| 2008 |
New Museum of Contemporary Art, New York NY (retrospective) |
|
Wexner Center for the Arts, Columbus OH (retrospective) |
| 2007 |
Contemporary Arts Museum, Houston TX (retrospective) |
|
Orange County Museum, Newport Beach CA (retrospective) |
| 2006 |
Hauser & Wirth, ‘Saturday Night Kiss’, Zurich/CH |
|
Crown Point Gallery, ‘Mary Heilmann: New Etchings’, San Francisco CA |
| 2005 |
303 Gallery, New York, NY |
| 2004 |
Hauser & Wirth London, London |
| 2003 |
Secession, ‘Mary Heilmann, All Tomorrow’s Parties’, Vienna |
|
Douglas Hyde Gallery, Trinity College, ‘Mary Heilmann, The Architecture of Heaven’, Dublin |
| 2002 |
American Fine Arts, New York, NY |
|
Kenny Schachter Gallery, ‘Mary Heilmann Home’, New York, NY |
| 2001 |
Galerie Hauser & Wirth, Zurich |
|
Galerie Meyer Kainer, Vienna |
|
Camden Arts Centre, London |
| 2000 |
Oldenburger Kunstverein, ‘Mary Heilmann, Malerei’, Oldenburg |
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Galleria Marabini, ‘Mary Heilmann’, Bologna, Italy |
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Kunstmuseum St. Gallen, ‘Mary Heilmann’ – Jessica Stockholder’, St. Gallen |
| 1999 |
Galerie Hauser & Wirth, ‘Mary Heilmann’, Zurich |
| 1998 |
Pat Hearn Gallery, New York, NY |
|
Johnson County Community, ‘Selected Works, 1978-1998’, Overland Park, KS |
| 1997 |
Richard Telles Gallery, Los Angeles, CA |
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“This and That”, Stifung fur konstructive und konkrete Kunst, Zurich, Switzerland |
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Galerie Hauser & Wirth, Zurich, Switzerland |
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“Modern Art: Painting and Works on Paper”, Wolfgang Hausler, Munich, Germany |
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Galerie Stadpark, Krems, Austria |
| 1995 |
“Works on Paper”, Pat Hearn Gallery, New York, NY |
|
Zeno X Gallery, Antwerp, Belgium |
| 1994 |
Beaver College Art Gallery, Glenside, PA |
|
M Galerie, Bochum, Germany |
|
“Greatest Hits”, Pat Hearn Gallery, New York, NY |
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San Francisco Art Institute, San Francisco, CA |
| 1993 |
Pat Hearn Gallery, New York, NY |
| 1991 |
Green Gallery, Bay Harbor Islands, FL |
|
Pat Hearn Gallery, New York, NY |
| 1990 |
Galerie Isabella Kacprzak, Cologne |
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Robbin Lockett Gallery, Chicago, IL |
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Institute of Contemporary Art, Boston, MA |
|
Fuller Gross Gallery, San Francisco, CA |
| 1989 |
Pat Hearn Gallery, New York, NY |
| 1988 |
Pat Hearn Gallery, New York, NY |
|
Hilman Holland Gallery, Atlanta, GA |
|
Gallery Mukai, Tokyo, Japan |
| 1987 |
Pat Hearn Gallery, New York, NY |
| 1986 |
Pat Hearn Gallery, New York, NY |
| 1983 |
The Clocktower, New York, NY |
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Daniel Weinberg, San Francisco, CA |
| 1981 |
Holly Solomon Gallery, New York, NY |
|
Holly Solomon Editions, New York, NY |
| 1980 |
Galerie Hans Strelow, Dusseldorf, Germany |
| 1979 |
Holly Solomon Gallery, New York, NY |
|
Galerie Wallner Fersens, Malmo, Sweden |
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Daniel Weinberg, San Francisco, CA |
| 1978 |
Galerie Wallner Fersens, Malmo, Sweden |
|
Holly Solomon Gallery, New York, NY |
| 1976 |
Holly Solomon Gallery, New York, NY |
| 1974 |
Gallery at the State University of New York at Stony Brook |
| 1973 |
Henri Gallery, Washington D.C. |
| 1972 |
Paley & Lowe Gallery, New York, NY |
| 1971 |
Paley & Lowe Gallery, New York, NY |
| 1970 |
Whitney Museum of American Art, New York, NY |
| 2008 |
“Present Tense,” Spanierman Modern, New York, NY |
