Art Center, FL |
|
“Made by Sculptors”, Stedelijk Museum, Amsterdam, Holland |
|
“Walls”, Contemporary Art Center, Cincinnati, OH |
|
“Yesterday and After”, Museum of Fine Arts,Montreal, Canada |
|
Venice Biennale |
|
“Festival of Two Worlds”, Spoleto, Italy |
| 1977 |
“Improbable Furniture”, Institute of Contemporary Art, Philadelphia, PA |
|
Biennial, Whitney Museum of American Art, NY |
|
“Filmex”, Los Angeles, CA |
|
“Time”, Philadelphia College of Art, Philadelphia, PA |
|
“Art of the 70’s”, Museum of Contemporary Art, Chicago, IL |
|
“Three Installations”, Sonnabend Gallery, NY |
|
“American Art in Belgian Collections”, Palais des Beaux Arts, Brussels, Belgium |
| 1976 |
“72nd American Exhibition”, Art Institute of Chicago,IL |
|
“Identite/Identifications”, CAPC, Bordeaux, France |
|
Venice Biennale, Venice, Italy |
|
“In Transit”,Los Angeles Institute of Contemporary Art, CA |
|
“Video Art,An Overview”,Museum of Modern Art, San Francisco, CA |
|
“Language and Structure in North America”, Kensington Art Center, Toronto, Canada |
| 1975 |
“Video Art”, Museum of Modern Art, NY |
|
“Lives”, Fine Arts Building, NY |
|
“Autogeography”, Whitney Museum Downtown, NY |
|
“Body Art”, Museum of Contemporary Art, Chicago, IL |
|
“VideoArt”,Institute of Contemporary Art, Philadelphia, PA |
| 1974 |
“Art Now”, Washington, D.C |
|
“71st American Exhibition”, Art Institute of Chicago, IL |
|
“Projekt 74”, Koln, Germany |
|
“Eight Contemporary Artists”, Museum of Modern Art, NY |
| 1973 |
“Recent Drawing”, Whitney Museum of American Art, NY |
|
“Some Recent American Art”,Museum of Modern Art sponsored show traveling throughout Australia |
|
“Contemporanea”, Rome, Italy |
| 1972 |
“Notes and Scores for Sounds”, San Francisco Museum of Modern Art, CA |
|
“Festival of Two Worlds”, Spoleto, Italy |
|
“Documenta V”, Kassel, Germany |
|
“Making Megalopolis Matter”,New York Cultural Center, NY |
| 1971 |
“ArtSystems”,Museum of Modern Art,Buenos Aires,Argentina |
|
“Projects‑Pier 17”, Museum of Modern Art, NY |
|
“The Boardwalk Show”, Convention Hall, Atlantic City, NJ |
|
“Artists Videotapes”, Finch College, NY |
| 1970 |
“995,000”, Vancouver, Canada |
|
Wadsworth Atheneum, Hartford, CT |
|
“Information”, Museum of Modern Art, NY |
|
“Software”, Jewish Museum, NY |
|
“Recorded Activities”, Moore College of Art, Philadelphia, PA |
| 1969 |
“Performance”, Hunter College, NY |
|
“Coulisse”, Paula Cooper Gallery, NY |
|
“Language III”, Dwan Gallery, NY.op |
|
“Street Works”, Architectural League of NY |
|
“55,087”, Seattle Art Gallery, WA |
| 1968 |
“Events”, Central Park. NY |
|
“Tiny Events”, Longview Country Club, Long Island, NY |
| 2006 |
Facade, W8th Street Subway Station, Coney Island, NY |
| 2004 |
Kenny Schachter Gallery Booth, Armory Art Fair, NY; Art Basel Miami, FL |
|
Roof Like A Liquid Flung Over the Plaza, Performing Arts Center, Memphis TN |
| 2003 |
Mur Island (Floating café, theater & playground), Graz, Austria |
|
United Bamboo Clothing Store, Tokyo |
|
Ceiling/Wall System for Projections, Pratt Manhattan Gallery, NY |
|
Kenny Schachter Gallery Booth, Armory Art Fair, NY |
| 2002 |
Wall-Slide (Wall & seating system), 161st St. Subway Station, Bronx NY |
|
Kenny Schachter’s contTEMPorary (Adjustable gallery), New York NY |
| 2001 |
Möbius Bench (Outdoor seating), Fukuroi City, Japan |
|
Light-Beams for the Sky of a Transfer Corridor (Lighting & telephone booths), |
|
San Francisco Airport, CA |