| 2006 |
“POPulence”, Southeastern Center for Contemporary Art, North Carolina |
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“Infinite Painting - Contemporary Painting and Global Realism”, Villa Manin Centro d’Arte Contemporanea, Codroipo, Italy |
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“High Times, Hard Times: NY Painting 1965-75”, Weatherspoon Art Museum, Greensboro NC; American University Museum at the Katzen Center, Washington, D.C. |
|
“Painting’s Edge”, Idyllwild Arts, Idyllwild, CA |
| 2005 |
“Drunk vs. Stoned”, Gavin Brown’s Enterprise, New York |
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“Loveparade 1”, Hausler Contemporary, Munich, Germany |
|
“POPulence”, Blaffer Gallery, University of Houston, Houston, TX |
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MOCA, Cleveland, OH |
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“Post-Modern”, Greene Naftali Gallery, New York, NY |
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“The Shape of Colour: Excursions in Colour Field Art, 1950-2005”, Art Gallery of Ontario, Ontario, Toronto |
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“Extreme Abstraction”, Albright-Knox Art Gallery, Buffalo, NY |
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“The Painted World”, PS1, Long Island City, New York |
|
“The Early Show”, White Columns, New York, Curated by the General Store, Milwaukee |
| 2004 |
“Masters of the Obvious” Hampden Gallery at the University of Massachusetts Amherst, Amherst, MA |
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“North Fork/ South Fork: East End Art Now”, Southhampton, NY |
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Parrish Art Museum, South Hampton, NY |
|
Grenzuberchreitung, Galerie m Bochum, Bochum, Germany |
| 2003 |
“ON”, Galerie Renos Xippas, Athens |
|
“There is no land but the land (up there is just a sea of possibilities)”, Meyer Riegger Galerie, Karlsruhe, Germany |
| 2002 |
“Ten Years Galerie Hauser & Wirth”, Galerie Hauser & Wirth, Zurich |
|
“Farbe!” Huasler Contemporary, Munich, Germany |
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“Art Downtown: New York Painting and Sculpture”, 48 Wall Street, New York, NY |
|
“Objects of Desire”, Jan Abrams Fine Arts, New York, NY |
|
“House of Fiction”, Sammlung Hauser und Wirth, St. Gall, Switzerland |
| 2001 |
“Mary Heilmann – Joanne Greenbaum”, Greengrassi Gallery, London, GB |
|
“Shadow Dancing: 1975-79”, D’Amelio Terras, New York, NY |
|
“Part Two (1988-1994)”, Pat Hearn Gallery, New York, NY |
|
“Liquid Properties”, Cheim & Read, New York, NY |
| 2000 |
“The Artist as Curator: Helmut Federle, Georgia O’Keefe, Myron Sout, Marcia Hafif, Mary Heilmann, Haken Rehenberg, Robert Mangold, Blinky Palermo, Howard Hodgkin,” Galerie Nachst St. Stephan Rosemarie Schwarzwalder, Veinna |
|
“Jessica Stockholder/Mary Heilmann (Gemailde aus der Sammlung Hauser und Wirth)’ St. Gall, Switzerland |
|
Das Gedachnis der Maerei”, Aargauer Kunsthaus, Aarau |
| 1999 |
“Cosmogram”, Galerie Marabini, Bolgna, Italy |
| 1998 |
“Sea Change”, The Parrish Art Museum, Southampton, NY |
|
“Small Paintings”, Cheim & Reed, New York, NY |
| 1997 |
“Drawing and Painting”, Wooster Gardens, New York, NY |
|
American Women Artists of the Seventies, Jan Abrams Fine Art, New York, NY |
|
“Display”, Charlottenborg Exhibition Hall, Copenhagen, Denmark |
|
“Systematic”, Karen McCready Fine Art, New York, NY |
|
“After the Fall: Aspects of Abstract Painting since 1970”, Sung Harbor Cultural Center, Staten Island, NY |
|
“Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto”, Pat Hearn Gallery, New York, NY |
|
“Kunstlerlnnen: 50 Positionen zeitgenossischer internationaler Kunst’, cur. Edelbert Kob, Bregenz |
|
“Abstraction/Abractions”, Musee ‘Art Moderne de Saint-Etienne |
| 1996 |
The Flying Saucer Project, Pat Hearn Gallery, New York, NY |
|
“Leap of Faith: Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis”, National Arts Club, New York, NY |
|
“Abstraction: Conditional Geometries”, Musee d’art Moderne de St. Etienne, St. Etienne, France |
|
“Order/Disorder”, David Winton Bell Gallery, Brown University, Providence, RI |
|
“Abstraits Practiques”, Thaddeus Ropac, Salzburg, Austria |
|
“A Grapefruit in the World of Park”, Transmission Gallery, Glasgow, Scotland |
|
“Malerie II”, Monika Purth, Cologne, Germany |
|
“Passage a l’acte”, Thaddeus Ropac, Paris, France |
|
“Nuevas Abstracciones”, Centro d’arte contemporaneo Reina Sofia, Madrid, Spain |
| 1995 |
“Contemporary Drawing: Exploring the Territory”, Aspen Art Museum, Aspen, Colorado |
|
“Mary Heilmann & Elizabeth Cannon”, Cristenrose Gallery, New York, NY |
|
“Blue”, Stephen Wirtz Gallery, San Francisco, CA |
|
“Critiques of Pure Abstraction”, traveling exhibition organzied and circulated by Independent Curators Inc., New York, NY |
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“All About Edges”, Fine Arts Center Galleries, University of Rhode Island, Providence, RI |
|
“Works on Paper”, Zeno X Gallery, Antwerp, Belgium |
|
“Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute”, cur.Beat Wismer, Aargauer Kunsthaus, Aarau, Switzerland |
| 1994 |
“Mary Heilmann/Jene Highstein”, Baumgartner Galleries, Inc., Washington, D.C. |
|
“About Color”, Charles Cowles Gallery, New York, NY |
|
“Abstract Works on Paper”, Robert Miller Gallery, NY |
|
Salvatore Ala Gallery, New York, NY |
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“Embraceable You: Current Abstractions”, Selby Gallery, Sarasota, FL |
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“Reveillon ‘94”, Stux Gallery, New York, NY |
|
Salvatore Ala Gallery, New York |
| 1993 |
“Supervision”, Raume fur neue Kunst, Wuppertal, Germany |
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“New American Abstraction: The Conscious Gesture”, Locks Gallery, Philadelphia, PA |
|
“The Broken Mirror”, Kunsthalle Vienna, Austria and Deichtorhallen, Hamburg, Germany. Curated by Kaspar Konig and Hans-Ulrich Obrist |
|
“Future Perfect”, University of Applied Arts, Vienna, Austria |
|
“Italia-America: L’Astrazione Fidefinita”, Museo di Stato, San Marino, Italy |
|
“The Return of the Exquisite Cadavre”, Travelled to; The Drawing Center, New York; The Corcoran Gallery of Art, Washington; Santa Monica Museum of Art, CA; Forum for Contemporary Art, St. Louis, MO; The American Center, Paris, France. |
|
“Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elamr Trenkwalder, Gunter Umberg”, cur. Dan Cameron, Hochschule fur Angewandte Kunst/Heiligenkreuzerhof, Vienna |
| 1992 |
“A-Geometry”, Michael Kline Gallery, New York, NY |
|
“Not Men”, TRI Gallery, Los Angeles, CA |
|
“Bedroom Pictures”, Asher Faure Gallery, Los Angeles, CA Organized by Terry Myers |
|
“On Condition - Painting Between Abstraction and Representation”, Gallery 400, University of Illinois at Chicago, IL |
|
Pat Hearn Gallery, New York, NY (with Jack Pierson and Jessica Stockholder) |
|
“Martha Diamond, Mary Heilmann, Harriet Korman and Bernard Piffaretti: Painting”, Robert Miller Gallery, New York, NY |
|
“Slow Art - Painting in NY Now”, P.S. 1 Museum, Brooklyn, NY |
|
“Shades of Difference (The Feminine in Abstract Painting)”, Sandra Gering Gallery, New York, NY |
| 1991 |
“J.F.K.: In Memorium, Mythology, and Denial”, Renee Fotouhi Fine Art East, East Hampton, New York |
|
“Stubborn Painting, Now and Then”, Max Protech, New York, NY |
|