| 2000 |
Screens for a Walkway Between Buildings & Buses & Cars (Entrance passageway), Shibuya Station, Tokyo, Japan |
|
Courtyard In The Wind (Moving park), Buildings Department Administration Building, Munich, Germany |
| 1999 |
Rooms From Below (Temporary store windows, Saks Fifth Avenue, New York, NY |
|
A City That Rides the Garbage Dump (Temporary billboard), Bavel Garbage Dump, Breda, The Netherlands |
| 1998 |
Flying Floors For The Main Ticketing Pavilion (Indoor Park for Departures Terminal), Philadelphia Airport, PA |
|
Walkways Through The Wall (Exchangeable plaza and lobby, Midwest Convention Center, Milwaukee, WI |
| 1997 |
Loloma Station (Transportation Center), Scottsdale, AZ (Collaboration with Douglas Sydnor & Angela Dye) |
|
Park in the Water (Riverside Park), The Hague, The Netherlands |
|
House up a Building, (Portable housing, temporary installation), Santiago de Campostela, Spain |
|
Park up a Building (Portable park, temporary installation), Santiago de Campostela, Spain |
|
High Rise of Trees (Urban Park, temporary), Atlanta, GA, 1995 |
|
Extra Spheres For Klapper Hall (Plaza), Queens College, NY |
|
School On The Ground (Courtyard), P.S. 3, Bronx, NY |
| 1994 |
Personal Island (1992) (Mobile Island), Zwolle, Netherlands |
|
Bench / Bollard for Tachikawa City, Japan |
|
Ribbon Pavement/Bench for Embarcadero Promenade, San Francisco, CA (Collaboration with Stanley Saitowitz & Barbara Stauffacher Solomon) |
|
Personal River (Riverside park, temporary, Newcastle, UK |
|
Renovation of Storefront for Art & Architecture, New York, NY, (Collaboration with Steven Holl) |
| 1992 |
Floor Clock (1989) (Clock & Seating), Chicago Dock & Canal, Chicago, IL |
|
Wall Of Ground (Outdoor/indoor wall & seating), Arvada Center for Art and Humanities, Arvada,CO |
| 1991 |
Land of Boats (Playground), St. Aubin Park, Detroit, MI |
|
Mobile Linear City (Mobile housing unit), Various locations |
| 1988 |
Birth of the Car / Birth of the Boat (Fountain, temporary), Three Rivers Festival, Pittsburgh, PA |
|
Bad Dream House II (Model house), John Wieland Homes, Atlanta, GA |
|
House of Cars II (Urban park), Greenville, OH |
|
Face of the Earth II (Miniature park), C.W. Post College, NY |
|
Face of the Earth III (Miniature park), Laumeier Park, St. Louis, MO |
|
Garden with Fountain (Fountain/Planter, temporary), World Financial Center, NY |
|
Garden of Columns (Indoor town square), Coca Cola USA, Atlanta, GA |
| 1986 |
House on the Ground (Miniature plaza, temporary), New Mexico State University, Las Cruces, NM |
|
Palladium Underground (Garden of Bodies) (Basement Lounge), The Palladium, New York, NY |
| 1985 |
House of Used Parts (Portable model house, temporary installation), Harvard University, Cambridge, MA, |
|
Bodies in the Park (Park seating, temporary)), Park Lullin, Geneva, Switzerland |
| 1984 |
Bad Dream House (Model house, temporary installation), MIT, Cambridge, MA |
|
Face of the Earth (Miniature park, temporary installation, Springfield, IL |
| 1983 |
Way Station (Rest area, no longer extant), Middlebury College, Middlebury, VT |
|
Sub-Urb (Underground rest area, temporary)), Art Park, Lewiston, NY |
|
See-Saw Bridge (Portable playground, temporary installation), Pratt University, Brooklyn, NY |
|
House of Cars (Urban park, temporary), Langton Arts, San Francisco, CA |
| 2005 |
Lange, Christy, “Bound to Fail” Tate Etc., Summer 2005 pp.31 |
|
Lauf, Cornelia “Sound Art Museum Opens in Rome” Art in America, May 2005, pp 53-57 |
|
Patrick, Kieth, “Vito Acconci: MACBA” Flash Art Mar/Apr 2005 pp. 124 |
|
Taylor, Sue “A New Catholic Iconography?”Art in America Feb 2005, pp. 39 |
|
“Critics Top Picks for 2003-2004” Art in America, Feb 2005 pp. 33-34 |
| 2004 |
Diaz, Eva “Vito Acconci at Barbara Gladstone” Time Out New York. 04/29/04 pp.74 |
|
Saltz, Jerry “Body Heat” The Village Voice 04/23/04 |
|
Ryan, Zoe “Vito Acconci” Contemporary #60 pp.24-29 |
|
Jones, Amelia “Televisual Flesh: Activating Otherness in New Media Art” Parachute, Issue 13, pp. 70-91 |
|
Dailey, Meghan. “The open-plan man.” ArtReview. International Edition V3N2 pp. 76- 77. |
|
Schwabsky, Barry, “Vito Acconci, Museu d’Art Contemporani de Barcelona” Artforum January 2004 pg. 74 (Preview) |
| 2003 |
Vidal, Carlos, “Narcissism: The architecture of the body.” Exit Magazine.Mayo/Junio/Julio/ 2003 pg 132. |
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Morley, C.B. “Arts in the Public Eye.” The Bronx Times, v. 9 no. 47 November 20, 2003 |
| 2002 |
Cassina, Beatrice, Teama Celeste, December 2002 Boxer, Sarah, “Poet Turned Antic Architect Keeps Exploring Inner Space, New York Times, September 12 th, 2002 |
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Joselit, David, “Tale of the Tape”, Artforum, May 2002, p.152-155, 196 |
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Wilson, Michael, “Into the Light,” Frieze, March 2002 |
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Golonu, Berin, “Utopia Now!” Frieze, March 2002 |
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Betrakteren som deltaker, passasjer: the viewer as participant, astrup fearnley museet for moderne kunst, January 2002, p.33 |
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Acconci Survey,” Flash Art, January February 2002, p.39 |
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Turner, Elisa, “Vito, veni, vidi, vici,” The Herald, Sunday, January 6, 2002 |
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Acconci, Vito & Schachter, Kenny, “Preliminary Proposal for Kenny Schachter’s Gallery,” Zing Magazine, Issue 16, Winter 2002 |
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Princenthal, Nancy, “Illuminations For a Dark Place,” Art in America, March 2002 |
| 2001 |
“Acts of Architecture,” Coral Gables Gazette, December 13-19, 2001 |
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“Miami Art Museum to display works by Acconci next,” Miami Today, December 13, 2001 |
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Feijoo, Keny, “Art Lovers find a full palette,” The Herald, December 14, 2001 |
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Vito Acconci: Acts of Architecture,” Contemporary Arts Museum, Houston, ArtForum |
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Newhall, Edith, “La Dolce Vito,” New York, January 22, 2001 |
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Sarah Schmerler, “Flashing into the shadows”, Time Out New York, January 11-18 |
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“Aspen Art Museum, Tema Celeste, November-December 2001 |
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“Repeat Performance, Flash Art, November-December 2001, p. 43 |
| 2000 |
Schwabsky, Barry, “Media city Seoul 2000”, November 2000, Artforum |
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“Vito Acconci”, Summer 2000, Modern Paintings |