“The New Abstractions”, Sidney Janis Gallery, New York, NY |
|
“New Editions”, Pace Prints, New York, NY |
| 1990 |
“Geometric Abstractions”, Marc Richards Gallery, Santa Monica, CA |
|
“The Ends of Painting, The Edges of Abstraction”, Shoshona Wayne Gallery, Santa Monica, CA |
|
“Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall”, Lawrence Oliver Gallery, Philadelphia, PA |
|
Ohio University School of Art, Athens, OH |
| 1989 |
“Expressive Abstractions”, Thomas Segal Gallery, Boston Gallery 1709, St. Louis, Missouri |
|
“Restructure/Subverting the Grid”, New Jersey Center for the Visual Arts, Summit, NJ |
|
“The Whitney Biennial”, Whitney Museum of American Art, New York |
|
“Diagrams and Surrogates”, Shea & Beker Gallery, New York, NY |
|
“Abstract Options”, University Art Museum, Santa Barbara, CA |
| 1988 |
“A Debate on Abstraction”, Hunter College Art Gallery, City University of New York, NY |
|
“Sightings: Drawing with Color”, Instituto de Estudios Norteamericanos, Barcelona/Pratt Institute, New York, NY |
|
“Among Then, But Not of Them:, Saxon Lee Gallery, Los Angeles, CA |
|
Robbin Lockett Gallery, Chicago, IL |
|
Tom Cugliani Gallery, New York, NY |
|
“The Spirit of Logic”, M-13 Gallery, New York, NY |
| 1987 |
“Sculpture”, Pat Hearn Gallery, New York, NY |
|
“Clay Revisions - Plate, Cup and Vase”, Seattle Art Museum, Seattle, Washington |
|
“40th Biennial of American Contemporary Painting”, Corcoran Gallery of Art, Washington D.C. |
| 1986 |
“The Use of Geometry in the 80’s”, Gallery, Wright State University, Dayton, OH |
|
Fred Hoffman Gallery, Venice, CA |
|
“Drawing Show”, Pat Hearn Gallery, New York, NY |
| 1985 |
“Mary Heilmann, Janice Tchalenko, Betty Woodman”, Blum Helman Gallery, New York, NY |
|
“Anniversary Show”, Holly Solomon Gallery, New York |
| 1984 |
“Brilliant Color”, Baskerville and Watson, New York, NY |
|
“Forms That Function”, Katonah Gallery, Katonah, NY |
| 1983 |
“Precious Objects”, University Art Gallery, University of South Florida, Tampa, FL |
|
“Anniversary Show”, Holly Solomon Gallery, New York, NY |
|
“National Drawing Invitational”, Gallery, Central Washington |
|
“Women Artists’ Retrospective”, Douglas Collage Gallery, Rutgers, NJ |
| 1980 |
Greenberg Gallery, St. Louis, Missouri |
|
“Three More”, Holly Solomon Gallery, New York |
| 1979 |
“Small is Beautiful”, Freedman Gallery, Albright College, Lewisberg, PA |
| 1978 |
“Gold/Silver”, Holly Solomon Gallery, New York, NY |
|
“Personal Visions: Places/Spaces”, Bronx Museum, Bronx, NY |
| 1977 |
Daniel Weinberg Gallery, San Francisco, CA |
|
“The Painting Show”, P.S. 1 Museum, Brooklyn, NY |
|
“Painting: 75, 76, 77”, Sarah Lawrence Collage, Bronxville, NY |
|
“Patterning and Decoration”, Gallery Alexandra Monett, Brussels |
|
“Maps”, Museum of Modern Art, New York, NY |
| 1976 |
“Non-Collectible Art from the Collection of Horace and Holly Solomon”, Sarah Lawrence College, Bronxville, NY |
|
“Choice”, Yale School of Art, New Haven, CT |
| 1975 |
“Suzanne Harris, Mary Heilmann, Harriet Korman”, 112 Greene Street, New York, NY |
|
Holly Solomon Gallery, New York, NY |
| 1973 |
“Landscape”, Museum of Modern Art, New York, NY |
|
“Option, 1973”, Contemporary Arts Center, Cincinnati, OH |
|
“Ten Artists Who Happen To Be Women”, Kenan Center, Fredonia, NY |
| 1972 |
Henri 2 Gallery, Washington, D.C. |
|
“Painting and/or Sculpture”, Newark Museum, Newark, NJ |
|
“Whitney Annual”, Whitney Museum of American Art, New York, NY |
|
“American Women Artists”, Kunsthaus Hamburg, Hamburg, Germany |
|
“Grids”, Institute of Contemporary Art, Boston, MA |
|
“Gallery, University of Rhode Island, Kingston, RI |
| 1971 |
“Women Artists”, Aldrich Museum, Ridgefield, CT |
|
The New Gallery, Cleveland, OH |